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Smithsonian Memories Project, Festival of American Folklife Oral History Interviews

Smithsonian Libraries and Archives

Object Details

Creator:
Topic
Oral history
Interviews
Visitors
Volunteers
Museums -- Employees
African Americans -- History
Anniversaries
African Americans
African Americans -- Washington (D.C.)
Museum curators
See more items in
Smithsonian Memories Project, Festival of American Folklife Oral History Interviews
Historical Note
A section of the 1996 Festival of American Folklife was devoted to capturing the history and memories of Smithsonian for the Smithsonian Institution's celebration of its Sesquicentennial in 1996. Staff and volunteers of the Institutional History Division and the Center for Folklife Programs conducted interviews with Smithsonian staff, volunteers, and visitors about their memories of the Smithsonian. Between June 26 and July 7, 1996, some 173 individuals were interviewed alone and in groups. Interviewees included a wide array of Smithsonian staff from many museums and organizations, several Smithsonian volunteers, and a number of visitors to the Festival. Staff interviewees ranged from guards in a K-9 unit, to administrators, curators, educators, "skull" crews who move large objects, registrars, administrative staff, and horticultural staff, among others. Interviews of visitors focused on their reminiscences of visits to the Smithsonian museums and previous Folklife Festivals. Additional interviews of collected Smithsonian staff can be found in Record Unit 9508, Senate of Scientists Interviews; Record Unit 9522, Association of Curators Reminiscences; Record Unit 9595, Smithsonian's 150th Birthday Interviews; and Record Unit 9622, National Museum of Natural History Centennial Interviews.
Extent
160 audiotapes (Originals). audiotapes (Reference copies).
Date
1996
Archival Repository
Smithsonian Institution Archives
Identifier
Record Unit 9594
Type
Collection descriptions
Archival materials
Audiotapes
Transcripts
Citation
Smithsonian Institution Archives, Record Unit 9594, Smithsonian Memories Project, Festival of American Folklife Oral History Interviews
Genre/Form
Audiotapes
Transcripts
Introduction
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also interviews conducted by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
Descriptive Entry
This collection is comprised of one hundred and sixty interview sessions, totaling approximately 68.5 hours of recordings and 289 pages of transcript. Thirteen of the interview sessions have been transcribed, while the remainder of interview sessions have been described in short summaries. Interviewees were Smithsonian staff, retirees, volunteers, and visitors, including: Lorie Aceto - 033 Paul Allen - 044 Leslie Atkins - 034 Preston Atkins - 034 Betty Belanus - 123 Louise D. Belcher - 027 Stephen Belcher - 027 Dick Bell - 140 Cordelia Benedict - 141 Francine Berkowitz - 026 Maggie Bertin - 132 Carvester Booth - 050 David Bosserman - 133 Steven Bostwick - 137 Anita Buffaloe - 105 Josephine Burman - 057 Olivia Cadaval - 040 Richard Callwood - 139 Nathaniel Carleton - 071 Judy Chelnick - 099 Barbara Coffee - 091 Sheila E. Cogan - 095 Ronald Colaprete - 081 Judie Cooper - 058 Patricia Cox - 038 William E. Cox - 077 Myron Curtis - 009 Melissa Darden - 135 Herb Davis - 056 James Deutsch - 055 David DeVorkin - 006 Kathleen Dorman - 029 Doc Dougherty - 157 James Early - 062 Douglas Evelyn - 068 Edgar Farley - 101 Edward Fisher III - 153 Jody Fitterer - 008 Lou Fleming - 088 John Franklin - 085 William Gagham - 124 Jim Galvin - 096 Helen Gaul - 102 Mark Geiger - 083 John Gibson - 011 Jane Glaser - 041 Lee Galssco - 122 Andrew Goffrey - 042 Carol Gover - 036 Elease Hall - 092 Sara Harkavy - 080 Marguerite Harding - 021 Robert Harding - 078 Rebecca Hartman - 080 William Hartung - 017 Martha Hayes - 052 Leonard Hirsch - 125 Alice Hirschfeld - 002 Elaine Hodges - 134 Cynthia Hoover - 024 Bernard Howard - 136 David Howery - 131 Karin Hoyes - 001 Regina H. Ingrim - 160 Reuben Jackson - 111 David Jickling - 117 Myron Johnson - 047 Larry Jones - 042 Mitchell Jones - 149 Steve Jones - 042 Ken Jordan - 042 Martin Kaufna - 066 Walter Kelly - 144 Dana Kent - 065 David Kessler - 070 Kethshara Khlok - 147 Donald E. Kloster - 015 Ramunas Kondratas - 106 Amy Kotkin - 145 Kamille Kreger - 051 Michael Kreger - 051 Manjula Kumar - 010 Katharine Landfield - 114 Peggy Langrall - 086 Dorothy Laoang - 037 Felix Lapinski - 022 Jeffrey LaRiche - 152 Elyse Lattner - 159 Tom Lauderbaugh - 076 Myron Lecar - 059 Rose Lee - 061 Martin Levine - 107 Steven Lubar - 110 Marian Hope Lund - 003 Ian MacTavish - 073 Joseph Madeira - 014 Peter Magoon - 148 Barbara Manioc - 096 Sally Maran - 087 Kenneth Mason - 143 B. C. May - 004 Virginia McCawley - 121 Mary McCutcheon - 104 David McFadden - 025 Joseph H. McGuiness - 082 Adriana McMurray - 097 Jimmy Melendez - 044 Felicia Messina-D'Haiti - 084 Per Midboe - 073 Harry Miller - 138 Barbara Moore - 103 David Moore - 064 Marvin Nakashima - 005 Diana N'Diaye - 035 Norman Novack - 155 Jen Page - 146 Geoffrey Parker - 150 Joan Paull - 060 Marvette Perez - 109 Catherine Perge - 032 Don Phillips - 042 Jeff Place - 154 Nancy Pope - 119 Jean Porter - 007 Fred Price - 053 Louis R. Purnell - 089 Larry Randall - 054 Jahari Rashad - 158 Sharon Reinckens - 019 Sharon Rohnback - 093 Anne Roocker - 069 Rex Roocker - 069 Ingrid Roper - 031 Cordelia Rose - 115 Deborah Rothberg - 130 Lucile Rowe - 018 Margaret Santiago - 113 Lori Schlemmer - 098 Volkor K. Schmeissner - 127 Eric Scott - 046 Mina Smith Segal - 043 Ruth Selig - 108 Arnold Sperling - 048 David Squire - 156 John Stine - 030 Sally Sweetland - 023 Nancy Sweezey - 151 Charles Tamosa - 142 Kenneth Thomas - 045 L. Susan Tolbert - 112 Billy Turner - 020 Raineldo Urriola - 094 Vincent VanAllen - 128 Tom Vennum - 028 Jane Walsh - 012 Rita Wanpeha - 120 Mark H. Warmaling - 072 Deborah Watkins - 075 Mick Weltman - 067 David West - 079 Dennis Whigham - 074 Janice Whigham - 192 William White - 049 Amy Wilson - 063 Jennie Witthoff - 039 Douglas Wonderlic - 118 Mary Wood - 016 Chuck Woolf - 126 Steptoe Wrenn - 013 Holly Wright - 116 Agnes Yore - 090 Elizabeth Zimmer - 100 Amanda Zocchi - 038 Interviewers were Smithsonian staff and volunteers, including Francine Berkowitz, Maggie Bertin, Dorothy Blink, David Bosserman, Emily Botein, Olivia Cadaval, Tim Carr, Vivien Chen, Martin Collins, Eduardo Contreras, Odette Diaz, John Franklin, Shenandoah Gale, Joanne Gernstein-London, Margy Gibson, Terrica M. Gibson, John McKiernan Gonzalez, Pamela M. Henson, Paula Johnson, Katherine Kirlin, Felix Lapinski, Tom Lawrence, Brian LeMay, Magdelena Mieri, Pilar Somma Montalvo, Jen Page, Marvette Perez, Catherine Perge, Sarita Rodriguez, and Polly Stewart.
Related link
Record ID
ebl-1523899822106-1523899822130-0
Metadata Usage
CC0

