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Haverly's European Mastodon Minstrels

National Museum of American History

Object Details

Strobridge Lithographing Company
Description
Colored print of a large band performing on the steps of the Capitol (south wing), during the inauguration of the president. A row of Honor Guards stands at attention on the steps, to either side of the band. A large crowd looks on. Haverly's United Mastodon Minstrels was a blackface performers created in 1877, when J. H. Haverly merged four of his companies. The group included a brass band and a drum corp. The shows included lavish scenery and often a circus act.
Entertainment entrepreneur J. H. (Jack) Haverly (1837-1901) was born Christopher Haverly near Bellefonte, Pennsylvania. He launched his show business career in 1864 in Toledo, Ohio, where he purchased a variety theater. Inspired by entrepreneurs like P. T. Barnum, Haverly went on to manage other theaters, and he created minstrel and comic performance groups on the East Coast and in the Middle West. In the late 1870s he consolidated his troupes into a single company called the United Mastodon Minstrels which included forty performers, along with a brass band and drum corps. The group continued to grow and at one point had more than a hundred members. Around the same time, Haverly took control of a black performing group called Charles Callender's Original Georgia Minstrels, which he renamed Haverly’s Colored Minstrels. He promoted their performances as authentic depictions of black life, even creating a mock plantation with costumed actors portraying slaves and overseers. Haverly’s troupes toured the United States, usually appearing at his own theaters in cities like New York, Philadelphia, Chicago, and San Francisco. They also traveled to England and Scotland. Featuring lavish stage sets, extravagant special effects, and performers in blackface makeup and exotic costumes, his innovations inspired the creation of smaller minstrel shows during the late nineteenth century.
This chromolithograph was produced by the Strobridge Lithographing Company. The Strobridge firm was founded in Cincinnati, Ohio ca 1847 by lithographer Elijah J. Middleton (cited in some sources as Elijah C. Middleton). Middleton was known as one of the pioneers of chromolithography in the United States. By 1854 another lithographer, W. R. Wallace, along with the bookseller Hines Strobridge (1823-1909) had joined the firm as partners. After the Civil War, Strobridge acquired sole ownership of the company and renamed it after himself. Strobridge and Company became especially well known for circus, theater, and movie posters. After leaving the company, Elijah Middleton established a reputation as a portrait publisher, producing prints of George and Martha Washington, Daniel Webster, and other American historical figures.
Location
Currently not on view
Credit Line
Harry T. Peters "America on Stone" Lithography Collection
ca 1880
ID Number
DL.60.2482
catalog number
60.2482
accession number
228146
Object Name
chromolithograph
Object Type
Chromolithograph
Physical Description
paper (overall material)
ink (overall material)
Measurements
image: 27 in x 36 7/8 in; 68.58 cm x 93.6625 cm
overall: 30 in x 40 in; 76.2 cm x 101.6 cm
place made
United States: Ohio, Cincinnati
Related Publication
Peters, Harry T.. America on Stone
Marzio, Peter. The Democratic Art
See more items in
Home and Community Life: Domestic Life
Music & Musical Instruments
Clothing & Accessories
Advertising
Art
Peters Prints
Domestic Furnishings
National Museum of American History
Subject
Horses
U.S. National Government, executive branch
Uniforms, Military
Music
Theater
Inaugurations
Architecture, Public Buildings
depicted
Minstrels
Record ID
nmah_324802
Metadata Usage (text)
CC0
GUID (Link to Original Record)
https://n2t.net/ark:/65665/ng49ca746a1-2a18-704b-e053-15f76fa0b4fa
Haverly's European Mastodon Minstrels
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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