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Bartley Campbell's Siberia A Jewish Massacre

National Museum of American History

Object Details

cited
Campbell, Bartley
Strobridge Lithographing Company
Description
This colored print depicts a town square where soldiers with swords are attacking men, women, and children. Several people are on the ground, dead or injured. At the center of the print is a fountain with a statue of the Virgin Mary. A building emitting smoke and fire with the sign “Café Imperiale” stands on the left side of the square, and on the right another building carries the sign “Café du Peuple.” In the lower left-hand corner are the words “A Jewish Massacre,” indicating this is depicting a scene from the wave of anti-Jewish riots or pograms that swept through Russia during the 1880's and resulted in loss of life as well as emigration to other countries. A Russian Orthodox church with onion domes appears in the background. The drama Siberiafeatured many prominent actors of the day and toured in England, Australia, and New Zealand.
Bartley T. Campbell (1843-1888), was a journalist, novelist, poet, dramatist, and theatrical manager. He was born to Irish immigrant parents in Pittsburgh, Pennsylvania, and began his writing career at age fifteen as a reporter for the Pittsburgh Post. He also worked for newspapers in Louisville, Kentucky, and Cincinnati, Ohio, and founded the Southern Monthly Magazine in New Orleans, Louisiana. After the success of his first melodrama, Through Fire, in 1871, Campbell gave up journalism for playwrighting and experimented with everything from comedies to domestic dramas to military sagas. Several of his works, including The White Slave, focused on racial themes and the plight of mixed-race characters. After an 1876 trip to London, Bartley Campbell began to write the western dramas for which he became especially famous, including The Vigilantes, or, The Heart of the Sierras. He has been described as America's "first fully professional dramatist" (The Oxford Companion to American Theatre),and he also produced and directed plays. Later in life Bartley Campbell suffered from financial and mental problems and died at the State Hospital for the Insane in Middletown, New York. The Galley Slave, became a 1915 film starring Theda Bara.
This chromolithograph was produced by Strobridge Lithographing Company. The Strobridge firm was founded in Cincinnati, Ohio ca 1847 by lithographer Elijah J. Middleton (cited in some sources as Elijah C. Middleton). Middleton was known as one of the pioneers of chromolithography in the United States. By 1854 another lithographer, W. R. Wallace, along with the bookseller Hines Strobridge (1823-1909) had joined the firm as partners. After the Civil War, Strobridge acquired sole ownership of the company and renamed it after himself. Strobridge and Company became especially well known for circus, theater, and movie posters. After leaving the company, Elijah Middleton established a reputation as a portrait publisher, producing prints of George and Martha Washington, Daniel Webster, and other American historical figures.
Location
Currently not on view
Credit Line
Harry T. Peters "America on Stone" Lithography Collection
n.d.
ID Number
DL.60.3020
catalog number
60.3020
accession number
228146
Object Name
chromolithograph
Object Type
Chromolithograph
Physical Description
paper (overall material)
ink (overall material)
Measurements
image: 16 1/2 in x 25 1/2 in; 41.91 cm x 64.77 cm
place made
United States: Ohio, Cincinnati
See more items in
Home and Community Life: Domestic Life
Advertising
Art
Peters Prints
Domestic Furnishings
National Museum of American History
Subject
Costume
Children
Marriage
Architecture
Theater
Record ID
nmah_325289
Metadata Usage (text)
CC0
GUID (Link to Original Record)
https://n2t.net/ark:/65665/ng49ca746a4-2587-704b-e053-15f76fa0b4fa
Bartley Campbell's Siberia
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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