In the Collection

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  • Fred Price was interviewed by David Bosserman on June 29, 1996. He came to work at the Smithsonian in 1978 as a member of the grounds crew for the Festival of American Folklife. He worked as the grounds crew chief and is now a rigger in the National Museum of African Art and the Sackler Gallery. This interview discusses what Price did as part of the grounds crew, what his job entails now, the changes he has seen at the Folklife Festivals, his memories of early Folklife Festivals, and what it is like to work in the underground Quad complex. He mentions Ralph Rinzler, James Early, Diana Parker, Barbara Strickland, Paul Squier, Pete Reiniger, and Richard Debacher.

  • Donald E. Kloster was interviewed by Pilar Somma on June 27, 1996. A native of Iowa, Kloster came to work at the Smithsonian in January 1960 as a museum aide in the Division of Military History, now the Armed Forces Collection in the Department of History of Technology. Kloster was promoted to museum technician and then curator, and retired in July 1994. He now works part-time at the Smithsonian. This interview discusses Kloster's work as a museum aide in the Arts and Industries Building; colleagues Edgar M. Howell, Mendel L. Peterson, Philip K. Lundeberg, and others; changes at the Smithsonian; his professional associations with the military; the challenges of his work; the Smithsonian during World War II and the evacuation plans for certain artifacts; which objects Kloster would have saved; two book projects on which he is currently working; his opinions about the Enola Gay exhibit controversy; and what working at the Smithsonian has meant to him.

  • Audio Recording of Interview: Total recording time: 16 minutes.

  • FAF/SM96-019 - Sharon Reinckens, June 27, 1996

  • FAF/SM96-072 - Mark Wamaling, June 30, 1996

  • Audio Recording of Interview: Total recording time: 33 minutes.

  • FAF/SM96-139 - Richard Callwood, July 7, 1996

  • FAF/SM96-034 - Preston and Leslie Atkins, June 28, 1996

  • FAF/SM96-014 - Joe Madeira, June 27, 1996

  • Kenneth "Kenny" Thomas was interviewed by Katherine Kirlin on June 29, 1996. Thomas was born in Washington, DC, in 1948 and grew up in Maryland. He served in the Navy for two years and began working at the Smithsonian in 1969 as a security guard. In 1973 Thomas became a sergeant on the force, and in 1976 he made captain. In August 1984 he was promoted to Inspector in the Protection Services Division, and in March 1994 he became Security Manager for the Arts and Industries Building, the Castle, and the Quadrangle. This interview discusses the course of his career at the Smithsonian; the duties of his current position; his work as a facilitator for Investment Excellence, a self-improvement workshop; security issues during 1976 and the Bicentennial celebration; changes that the Smithsonian's Protection Services Division has undergone; visiting the Smithsonian in the 1950s; the numerous political and public figures Thomas has met; memories of the 1976 and 1981 Folklife Festivals; stories about security at the Smithsonian; his plans for the future; colleagues Pete Mackassy, Lt. Willie Jones, Lt. Will Lassiter, Mr. John Barnes, and Col. Carl Grimsley; and his positive appraisal of the 1996 Festival of American Folklife.

  • Rita Warpeha was interviewed by Jen Page on July 6, 1996. Born in Minnesota, in 1940, Warpeha worked for the Peace Corps and the Library of Congress before coming to work for the Smithsonian in January 1993. She began working in a temporary position and, within 6 months, was hired on a permanent basis. She is now a resource/database specialist with the National Science Resources Center (NSRC). This interview discusses how Warpeha came to work for the Smithsonian, the history and purpose of the NSRC, her work for that office, the benefits of being a Smithsonian employee, a typical day of work, the projects she is currently working on, working with colleagues Doug Lapp and Sally Shuler, how her job has changed, working for the Smithsonian as compared to a government job, what working at the Smithsonian means to her, memories of the Festival of American Folklife, her first contact with the Smithsonian through Resident Associates courses, and an anecdote about Warpeha's contact with the NSRC before she came to work there.

  • FAF/SM96-127 - Volkor K. Schmeissner, July 6, 1996

  • FAF/SM96-138 - Harry Miller, July 7, 1996

  • Audio Recording of Interview: Total recording time: 26 minutes.

