Walking Man
Object Details
- Artist
- Auguste Rodin, French, b. Paris, 1840–1917
- Provenance
- Musee Rodin, Paris, 1962
- Galerie Claude Bernard, Paris, January-4 March 1963*
- Joseph H. Hirshhorn, New York, 4 March 1963-17 May 1966
- Gift of Joseph H. Hirshhorn, 1966
- *This cast was probably commissioned by JHH through Galerie Calude Bernard. See VJF memo of 25 October 1995 in file.
- Exhibition History
- GALERIE CLAUDE BERNARD, Paris. "Auguste Rodin," January 1963, no. 1, ill.
- HIRSHHORN MUSEUM AND SCULPTURE GARDEN, Smithsonian Institution, Washington, DC. "Inaugural Exhibition," 4 October 1974-15 September 1975.
- SMITHSONIAN INSTITUTION, Washington, DC (organizer). "The America's Smithsonian: 150th Anniversary Exhibition," TOUR: Los Angeles, 9 February-7 March 1996; Kansas City, Missouri, 19 April-19 May; New York City, 11 June-24 July; Providence, 16 August-19 September; St. Paul, 11 October-14 November; Houston, 7 December-12 January 1997; Portland, 3 February-9 March; Birmingham, 1 April-11 May; San Jose, 3 June-11 July.
- Published References
- WATT, ALEXANDER. "Rodin Unknown, Homage to Atlan. Paris Commentary," Studio 165/841 (May 1963), 216.
- ARNASON, H. HARVARD. History of Modern Art (New York: Harry N. Abrams, 1968), p. 57, 114, ill. 72.
- JACOBS, JAY. "Collector: Joseph H. Hirshhorn," Art in America 57 (July-August 1969), p. 69, colorpl.
- JIANOU, IONEL, and CECILE GOLDSCHEIDER. Rodin (Paris: Arted, 1969), p. 86.
- JACOBS, JAY. "Quality as Well as Quantity: Joseph H. Hirshhorn," Collector in America, ed. by Jean Lipman (New York: Viking, 1971), p. 83, colorpl.
- ZANINI, WALTER. Tendencias da escultura moderna (Sao Paolo: Cultrix, 1971), p. 27, no. 5.
- LERNER, ABRAM. An Introduction to the Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), no. 32, ill.
- LERNER, ABRAM, et al. The Hirshhorn Museum and Sculpture Garden (New York: Harry N. Abrams, 1974), p. 103, 741, colorpl. 221.
- LYNES RUSSELL. "Modern Art Arrives on the Mall in a New Museum and Sculpture Garden," Smithsonian 5 (December 1974), p. 41, colorpl. p. 39.
- MERILLAT, HERBERT CHRISTIAN. Modern Sculpture: The New Old Masters (New York: Dodd, Mead & Co., 1974), p. 2-4, 64, ill. 4.
- COURTHION, PIERRE. "Le plus grand musee de sculpture du monde: La Collection Hirshhorn," XXe siècle 45 (December 1975), p. 30.
- TANCOCK, JOHN. The Sculpture of Auguste Rodin (Philadelphia: Museum of Art, 1976), no. 65, no. 65-1, see related works, p. 369.
- FENTON, DEBORAH T. Paris and the American Avant-Garde, 1900-1925 (Detroit: Detroit Institute of Arts, 1980), fig. 14, p. 19.
- SELZ, PETER. Art in our Times: A Pictorial History 1890-1980 (New York: Harcourt Brace Jovanovich and Harry N. Abrams, 1981), ill. p. 76, no. 167.
- FICHNER-RATHUS, LOIS. Understanding Art, second ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1986), p. 133, ill., no. 6-11.
- FICHNER-RATHUS, LOIS. Understanding Art, fourth ed. (Englewood Cliffs, New Jersey: Prentice Hall, 1995), no. 6-17, ill. p. 134.
- LEWIS, RICHARD, and SUSAN I. LEWIS. The Power of Art (New York: Harcourt Brace College Publishers, 1995), no. 7-13, ill. p. 115.
- UNSIGNED. "Smithsonian Packs Up Its Show to Hit the Road," New York Times National (25 November 1995).
- TRESCOTT, JACQUELINE. "Smithsonian Marks 150th With Biggest Exhibit Ever," Washington Post (14 December 1995), pp. A1, A19.
- MOESER, VICKI. "Smithsonian packs travel bags," Torch, no. 96-1 (Washington DC: A Monthly Newspaper for Smithsonian Institution, January 1996), ill.
- GOLDBERGER, PAUL. "An Attic Of Stuff, All Real," New York Times (14 June 1996), p. C1, C14.
- TANSEY, RICHARD G. and FRED S. KLEINER. Gardner's Art Through The Ages, tenth ed. (New York: Harcourt Brace College Publishers, 1996), no. 26.91, p. 1012.
- UNSIGNED. "America's Attic," USA Today (July 1996), ill. p. 26.
- BAKER, KENNETH. "America Trophies," San Francisco Chronicle (31 July 1997), p. C1, ill. p. C3.
- FLETCHER, VALERIE J. A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum (Washington, D.C. : Hirshorn Museum and Sculpture Garden in association with Thames and
- Hudson, 1998), no. 5, ill. p. 42.
- TRESCOTT, JACQUELINE. "History Comes Home," Washington Post (12 February 1998), p. E2.
- FLETCHER, VALERIE J. "Body Language: The Figure in Sculpture," (Vero Beach Museum of Art, FL, 2009), fig. 1, p. 3. [exhibition brochure]
- AQUIN, STEPHANE, et al. Hirshhorn Museum and Sculpture Garden: The Collection (New York: DelMonico Books, 2022), pl. 5, p. 35.
- See file for further info.
- Credit Line
- Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
- (1900/enlarged 1905, cast 1962)
- Accession Number
- 66.4343
- Type
- Sculpture
- Medium
- Bronze
- Dimensions
- 84 1/4 × 61 5/8 × 28 7/8 in. (214 × 155.8 × 73.1 cm)
- See more items in
- Hirshhorn Museum and Sculpture Garden Collection
- On View
- Hirshhorn Museum & Sculpture Garden (Washington, DC), Plaza
- Hirshhorn Museum and Sculpture Garden
- Record ID
- hmsg_66.4343
- Metadata Usage (text)
- Not determined
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/py297615058-3a2a-4a08-8033-5fb48d17ef70
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