Koranic writing board

Object Details

Hausa artist

Label Text

Wood writing boards, some of them embellished with magic squares and other non-figurative designs in addition to Koranic script, serve to illustrate the long history of Islam and literacy in Africa. The boards are most often used by young Moslem students who are learning to read, write and recite Sura or passages from the Koran, Islam's sacred book. As lessons are completed, boards are washed for reuse.

Writing boards may also be used in contexts that suggest a synthesis of earlier animistic beliefs and the Islamic faith that superseded it. In some cases, a client seeking protection against disease or misfortune may visit a ritual practitioner who writes passages from the Koran or another source onto the writing board (or an animal skin). In a gesture that crystallizes the potency of the written words and also ensures protection, the client collects the liquid used to rinse the writing boards and drinks it.

Description

Rectangular writing board carved of light-weight wood with Islamic writing on both sides, a slightly concave lower edge, and a crescent-shaped leather-covered handle projecting from center edge along the top of the board. The writing in brown ink varies in intensity and clarity, with some smudges and drips suggesting possible corrections and the use of what a water soluble ink. A chalky residue is evident on the surface of each side of the board.

Provenance

Barry and Toby Hecht, Bethesda, Maryland, 1999 to 2001

Exhibition History

African Mosaic: Selections from the Permanent Collection, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 2013–August 12, 2019 (deinstalled July 8, 2019)

African Mosaic: Celebrating a Decade of Collecting, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 2010-November 13, 2013

Inscribing Meaning: Writing and Graphic Systems in African Art, National Museum of African Art, Smithsonian Institution, May 9- August 26, 2007; Fowler Museum at University of California, Los Angeles, October 14, 2007-February 17, 2008

Published References

Kreamer, Christine Mullen. 2003. " A Tribute to Roy Sieber: Part 2." African Arts 36 (2), p. 29, no. 38.

Kreamer, Christine, Mary Nooter Roberts, Elizabeth Harney and Allyson Purpura. 2007. Inscribing Meaning: Writing and Graphic Systems in African Art. Washington, D.C.: Smithsonian Institution; Milan: 5 Continents Editions, p. 20, no. 1.9.

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Credit Line

Gift of Barry and Toby Hecht in memory of Roy Sieber

Mid-late 20th century

Object number

2001-16-1

Restrictions & Rights

Usage conditions apply

Type

Book and Manuscript

Medium

Wood, ink, hide

Dimensions

H x W x D: 48.4 x 19.3 x 1.9 cm (19 1/16 x 7 5/8 x 3/4 in.)

Geography

Nigeria

See more items in

National Museum of African Art Collection

National Museum of African Art

Topic

Writing

male

Record ID

nmafa_2001-16-1

Metadata Usage (text)

Usage conditions apply

GUID (Link to Original Record)

http://n2t.net/ark:/65665/ys78f0c2ded-ea98-4621-a6e4-3d549fb73fff