  • Nathaniel Carleton was interviewed by Terrica Gibson on June 30, 1996. Educated at Harvard as a physicist, Carleton was a professor at Harvard until coming to work for the Smithsonian in the early 1960s. He works at the Smithsonian Astrophysical Observatory (SAO) in Cambridge, Massachusetts. This interview discusses Carleton's work as an atomic physicist; his career at the Smithsonian; the development of the professional relationship between Harvard and the SAO; Dr. Fred Whipple and his directorship at the SAO; the conception, building, and early years of the observatory in Cambridge; the planning, financing, building, and outfitting of the Whipple Observatory in Mt. Hopkins, Arizona; the multiple mirror telescope (MMT) that Carleton helped to design and build at Mt. Hopkins; the MMT's innovations and its impact on the scholarly community; a comparison of the different types of telescopes; Carleton's current work at the SAO; his plans for future work; the staff at the SAO; his wife's involvement at the Smithsonian as a volunteer; weather disasters in Arizona which affected the Whipple Observatory; and the strengths of George Field and Irwin Shapiro as subsequent directors of the SAO.

  • Audio Recording of Interview: Total recording time: 16 minutes.

  • FAF/SM96-033 - Lorie H. Aceto, June 28, 1996

  • Billy Turner was interviewed by Jen Page on June 27, 1996. Turner was born in Washington, DC, in 1939 and came to work for the Smithsonian in 1968 as a welder at the National Zoo. This interview discusses Turner's prior employment, his family's farms in southern Maryland, how Turner came to work for the Smithsonian, his first impressions of the job, a typical daily schedule, changes in his job and at the Zoo, working with animals, the challenging aspects of his job, what it means to work for the Smithsonian, and his observations about the Festival of American Folklife. Turner also relates numerous anecdotes about working with the animals at the Zoo.

  • FAF/SM96-079 - Dave West, July 3, 1996

  • Audio Recording of Interview: Total recording time: 12 minutes.

  • FAF/SM96-053 - Fred Price, June 29, 1996

  • Doc Dougherty was interviewed by Paula Johnson on June 28, 1996. He was born in Charleston, West Virginia, in 1944 and worked with several photographers before coming to the Smithsonian in August 1973. He began as a printer at the National Museum of American History, where he worked for three years. He then moved to the National Museum of Natural History and remained for seven years. He then moved to the Museum Support Center (MSC). Dougherty was promoted during his career and is now Director of the Photography Branch of the Office of Printing and Photographic Services (OPPS). He also teaches leadership labs at local colleges d the magic course for the Campus on the Mall series. This interview discusses how he got his nickname; how he came to work at the Smithsonian; his jobs prior to the Smithsonian; his childhood visits to the museums; comparing the Smithsonian to a carnival; his formal and informal educations; the course of his career; the first photographs he did for the Smithsonian; the positive experience of working at the MSC; why he enjoys his job; a typical day now; changes at the Smithsonian; photographing the Festival and other events on the Mall; memorable projects; changes in darkroom work; the possibility of retirement; the people he works with, including colleagues Lorie Aceto and Jim Wallace; and changes at the Smithsonian.

  • Audio Recording of Interview: Total recording time: 29 minutes.

  • Audio Recording of Interview: Total recording time: 22 minutes.

  • Diana N'Diaye was interviewed by Eduardo Contreras on June 28, 1996. N'Diaye was born in New York in 1950; she came to the Smithsonian in 1990 when she was hired for the Senegal program of the Festival of American Folklife. She is now a Cultural Specialist and Program Curator for the Center for Folklife Programs and Cultural Studies (CFPCS). This interview discusses N'Diaye's coming to the Smithsonian, her work on Maroon communities with colleague Kenneth Bilby, her 1993 exhibit Kids' Play and Performance Tradition, her current research on African immigrant communities, the Smithsonian's impact on her and her family, her impressions of the Smithsonian before working here, her first day of work, a typical week of work, her accomplishments, the challenges she faces in choosing and balancing projects, changes in the CFPCS, and her favorite memory of a young performer at the Folklife Festival.

  • Joan Paull was interviewed by Shenandoah Gale on June 29, 1996. Born in Washington, DC, in 1929, Paull has volunteered at the Festival of American Folklife in the Press Tent since 1973. This interview discusses Paull's reasons for volunteering, her favorite Festival stories, the development of the children's area at the Festival, changes she has seen at the Festival, favorite Festival exhibits, and the overlap of her volunteering at the Smithsonian and her work with Girl Scouts.

  • FAF/SM96-143 - Kenneth Mason, July 7, 1996

  • Untitled

  • FAF/SM96-114 - Katharine Landfield, July 5, 1996

  • FAF/SM96-024 - Cynthia Hoover, June 27, 1996

  • FAF/SM96-106 - Ramunas "Ray" Kondratas, July 5, 1996

  • FAF/SM96-159 - Elyse Lattner, July 4, 1996

  • Steptoe Wrenn was interviewed by Polly Stewart on June 27, 1996. Wrenn was born in 1921 in southern Virginia and served in the military during World War II. He began working asa security officer at the Smithsonian in 1948 and received promotions until he reached the position of Executive Officer in Security. He retired in 1989 after 41 years of service to the Smithsonian. Wrenn now sells real estate. This interview discusses what brought Wrenn to work at the Smithsonian, his duties and experiences as a security officer, the discrimination he experienced as one of the first African-Americans to work at the Smithsonian, other jobs Wrenn has held, his job training, his interactions with visitors, and reflections on what it was like to work at the Smithsonian.

  • Jane Walsh was interviewed by Ana Acosta on June 27, 1996. Walsh was born in 1945 in New York City and came to work at the Smithsonian in July 1971 in the Anthropological Archives. She became a researcher in the Department of Anthropology in 1975 and specializes in Mexican and pre-Columbian topics. This interview discusses Walsh's coming to the Smithsonian; colleagues in the Anthropological Archives Cathy Harris, Cathy Creek, Paula Fleming, and Margaret Blaker; her childhood memories of visiting the National Museum of Natural History with her family; her work in the Anthropological Archives; her projects as a researcher, including the Treasures of Mexico exhibit and collaborations with the Performing Arts Division; her work over the last decade, including curating the New World/Mexico section of the Seeds of Change exhibit, archaeological work, and a collaboration with the British Museum on crystal skulls. The interview also covers the challenging aspects of her job, what it means to work at the Smithsonian, which museums she visits when she is not working, work she is doing in conjunction with the National Gallery and with Pamela Henson of the Office of Smithsonian Institution Archives, anecdotes about working at the Smithsonian, and her memories of past Folklife Festivals.Lydia Wentz, formerly of the Center of Study of Man at the Smithsonian and a friend of Walsh's, also contributed to this interview, mainly with her memories of the Folklife Festivals.

