The Smithsonian’s National Zoo and Conservation Biology Institute welcomed two pygmy slow lorises babies March 21 to mother Naga and father Pabu in the Small Mammal House. Credit: Kara Ingraham, Smithsonian’s National Zoo and Conservation Biology Institute
Bluestriped grunts swim around a reef in Hol Chan Marine Reserve, Belize. Credit: Luciano Candisani /iLCP.
National Archives, Washington, DC | Transcript: Originally published in Indian Affairs: Laws and Treaties, compiled and edited by Charles J. Kappler, 1904; digitized by Oklahoma State University.
Visitors at the Anacostia Community Museum’s 2023 Honor the Earth Celebration plant the museum’s garden to start the spring season. Credit: Matilong Duma.
The museum’s May 2023 centennial celebrations. Credit: National Museum of Asian Art, Smithsonian Institution.
Unidentified Maker, Crazy Star; ca. 1920, Arthur, Illinois, cotton and wool; 74 x 63 ½ in. (detail), Collection of Faith and Stephen Brown, Promised gift to the Smithsonian American Art Museum.
“Josephine Baker” by Waléry, gelatin silver print, 1926. National Portrait Gallery, Smithsonian Institution.
Arjan Mann (right), a Smithsonian postdoctoral paleontologist and former Peter Buck Fellow, and Calvin So (left), a doctoral student at George Washington University, holding the fossil skull of Kermitops in front of the Kermit the Frog puppet display in the “Entertainment Nation” exhibition at the Smithsonian’s National Museum of American History.
Photo credit: James D. Tiller and James Di Loreto, Smithsonian. Fossil skull of Kermitops; USNM PAL 407585, Department of Paleobiology, Smithsonian Institution. Kermit the Frog puppet; 1994.0037.01, Gift of Jim Henson Productions. From the collections at National Museum of American History, Smithsonian Institution.
Left to right: Krystal Klingenberg, Allison Russell and Taj Mahal.
Do Ho Suh (b. 1962, South Korea) “Public Figures” (detail), 1998–2023, Jesmonite, aluminum, polyester resin. Credit: Courtesy the artist and Lehmann Maupin, New York, Seoul and London.
Lois Mailou Jones in her classroom at Howard University, Credit: Scurlock Studio Records, Archives Center, National Museum of American History.
Opal Lee by Sedrick Huckaby, oil on canvas, 2023. National Portrait Gallery, Smithsonian Institution; acquired through the generosity of Sasha and Edward P. Bass. Copyright 2023 Sedrick Huckaby.
Embossed gold jar (detail), Ōnuma Chihiro (b. 1950), Japan, Shōwa era, 1988, hammered copper with amalgam gilding (kinkeshi), National Museum of Asian Art, Smithsonian Institution, Bequest of Shirley Z. Johnson, S2022.8.37a–c Copyright Ōnuma Chihiro.
Left: John Singer Sargent, “Mrs. Kate A. Moore,” 1884. Oil on canvas; 71 5/8 x 45 3/4 in. (181.9 x 116.2 cm). Gift of Joseph H. Hirshhorn, 1972 (72.257). Photo: Lee Stalsworth.
Right: Amoako Boafo, “Cobalt Blue Dress,” 2020. Oil on canvas; 78 3/8 x 60 1/2 in. (199.1 x 153.7 cm). Gift of Sandra and Howard Hoffen, 2022 (2022.016). Photo: Rob Blunt.
Arcadia, California. Persons of Japanese ancestry arrive at the Santa Anita Assembly center from San Pedro, California. Evacuees lived at this center located at the former Santa Anita racetrack before being moved inland to relocation centers, April 5, 1942.
National Archives and Records Administration.
Newsdesk RSS Research News RSS