Skip to main content

Search

My Visit
Donate
Home Smithsonian Institution

Site Navigation

  • Visit
    • Museums and Zoo
    • Entry and Guidelines
    • Maps and Brochures
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
      • Group Sales
  • What's On
    • Exhibitions
      • Current
      • Upcoming
      • Past
    • Online Events
    • All Events
    • IMAX & Planetarium
  • Explore
    • - Art & Design
    • - History & Culture
    • - Science & Nature
    • Collections
      • Open Access
    • Research Resources
      • Libraries
      • Archives
        • Smithsonian Institution Archives
        • Air and Space Museum
        • Anacostia Community Museum
        • American Art Museum
        • Archives of American Art
        • Archives of American Gardens
        • American History Museum
        • American Indian Museum
        • Asian Art Museum Archives
        • Eliot Elisofon Photographic Archives, African Art
        • Hirshhorn Archive
        • National Anthropological Archives
        • National Portrait Gallery
        • Ralph Rinzler Archives, Folklife
        • Libraries' Special Collections
    • Podcasts
    • Stories
  • Learn
    • For Caregivers
    • For Educators
      • Art & Design Resources
      • Science & Nature Resources
      • Social Studies & Civics Resources
      • Professional Development
      • Events for Educators
      • Field Trips
    • For Students
    • For Academics
    • For Lifelong Learners
  • Support Us
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
      • Smithsonian Call Center
      • Ambassador Program
      • Museum Information Desk
      • Docent Programs
      • Behind-the-Scenes
      • Digital Volunteers
      • Participatory Science
  • About
    • Our Organization
      • Board of Regents
        • Members
        • Committees
        • Reading Room
        • Bylaws, Policies and Procedures
        • Schedules and Agendas
        • Meeting Minutes
        • Actions
        • Webcasts
        • Contact
      • Museums and Zoo
      • Research Centers
      • Cultural Centers
      • Education Centers
      • General Counsel
        • Legal History
        • Internships
        • Records Requests
          • Reading Room
        • Tort Claim
        • Subpoenas & Testimonies
        • Events
      • Office of Human Resources
        • Employee Benefits
        • How to Apply
        • Job Opportunities
        • Job Seekers with Disabilities
        • Frequently Asked Questions
        • SI Civil Program
        • Contact Us
      • EEO & Small Business
        • EEO Complaint Process
        • Individuals with Disabilities
        • Small Business Program
          • Doing Business with Us
          • Contracting Opportunities
          • Additional Resources
        • Special Emphasis Program
      • Sponsored Projects
        • Policies
          • Combating Trafficking in Persons
          • Animal Care and Use
          • Human Research
        • Reports
        • Internships
    • Our Leadership
    • Reports and Plans
      • Annual Reports
      • Metrics Dashboard
        • Dashboard Home
        • Virtual Smithsonian
        • Public Engagement
        • National Collections
        • Research
        • People & Operations
      • Strategic Plan
    • Newsdesk
      • News Releases
      • Media Contacts
      • Photos and Video
      • Media Kits
      • Fact Sheets
      • Visitor Stats
      • Secretary and Admin Bios
      • Filming Requests

Hands of Inge

National Museum of African American History and Culture

Object Details

Directed by
John W. Fletcher Jr., American
Edited by
Tee Beveridge, American, 1923 - 1993
Subject of
Inge Hardison, American, 1914 - 2016
Composed by
Mal Waldron, American, 1925 - 2002
Ron Carter, American, born 1937
Eric Dolphy, American, 1928 - 1964
Narrated by
Ossie Davis, American, 1917 - 2005
Owned by
Pearl Bowser, American, 1931 - 2023
Caption
This 16mm black and white film is a short film exploring the work and methodology of acclaimed African American sculptor Inge Hardison. The film, made relatively early in her career, details her working processes with clay, bronze, and wire.
Description
The 16mm, black-and-white film serves as a short introduction to the work and methodology of acclaimed African American sculptor Inge Hardison. The film, made relatively early in her career, details her working processes with clay, bronze, and wire. The camera largely focuses on her hands, although there are also some shots that include her full body and the model, a young girl, Hardison's daughter, Yolande. The jazz music soundtrack features Mal Waldron, Eric Dolphy, Ron Carter, and Toni Ross. Hortense Beveridge edited the film. There is some voiceover narration by Ossie Davis.
The film opens with close-ups of Hardison's hands as she displays some tools, cuts a piece of metal, and begins the process of making clay for sculpture. The next scene shows her hands working with metal wire and wood and using wire cutters as she twists the metal around another object. At this point in the film, the narration by Ossie Davis begins. He introduces Hardison and then the camera shot pulls back to show her working on a sculpture on a waist-high table. All of the materials from the previous scene appear to have been used in the sculpture she is working on. The camera shot returns to a close-up of her hands as she molds the clay around the wire. As she continues to work, the clay is molded into the shape of a human head, and Davis reveals that she is creating a bust of Martin Luther King, Jr. The next scenes show some of her other sculpture, including one of Father John Coleman of Brooklyn, Nellie Carrington from the book Smokey Town Road written by Hardison, Elaine Atwell, and her niece Minnie Hardison. The montage of her works ends with a small full nude sculpture. The next scene shows a close-up of hands working on a sculpture of her daughter. Then the footage shows her daughter and compares her to the sculpture with sporadic narration by Davis. He then explains how she is preparing the sculpture to be made into bronze. The next scene shows her hands using pliers to work with wire. The final design shown is a man made of wire in a running position. The film ends with a montage of her hands with and without tools.
An original metal film canister (2012.79.1.9.1c) also accompanies the film. One half of the canister has a pre-printed Chamba Educational Film Servies mail label addressed to Hortense Beveridge, while the other half has a handwritten label from Hortense Beveridge.
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
ca. 1962
Object number
2012.79.1.9.1ac
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Type
sound films
black-and-white films (visual works)
short subjects
16mm (photographic film size)
Medium
acetate film and metal
Dimensions
Duration: 10 min.
Physical extent (film): 412 ft
Place filmed
Manhattan, New York City, New York County, New York, United States, North and Central America
See more items in
National Museum of African American History and Culture Collection
Collection title
Pearl Bowser Collection
Classification
Time-based Media - Moving Images
National Museum of African American History and Culture
Topic
African American
Actors
Art
Film
Jazz (Music)
Process films
Women
Record ID
nmaahc_2012.79.1.9.1ac
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/fd5c45b93d7-bdd0-4353-a4b6-600de94c0223

Related Content

  • AVMPI-Media

    Smithsonian Libraries and Archives
View Video recordings

Footer logo

Link to homepage

Footer navigation

  • Contact Us
  • Job Opportunities
  • Get Involved
  • Inspector General
  • Records Requests
  • Accessibility
  • EEO & Small Business
  • Shop Online
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use

Social media links

  • Facebook
  • Instagram
  • YouTube
  • LinkedIn

Get the latest news from the Smithsonian

Sign up for Smithsonian e-news

Get the latest news from the Smithsonian

Email powered by BlackBaud (Privacy Policy, Terms of Use)
CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.
Back to Top