  • Amy Kotkin was interviewed by John Franklin on July 7, 1996. Kotkin first became associated with the Smithsonian in 1974 when she worked with the Family Folklore Project at the Festival of American Folklife; she returned to the Festival again in 1975 and 1976. In 1977 she was offered a position as a lecturer with the Smithsonian Associates program, which then developed into an administrative position with the Regional Events Program. Kotkin is now the Program Manager for the Smithsonian Associates Study Tours and Seminars. This interview discusses Kotkin's educational background; how Kotkin became involved with the Family Folklore Project at the 1974 Festival of American Folklife; the work Kotkin did for the project; the growth in popularity of the exhibit; the continuation of the project over the next two Festivals; changes in the presentation of the exhibit; the course of her career at the Smithsonian since 1976; how the lecture series and workshops were received; answering conservation questions from her audiences; what it was like to change to an administrative position; traveling with the lecture series for ten years; her current job; her travel experiences, notably to South Africa; and her impressions of the 1996 Festival of American Folklife and the Working at the Smithsonian exhibit.

  • William White was interviewed by Katherine Kirlin on June 29, 1996. White, a native of Washington, DC, lives in Colorado with his family. He is a special education teacher. He and his family are going to the New Jersey shore for vacation and stopped in DC to visit the Festival of American Folklife. This interview discusses White's childhood visits to the Smithsonian, the types of history and artifacts which he likes, the changes he has noted at the Smithsonian, visits to the Zoo with his daughters, bringing his classes to the National Air and Space Museum on field trips, what the Smithsonian means to him, memories of past Folklife Festivals, and descriptions of Colorado museums.

  • FAF/SM96-021 - Marguerite Harding, June 27, 1996

  • William Hartung was interviewed by Eduardo Contreras on June 27, 1996. Hartung is a life-long visitor to the Smithsonian. Born in Hawaii in 1932, he worked for the Air Force for 20 years, retiring in 1975. He went back to school and later worked as a research psychologist for the United States Army Research Institute in Alexandria, Virginia. He first visited the Smithsonian in 1963 during a visit to Washington, DC, and has made many visits since that time. This interview discusses Hartung's first visit to the Smithsonian in 1963, his first impressions of the Smithsonian as a national resource, the growth and changes of the Smithsonian since his first visit, favorite museums, memories of visiting the Festival of American Folklife, and what the Smithsonian means to him.

  • FAF/SM96-055 - Jim Deutsch, June 29, 1996

  • Audio Recording of Interview: Total recording time: 20 minutes.

  • Karin Hayes was interviewed by Tom Lawrence on June 26, 1996. Hayes, originally from Los Angeles, California, joined the Smithsonian as an intern in April 1994 and is currently employed in a year long position as a Design Assistant for the Festival of American Folklife. This interview discusses her education at the University of California at Los Angeles, her internship at the Center for Folklife Programs and Cultural Studies under Betty Belanus, her work with Olivia Cadaval, her involvement with the production of the Festival of American Folklife, and memorable people from her time at the Smithsonian. Hayes also relates an anecdote of Diana Parker's about the Festival and the changes she has noticed in the presentation of the Festival.

  • FAF/SM96-065 - Donna Kent, June 30, 1996

  • Audio Recording of Interview: Total recording time: 17 minutes.

  • David Bosserman was interviewed by Maggie Bertin on July 6, 1996. Bosserman lived in the Midwest before moving to Washington, DC, 20 years ago. He is a physicist for the Army and works in the Night Vision Laboratory at Fort Belvoir. His wife Olivia Cadaval works for the Smithsonian in the Center for Folklife Programs and Cultural Studies (CFPCS). Bosserman has worked as a volunteer at the Festival of American Folklife (FAF) for a number of years. This interview discusses Bosserman's memories of the beginnings of the FAF, where his interest in folklife originated, his memories of the Smithsonian, how his wife's interests and his own intersect, his work at the FAF, visiting Smithsonian and other museums, the Glen Echo Folk Festival, the Working at the Smithsonian exhibit, his own and his community's relationship to the Zoo and the Smithsonian, the future of the Smithsonian and the CFPCS, and how the FAF reaches the entire United States.

  • Rebecca Hartman and Sara Hackavy were interviewed by Eduardo Contreras on July 3, 1996. Hackavy was born in Washington, DC, in 1977 and Hartman was born in Illinois in 1974. Both are students and are spending their summer working as interns in the Joseph Henry Papers Project. This interview discusses what their internship involves, Tuesday Colloquiums, how each one got her internship, childhood visits to the Smithsonian, a typical day, utilizing there sources outside of the Smithsonian, comparing this internship to other opportunities, possibilities for their future careers, and their impressions of the Festival of American Folklife.

  • FAF/SM96-085 - John Franklin, July 3, 1996

  • FAF/SM96-003 - Marian Hope Lund, June 26, 1996

  • Charles Tumosa was interviewed by David Bosserman on July 7, 1996. He is a senior research chemist at the Conservation Analytical Laboratory (CAL) of the Smithsonian and has worked there since August 1989. Prior to working for the Smithsonian, Tumosa was the head of the Criminalistics Laboratory for the Philadelphia Police Department. This interview discusses what CAL does; the conclusions of their research regarding the Smithsonian's facilities ;humidity and its effect on different types of objects; publishing opportunities; collaborations between Tumosa and colleagues Marion Mecklenburg, Mark McCormick Goodhart, and David Erhardt; using their findings for practical purposes; the Smithsonian's attitude toward its objects; changes in technology which have affected the preservation field; a comparison of Tumosa's current job to his previous work with the Philadelphia Police Department; working with paintings; Tumosa's experiences at the Festival of American Folklife; and his opinion on the Working at the Smithsonian exhibit.

