Collection of the Smithsonian’s National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants.
“James Baldwin” by Beauford Delaney, pastel on paper, 1963. National Portrait Gallery, Smithsonian Institution. Copyright Estate of Beauford Delaney by permission of Derek L. Spratley, Esquire, Court Appointed Administrator; courtesy of Michael Rosenfeld Gallery LLC, New York.
Bruce Onobrakpeya, b. 1932, Nigeria, Station VI: Veronica wipes the face of Jesus (detail), 1969, linoleum block
print on rice paper, gift of Mr. George A. Naifeh, collection of the High Museum of Art, Atlanta.
Two-year-old male giant panda Bao Li in his habitat at Shenshuping Base in Wolong, China, May 16. Roshan Patel, Smithsonian’s National Zoo and Conservation Biology Institute.
Educators are invited to join us for the 2024 Smithsonian National Education Summit, hosted at the Smithsonian American Art Museum and National Portrait Gallery. (Photo by Norwood Photography)
The Zoo welcomed three litters of black-footed ferret kits, including those born to Aristides (above). Photo credit: Smithsonian’s National Zoo and Conservation Biology Institute
Emma Amos, “Winning,” 1982, acrylic on linen with hand-woven fabric, 75 × 64 in. (190.5 × 162.6 cm), Smithsonian American Art Museum, museum purchase made possible by the Catherine Walden Myer Fund, 2019.15, Copyright 1982, Ryan Lee Gallery, New York.
“Blossom Time” (detail), Willard Metcalf (1858–1925), United States, 1910, oil on canvas, National Museum of Asian Art, Smithsonian Institution, Freer Gallery of Art Collection, Gift of Charles Lang Freer, F1915.27a-b
Engaging a Multiplicity of Viewpoints, Exhibition Looks at Paintings of New England From a New Angle, Considers Human Impact, Indigenous Histories and Environmental Changes
