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Louis Armstrong

National Portrait Gallery
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Object Details

Artist
Woodward's Studio, c. 1920 - 1930
Sitter
Louis Armstrong, 4 Aug 1901 - 6 Jul 1971
Exhibition Label
Born New Orleans, Louisiana
Jazz trumpeter and singer Louis Armstrong was also known as “Satchmo” or “Pops.” His first formal music lessons took place at the Colored Waifs’ Home in New Orleans, where Armstrong was detained as a juvenile delinquent for firing a pistol on New Year’s Eve. After his release about eighteen months later, he pursued a career as a musician. Playing with pick-up bands and in small clubs, Armstrong, his mentor Joe “King” Oliver, Jelly Roll Morton, Sidney Bechet, and others began creating new band music out of blues and ragtime. In the 1920s, as Armstrong left New Orleans for Chicago and New York City, his popularity exploded. He wowed audiences with groundbreaking trumpet solos, improvisations, and his “scat” singing.
This portrait shows the young Armstrong with his instrument. The reverse side lists Armstrong’s popular recordings from 1927 and 1928, including “West End Blues.”
Credit Line
National Portrait Gallery, Smithsonian Institution
c. 1928
Object number
NPG.2009.54
Restrictions & Rights
CC0
Type
Print
Medium
Halftone on paper
Dimensions
Sheet: 25.5 x 20 cm (10 1/16 x 7 7/8")
See more items in
National Portrait Gallery Collection
National Portrait Gallery
Topic
Music\Musical instrument\Trumpet
Costume\Dress Accessory\Neckwear\Tie\Bowtie
Louis Armstrong: Male
Louis Armstrong: Performing Arts\Performer\Actor\Movie
Louis Armstrong: Performing Arts\Performer\Comedian
Louis Armstrong: Performing Arts\Performer\Musician\Singer\Jazz singer
Louis Armstrong: Performing Arts\Performer\Musician\Jazz musician
Louis Armstrong: Performing Arts\Performer\Musician\Horn player\Trumpeter
Louis Armstrong: Grammy
Portrait
Record ID
npg_NPG.2009.54
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm40506ad45-b513-4a34-a642-f03fb33ff4a2

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This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
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