  • Martin Kaufna was interviewed by Pilar Somma on June 30, 1996. Kaufna is retired from the Air Force, where he served 30 years of active duty. He now lives in Arlington, Virginia, and is a frequent visitor to the Smithsonian. This interview discusses Kaufna's first visit to the Smithsonian 15 years ago, his visit to the National Air and Space Museum on the day of its opening, the frequency of his visits to the Smithsonian, the development of his interest in Japanese pottery, his close connection with the Freer Gallery and its staff, school tours to the Smithsonian, his reactions to the Enola Gay exhibit, his tour of duty in Japan, and what the Smithsonian means to him.

  • Audio Recording of Interview: Total recording time: 18 minutes.

  • Jimmy Melendez and Paul Allen were interviewed by Catherine Perge on June 29, 1996. Melendez was born in New York, served in the military, and worked in several other law enforcement positions before coming to work at the Smithsonian in 1994. Allen was born in Virginia in 1964 and has been a security officer at the Smithsonian since February 1991. Both are in the K-9 corps, Melendez since 1994 and Allen since November 1995. This interview discusses how Melendez and Allen came to work for the Smithsonian, background information on the K-9 force at the Smithsonian, the training program for officers and dogs, how the officers and dogs work together, living arrangements for the dogs, the nature of the dogs chosen, changes that Melendez and Allen have observed in Protection Services, collaborations with the DC and Park police, Melendez's and Allen's visits to the Smithsonian in their free time, and their thoughts on being a Smithsonian worker.

  • Carvester Booth was interviewed by Catherine Perge on June 29, 1996. Booth served in the United States Air Force from 1945 until 1968. He then worked as a medical technician at St. John's Mercy Hospital. Booth was hired as a security officer at the Smithsonian in 1970. He was promoted to Captain and retired in 1992. This interview discusses Booth's careers, how he was hired, why he enjoyed working at the Smithsonian, his promotion to Captain, the buildings he worked in, a typical day as a security officer and the issues he dealt with, several stories about his job, working at the Suitland, Maryland facility, his training, challenges of the job, what working at the Smithsonian meant to him, and his contact with colleagues and the Smithsonian since he retired.

  • Barbara Coffee was interviewed by Eduardo Contreras on July 4, 1996. Coffee was born in Wisconsin in 1940 and completed a double major in fine arts and archaeology. She began her career at the Smithsonian in July 1963 as a member of the exhibition production tea mat the National Museum of American History (NMAH). She worked with the team for three years and then moved to the Division of Political History, where she worked for 18 years. She then was the collections manager in the Department of Social and Cultural History, where she worked until she retired in October 1994. During her 31 year career at the Smithsonian, Coffee served as the first president of the Museum Specialist, Technicians, and Aides Association. This interview discusses the course of Coffee's career; stories about her early years of working at the Smithsonian; her work with the First Ladies collection; Margaret B. Klapthor, the curator of the First Ladies collection; her work at the 1969 Inaugural Ball; her impressions of the Smithsonian before she began working here; a typical work day and how it changed; changes in the funding of exhibits; her experience as a woman laborer and as a woman working at the Smithsonian; her major accomplishments, notably the organization and care of the collections and her teaching and training of interns; working at the Smithsonian as compared to another museum; memories of the Folklife Festival; and comments on early Festivals and recent ones. The interview continues with a discussion of Coffee's work with The Treasures of the Smithsonian exhibit, which was presented at the Edinburgh Festival; her meetings with First Ladies; the Hall of Historic Americans; stories of working in unfavorable conditions; thefts at the NMAH; accidents with artifacts; and many reminiscences about working at the NMAH and with the collections. Coffee's friend Sue Ann Sadler, who aided in the interview by prompting several of Coffee's stories, reflects on Coffee, her career, and the importance of oral history. Coffee then finishes the interview with comments on the Skull Crew, what working at the Smithsonian meant to her, her participation in a committee to appoint a new director of the NMAH; meeting Neil Harris, a University of Chicago professor; and anecdotes about her career.

  • Geoffrey Parker was interviewed by Francine Berkowitz on July 7, 1996. Originally from northern Virginia, Parker also lived in Europe while his parents were in the foreign service. Parker was working for the New York Botanical Garden when he was recruited by the Smithsonian. He came to work at the Smithsonian Environmental Research Center (SERC) in September 1987 as a forest ecologist. This interview discusses how Parker came to work for the Smithsonian; visiting the Smithsonian as a child; the Smithsonian's reputation; how his interest in biology developed; what his job entails; his research interests, especially in the forest canopy; his project using cranes to research the canopy; teaching a safety course on climbing trees for scientific purposes; the insufficient cooperation between Smithsonian bureaus and museums; visiting the Smithsonian museums on the Mall; the Smithsonian's 150th anniversary; the public's expectations of the Smithsonian; the future of the Institution; and the educational outreach programs which are available at the SERC facilities.

  • Audio Recording of Interview: Total recording time: 20 minutes.

  • FAF/SM96-112 - L. Susan Tolbert, July 5, 1996

  • FAF/SM96-015 -Donald E. Kloster, June 27, 1996

  • Marguerite Harding was interviewed by Pilar Somma on June 27, 1996. Harding is a volunteer at the Freer, Sackler, and Renwick Galleries. She began her volunteer work 10 years ago at the National Museum of American History (NMAH). Harding worked as an elementary school teacher for Prince George's County for 25 years, as a lab technician at Georgetown University Hospital, and served in the Navy. This interview discusses Harding's responsibilities and experiences as a volunteer at the NMAH, her reasons for changing to the Sackler Gallery, differences in working at these two museums, why she started volunteering, her memories of visiting the Smithsonian museums with her children in the 1950s, what working at the Smithsonian means to her, her involvement with past Folklife Festivals, her favorite Smithsonian exhibits, and a humorous story about the visit of Jean-Paul Carlhian, the architect of the Sackler Gallery.

  • FAF/SM96-023 - Sally Sweetland, June 27, 1996

  • Audio Recording of Interview: Total recording time: 25 minutes.

  • Audio Recording of Interview: Total recording time: 48 minutes.

  • David DeVorkin was interviewed by Polly Stewart on June 26, 1996. DeVorkin came to the Smithsonian in 1981 and is the Curator of Astronomy in Space Sciences at the National Air and Space Museum. This interview discusses DeVorkin's hiring; his education, training, and expertise; the three segments of his job as curator; the local culture of the Smithsonian; former colleague Walter Boyne; opinions about the lack of interpretation in current Smithsonian exhibits; the Enola Gay exhibit controversy; his reinterpretation of the U2 missile; and an anecdote about Carl Sagen lecturing at the Smithsonian. This interview is restricted; permission is required for access by anyone other than Smithsonian Institution Archives staff until DeVorkin's retirement.

  • FAF/SM96-038 - Patricia Cox and Amanda Zocchi, June 28, 1996

  • Adriana McMurray was interviewed by Pam Henson on July 4, 1996. McMurray is 14 years old and will be entering the 9th grade at Duke Ellington High School in the fall. She has been a frequent visitor to the Smithsonian since she was a toddler. This interview discusses McMurray's interests in the visual arts, music, and history; the Vermeer exhibit; special tours with school groups; her memories of Folklife Festivals; comments on the Festival as a part of the Smithsonian's programming; exhibits at the National Museum of American History; and her career plans.

  • FAF/SM96-010 - Manjula Kumar, June 26, 1996

  • Audio Recording of Interview: Total recording time: 35 minutes.

  • Audio Recording of Interview: Total recording time: 14 minutes.

  • William Gagham was interviewed by Eduardo Contreras on July 6, 1996. Gagham was born in 1947 in Washington, DC, and he came to work at the Smithsonian in 1984 as a security officer. Gagham has worked in the Hirshhorn and the Freer museums and is also a member of the Smithsonian's Women's Council, an advocacy group for women. This interview discusses how Gagham came to work at the Smithsonian, stories from his job, a typical day of work, how security officers often become docents when they interact with visitors, the potential danger which he faces while working, and what is most challenging in Gagham's job, how the Smithsonian and its security have changed, what Gagham would like to see incorporated into the Smithsonian's programming, memories of the Festival of American Folklife, and reactions to the Working at the Smithsonian exhibit. The interview also covers Gagham's participation with the Smithsonian's Women's Council, why he got involved, and how it has affected and changed him.

  • Ramunas "Ray" Kondratas was interviewed by Catherine Perge on July 5, 1996. Born in Germany in 1948, Kondratas moved to the United States with his family in 1952. He studied at Harvard and came to work at the Smithsonian in 1977. Kondratas is currently the Head Curator in the Department of History and the Chair and Curator in the Division of Science, Medicine, and Society at the National Museum of American History (NMAH). This interview discusses Kondratas's education at Harvard; how he came to work at the Smithsonian; projects during his first years of work; a description of the medical collections at the Smithsonian; his involvement with video and film documentation funded by a grant from the Sloan Foundation; current projects; how his job has changed; a typical day of work; changes at the NMAH; his work on the Search for Life exhibit with Terry Shearer; the advantages of the Smithsonian name; challenges of his job; his visits to the Smithsonian as a child; stories of working at the Smithsonian; and reflections on his career, the staff, and the Smithsonian. This interview mentions colleagues Dr. Audrey Davis, Michael Harris, Everett Jackson, Terry Sharrer, and Catherine Hutt.

  • Audio Recording of Interview: Total recording time: 51 minutes.

  • John Stine was interviewed by Paula Johnson on June 28, 1996. Stine was born in Baltimore in 1929 and came to work for the Smithsonian in 1961 in the Railroads Section of the Division of Transportation. He retired in December 1989 and continues to do tool work for the Smithsonian. This interview discusses Stine's hiring process; the opening of the National Museum of American History in 1964; moving the objects into the new building; colleague Howard Chapelle and his impact on the public's perception of the Smithsonian; Stine's work on acquiring and restoring numerous transportation artifacts; his other projects, including a video disk of photographs and a movie about the Herman Pott and the Mississippi River; changes at the Smithsonian; colleagues John "Jack" White, Jim Knowles, Martin Burke, Robert Post, Roger Kennedy, Melvin Jackson, John Hiller, Frank Taylor, and others; Stine's childhood interests and memories of the Smithsonian; and his advice to current Smithsonian employees. There are numerous anecdotes throughout this interview.

  • Bernard Howard was interviewed by John Franklin on July 7, 1996. He was born and raised in the Washington, DC, area; attended High Point High School; and finished one and a half years at the University of the District of Columbia. He worked in numerous federal government offices, mainly the Department of Defense, before coming to work at the Smithsonian in March 1990. Howard first worked in the National Museum of American History as an elevator operator. He then entered the typing pool. In November 1991, Howard began anew position as a scheduler in the Education Department of the National Museum of African Art (NMAfA). He left the Smithsonian in September 1992 but returned in December 1994 as administrative assistant and receptionist in the Center for Folklife Programs and Cultural Studies (CFPCS). In addition to his duties as administrative assistant, he now handles all travel paperwork for the office. Howard also works part time as a bellman at the J. W. Marriot. This interview discusses how Howard started his career at the Smithsonian, his impressions of the Smithsonian prior to working here, his childhood visits to the National Museum of Natural History, his first impressions of working at the Smithsonian, descriptions of the different offices in which Howard worked while a member of the typing pool, acquiring his computer skills, his move to the NMAfA, the work he did there, observations on scheduling tours and workshops for groups, his job at CFPCS, his growing interest in folklife, his comments on the office, memories of working at his first Folklife Festival, the people in the CFPCS office, comments on the 1996 Festival of American Folklife and a comparison of it to other Festivals, stories of working at the Smithsonian, and the Smithsonian as compared to other government agencies.

  • Audio Recording of Interview: Total recording time: 23 minutes.

  • William E. Cox was interviewed by Joanne Gernstein on July 3, 1996. Cox was born in Washington, DC, and came to work at the Smithsonian in 1975. He is now an archivist in the Office of Smithsonian Institution Archives and is in charge of the archival programs at the National Museum of Natural History and the National Zoological Park. This interview discusses childhood visits to the Smithsonian; how he started working at the Smithsonian; his first day of work; descriptions of the Archives when he started and how it has changed; techniques of his job; interesting projects Cox has worked on; his mentor Bill Deiss; colleagues Richard Lytle, Jim Steed, Nigel Elmore, Paul Theerman, Pam Henson, and Alan Bain; the Smithsonian during the Ripley administration; challenging aspects of his job; what working at the Smithsonian means to him; visiting the museums after work; memories of unusual events at the Smithsonian; his impressions of the Folklife Festivals; and speculations on his own future at the Smithsonian.

  • Audio Recording of Interview: Total recording time: 17 minutes.

  • Ronald Colaprete was interviewed by Vivien Chen on July 3, 1996. Colaprete was born in Ohio in 1931 and served in the Air Force for three years during the Korean War. He returned to civilian life for 11 months and then rejoined the military, serving for 22 years. He came to work for the Smithsonian in 1975 as a General Investigator and retired in October 1994 as the Chief of the Protection Division. This interview discusses Colaprete's military career, how he came to work for the Smithsonian, college friend and colleague Jay Chambers, the course of his career at the Institution, the organization of the Protection Division, his work with other departments and agencies within and outside of the Smithsonian, several crime stories, and the failure of a pilot program to make officers more accessible to the public. The interview also covers his visit to the Smithsonian prior to his employment; his first day of work; a typical day as General Inspector; developments and improvements in the Protection Division over Colaprete's 20 year career; Smithsonian security officers compared to military personnel; and working during the visit of a head of state, notably the Emperor of Japan. The interview concludes with a discussion of Colaprete's contributions to the Protection Division; what the Smithsonian means to him; professional relationships at and beyond the Smithsonian, including the FBI and the Park Services; security issues at Folklife Festivals; and Colaprete's presentation on the narrative stage for the 1996 Festival of American Folklife.

  • Audio Recording of Interview: Total recording time: 42 minutes.

  • FAF/SM96-047 - Myron Johnson, June 29, 1996

  • Audio Recording of Interview: Total recording time: 26 minutes.

  • L. Susan Tolbert was interviewed by Odette Diaz on July 5, 1996. She was born in Washington in 1952 and came to work at the Smithsonian in August 1977. She began as a clerk typist in the Conservation Analytical Laboratory (CAL) and transferred to the Division of Transportation at the National Museum of American History in 1980. She was promoted several times and is now a senior museum specialist in technology, specializing in the railroad collection. This interview discusses the course of Tolbert's career; the work she did at the CAL; projects she has worked on at NMAH, notably the running of the John Bull locomotive; how she came to work at the Smithsonian; visiting the Smithsonian prior to working there and her first impressions; her first day of work; the type of work she does now; a typical day of work; the Smithsonian's workplace compared to a private company; changes Tolbert has seen at the Smithsonian; what working at the Smithsonian means to her; and colleagues Zelma Coleman, Montague "Monty" Smith, Robert Organ, and Carol Callahan from CAL and Jack White, Bob Post, John Stine, Roger White, Betsy Branagoh, and Jim Knowles from NMAH.

  • Cordelia Benedict was interviewed by John Franklin on July 7, 1996. Originally from Chicago, Illinois, Benedict received the M.S. in anthropology from the University of Chicago. She first moved to Washington, DC, in 1976 but then lived abroad for several years; she became a permanent resident of Washington, DC, in 1985 when she began her career at the Smithsonian. Benedict was hired in a temporary capacity as a supervisor of the telephone information lines for Visitor Information & Associates Reception Center (VIARC). This position became permanent, and Benedict continues to fill this position. This interview discusses Benedict's visits to the Smithsonian with her family, how she got her job, changes her staff has undergone, how information for visitors is organized now and how that has changed, the collaborative role of Jane Gardner and the Information Resource Division, the changes in office locations, the technology they now use, collecting information outside of the Smithsonian, different types of phone calls, how language barriers are handled, volunteers and their training, how they handle non-Smithsonian inquiries, and working at the Smithsonian as compared to working for a private company.

  • FAF/SM96-111 - Reuben Jackson, July 5, 1996

  • B. C. May was interviewed by Margie Gibson on June 26, 1996. May worked for the Smithsonian from 1972-1977 as the Production Manager for the Folklife Festival; he also produced concerts for the Division of Performing Arts. Since leaving the Smithsonian, May has done independent production work and has consulted for the Smithsonian on further concert series. This interview discusses May's first days working at the Smithsonian, the concert series which he developed, his selection and recruitment methods, favorite musicians, the most challenging aspects of his job, what he considers to be his biggest accomplishments, the Carter Inaugural concert series in 1977, the concert series for the second Reagan Inaugural, colleagues Jim Morris and Ralph Rinzler, and numerous anecdotes about his experiences at the Smithsonian.

  • Audio Recording of Interview: Total recording time: 18 minutes.

  • Walter Kelly was interviewed by David Bosserman and Olivia Cadaval on July 7, 1996. Kelly lives in Baltimore, Maryland, and has been a participant at the Festival of American Folklife since 1972. He sells watermelon from his wagons. This interview discusses Kelly's role at the Festival, a description of the wagons he uses, the family tradition in selling, the origins and significance of the term "arabing", the different uses of the wagons, how he came to work at the Festival, what he expected of the first Festival, the opening parade of the Festival with Kelly in the front, a demonstration of his street call, what it was like to work in Baltimore selling produce in the streets, memories of Ralph Rinzler, how Kelly gets his wagons to the Festival, comparing working at the Festival to the streets of Baltimore, passing the traditional calls on to his grandchildren, and Festival memories.

  • Rose Lee was interviewed by Tim Carr on June 30, 1996. Born in California in 1929, Lee has lived in Arlington, Virginia, since 1970. She is retired from a federal job and volunteers at the Smithsonian. She began in January 1995 at the Information Desk of the National Museum of African Art and now works at the Castle. This interview discusses her volunteer work at the Smithsonian; her impression of the work; visitors, volunteers, and staff she has met; the scheduling of volunteers; favorite exhibits; and her volunteer work beyond the Smithsonian.

  • Judy Chelnick was interviewed by Marvette Perez on July 5, 1996. Chelnick was born in Toledo, Ohio, in 1953. She worked at the Deitrich Museum of Medical History in Cleveland, Ohio for several years before coming to work at the Smithsonian in November 1987. Chelnick currently works in the Medical Sciences Collections in the Division of Science, Medicine, and Society at the National Museum of American History (NMAH). This interview discusses Chelnick's work at the Deitrich Museum of Medical History, background information on the medical collection at the NMAH, anecdotes about her work at the Smithsonian, how she came to work at the Smithsonian, previous visits to the museums, her first impressions about working at the Smithsonian, her first few days of work, a typical day of work, her current research in the Bristol-Meyers-Squib Collection, challenges of the job, differences between the Smithsonian and other museums, visiting the museums when she is not working, and comments on the Festival of American Folklife. She mentions colleagues from the Deitrich Museum of Medical History and Ray Kondratas, Mark Dreyfus, Betty Sharpe, Terry Sharrer, Catherine Perge, Spencer Crew, Ray Hutt, and Cathy Gold of the Smithsonian.

  • FAF/SM96-134 - Elaine Hodges, July 6, 1996

  • Peter Magoon was interviewed by John McKiernan Gonzalez on July 7, 1996. Magoon was born in Minneapolis, Minnesota, in 1954. He began working for the Smithsonian as a member of the grounds crew for the Festival of American Folklife in 1982. He became grounds crew chief, and in 1985 he was technical director for the Festival of India. From 1985-1987, Magoon worked as an archivist for the Folklife Archives, and then for the Central Information Resource Center. Magoon left the Smithsonian and now works for Network Solutions in Herndon, Virginia. This interview discusses the course of Magoon's career at the Smithsonian, his educational background, why he left the Smithsonian, how he heard about the Festival of American Folklife, what he did as a member of the grounds crew, his responsibilities and work as technical director for the Festival of India, stories from the Festival of India, the Smithsonian compared to the private sector as an employer, visiting the Smithsonian, the diversity of the Festival, and the Smithsonian's museums compared to the Festival.

  • Myron "Mike" Lecar was interviewed by David Bosserman on June 29, 1996. He is an astrophysicist and has worked at the Smithsonian Astrophysical Observatory in Cambridge, Massachusetts, for 30 years. This interview discusses how he came to work at the Smithsonian; his involvement in the building of the first astronomical observatory in Israel; the connection between the Astrophysical Observatory and Harvard; Lecar's own research specialties; research opportunities at the Smithsonian as compared to elsewhere; his desire for a National University in Washington, DC; his opinion on the role of computers in this era; collections and research at the Smithsonian; and colleagues Fred L. Whipple, James C. Bradley, and Michael Collins.

  • FAF/SM96-009 - Myron Curtis, June 26, 1996

  • Audio Recording of Interview: Total recording time: 17 minutes.

  • Audio Recording of Interview: Total recording time: 34 minutes.

  • Audio Recording of Interview: Total recording time: 33 minutes.

  • Katharine Landfield was interviewed by Martin Collins on July 5, 1996. Landfield was born in Maryland in 1968 and grew up in Washington, DC. She attended Amherst College for her undergraduate degree and received the M.S.W. from Catholic University. Landfield now works as a school social worker with the Alternative School System in Fairfax, Virginia. Landfield has been a volunteer at the Festival of American Folklife for two years. This interview discusses how Landfield got involved in volunteering for the Festival, her visits to the Smithsonian as a child, what she does as a volunteer, her memories of visiting the Mall, her parents' involvement with the Smithsonian, her reflections on the Festival and its importance, memorable stories about volunteering at the Festival, her personal observations about the participants, and several reminiscences about visiting the Smithsonian.

  • Audio Recording of Interview: Total recording time: 15 minutes.

  • Jane Glaser was interviewed by Maggie Bertin on June 28, 1996. Born in Indiana in 1923, Glaser began her career in museum work at a children's museum in Charleston, West Virginia. She worked there for 12 years before coming to the Smithsonian in 1975 as the Director of the Office of Museum Programs (now the Center for Museum Studies). Glaser retired in April 1996 and is now a Research Associate; she is currently working on several Smithsonian-related projects. This interview discusses Glaser's work in creating the Office of Museum Programs (OMP); the expansion of its workshops to a national and international level; her work in establishing internship programs, the Professional Visitor Program, the American Indian Training Program, audio-visual programs about preventative conservation, and training programs for docents; how OMP has changed since she retired from the directorship; how her interest and career in museum work began; her work at the children's museum in Charleston, West Virginia; how Paul Perrot recruited her to work at the Smithsonian; colleagues Denny O'Toole and Robert Organ; and several stories about working at the Smithsonian. The interview also covers Glaser's work since she retired, notably her completed book on planning museum careers, her children's book-in-progress about the Smithsonian, and Gender Perspectives, which she edited and published with Artemis Zenetou; The Educated Eye, a recording of lectures on connoisseurship, and the finishing of the Kellogg video project called Museum and Community. The interview concludes with Glaser's vision for the Smithsonian in the future, focusing on technology and its role in offices and exhibits, and her opinion on the overly political nature of the Smithsonian today.

  • Jim Deutsch was interviewed by David Bosserman on June 29, 1996. Deutsch moved to Washington, DC in 1982 and volunteered at the Festival of American Folklife in 1990. He has worked at the Smithsonian in numerous temporary positions since 1991. He is primarily associated with the Festival of American Folklife and has done fieldwork sponsored by the Smithsonian. This interview discusses Deutsch's positions with the Festival of American Folklife, specifically his work as Foodways Coordinator for the Family Farm and Indonesia exhibits; his cookbook project; memorable Folklife Festivals; American folklife in general and a definition of who the folk are; his work with occupational folklife, including lawyers, White House workers, and Smithsonian security officers; and Smithsonian staff Barbara Strickland and Marjorie Hunt.

  • Audio Recording of Interview: Total recording time: 11 minutes.

  • Nancy Pope was interviewed by Felix Lapinski on July 6, 1996. She worked at the Library of Congress prior to working at the Smithsonian. She began her career at the Institution in October 1984 in the National Philatelic Collection of the National Museum of American History. Pope now works at the National Postal Museum. This interview discusses how Pope got her job, her first day at work, her supervisor Reidar Norby, her early projects with the National Philatelic Collection, the beginnings of the National Postal Museum and Pope's role in its creation, a description and history of the collection, the goals of the museum, the history and significance of several artifacts in the museum, the history of the Postal Museum's building, and the Postal Museum's plans for the 150th birthday party.

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