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Frank and Lillian Gilbreth Collection

National Museum of American History

Object Details

Creator
Perkins, James Secor
Gilbreth, Frank Bunker, 1868-1924
Gilbreth, Lillian Moller, 1878-1972
Topic
Motion study
Machinery industry
Machine shops
Industrial management
Industrial films
Industrial engineering
Provenance
The collection materials were donated by several individuals: New Jersey Institute of Technology (1975); Frank B. Gilbreth, Jr., (1980); Ernestine Gilbreth Carey (1995); Daniel B. Gilbreth (1998); and James Secor Perkins in 2001.
Creator
Perkins, James Secor
Gilbreth, Frank Bunker, 1868-1924
Gilbreth, Lillian Moller, 1878-1972
See more items in
Frank and Lillian Gilbreth Collection
Sponsor
Digitization of Series 2: Glass Stereo Slides (Positive) was made possible by Andrew and Anya Shiva.
Summary
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.
Biographical / Historical
Frank Gilbreth is best known for his work on the efficiency of motion. Working with his wife and professional partner Lillian Moller Gilbreth, he applied modern psychology to his work with management. His innovative motion studies were used on factory workers, typists and people with disabilities. Gilbreth established the link between psychology and education to be succesful management. Frank Gilbreth was born in Fairfield, Maine on July 7, 1868. His parents, John and Martha Bunker Gilbreth were New Englanders. John Gilbreth ran a hardware business, but died when Frank was only three. Bearing the responsibilty of raising her children alone, Martha moved the family twice in search of quality education for her children. Ultimately she decided to school the children herself. In 1885, Frank graduated from English High School in Boston. Despite gaining admission into the Massachusetts Institute of Technology, Frank opted to enter the work world immediately as a bricklayer's apprentice with Whidden and Company, building contractors in Boston. Smart and skilled, Gilbreth worked his way up in the company. He learned the trade quickly and soon was promoted to supervisor, foreman, and finally to the position of superintendent. To further his edcuation, he went to night school to study mechanical drawing. At the age of 27, Gilbreth embarked upon his first business venture. He started his own contracting firm. His firm developed a fine reputation for quality work at a very rapid pace. He invented tools, scaffolding, and other contraptions to make the job easier. His company goals included the elimination of waste, the conservation of energy, and the reduction of cost. His work included canals, factories, houses, and dams. His clients came from all parts of the United States, and he performed some work in England. In 1903, Frank Gilbreth met Lillian Moller (1903-1972) and married her on October 19, 1904. Lillian graduated from the University of California, Berkeley with a BA (1900) and MA (1902). She later earned a Ph.D from Brown University (1915), earning a dissertation titled The Psychology of Management. Lillian's academic work, large family and integral role in Frank's consulting business kept her busy. Her contributions to the business led to a greater understanding of an individual's welfare in the work world. This becamme a key idea to increasing productivity through scientific management techniques. Working together, the couple became leaders in the new field of scientific management. They published books, gave lectures, and raised tweleve children together: Anne, Mary (1906--912), Ernestine, Martha, Frank Jr., William, Lillian, Frederick, Daniel, John, Robert and Jane. Some of Gilbreth's books include Fields System (1908); Concrete System (1908); Bricklaying System (1909; Motion Study (1911); and Primer of Scientific Management (1911). Gilbreth co-authored with Lillian: Time Study (1916); Fatigue Study (1916); Applied Motion Study (1917); and Motion Study for the Handicapped (1919). It wasn't long before Gilbreth moved away from construction. Together with his wife, they focused on the link between psychology and motion. With her strong psychological background, and his interest in efficiency, the Gilbreth's opened the School of Scientific Management in 1913. The school was in session for four years. Numerous professional attended the school, and soon the Gilbreth's had established a reputation as consultant's to the new field of scientific management. In 1912, Frank won a contract with the New England Butt Company in Providence, Rhode Island. There he installed his system of scientific management in a factory setting for the first time. Contracts with the Hermann-Aukam handkerchief manufacturing company in New Jersey and the Auergessellschaft Company in Germany followed. Using motion study, Gilbreth studied and reoganized the factories, attempting to find "the one best way" to do work. Gilbreth traveled to Germany to continue his work was a scientific manager. He visited factories and hospitals, working to improve procedures and eliminate waste. Using micro-motion study and the chronocyclegraph procedure, he analyzed and dissected motion, discovering therblings, the seventeen fundamental units of any motion. World War I slowed Gilbreth's progress abroad, so he focused his consulting business on firms n the United States. After World War I, Gilbreth's business thrived. in 1920, the American Society of Mechanical Engineers instituted its Management Division, something Gilbreth had been demanding for years. He was now a famous American engineer, gaining financial rewards as as professional honors. Frank Gilbreth died suddenly of a heart attack on June 14, 1924, still in the middle of three contracts. He was honored after his death in 1944 by the American Society of Engineers and the American Management Association with the Gant Gold Medal. After Frank's death, Lillian moved the family to California where she continued to work on efficiency and health in industry issues. She was a respected buiness woman and was hired by several companies to train employees, study working conditions, and reduce fatigue. She lectured at several universities (Newark College of Engineering and the University of Wisconsin), and joined the faculty at Purdue University in 1935 as the first woman professor in the engineering school. Frank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by Frank Jr. and Ernestine Gilbreth Carey.
Extent
5 Cubic feet (19 boxes)
Date
1907-2000
bulk 1911-1924
Custodial History
The glass stereo slides were transferred to the Archives Center from the Division of Work and Industry, National Museum of American History in 2007.
Archival Repository
Archives Center, National Museum of American History
Identifier
NMAH.AC.0803
Type
Collection descriptions
Archival materials
Videotapes
Betacam sp (videotape format)
Motion pictures (visual works)
Citation
Frank and Lillian Gilbreth Collection, Archives Center, National Museum of American History
Arrangement
The collection is arranged into six series. Series 1: Background Materials, 1892-1997 Subseries 1.1: Frank B. Gilbreth, undated Subseries 1.2: Frank B. Gilbreth patents, 1892-1916 Subseries 1.3: Printed Materials, 1907-1997 Series 2: Glass Stereo Slides (Positive), 1910-1924 and undated Series 3: Photo prints of glass stereo slides, 1910-1924 and undated Subseries 3.1: Photo Print Books, 1-9, undated Subseries 3.2: Photo prints (duplicates), undated Series 4: Stereo Autochromes, undated Series 5: Stereograph Cards, 1911-1914 Series 6: Audio Visual Materials, 1968, 1990, 2000 and undated Subseries 6.1, Audio visual documentation, 1968 and undated Subseries 6.2: Moving images, 1968 and undated Subseries 6.3: Audio recordings, 1980, 1990, 2000, and undated
Processing Information
Processed by Theresa Worden (intern) and Alison Oswald, archivist, October 2010. Series 2: Glass Stereo Slides, boxes 3-9 were digitized in 2021, by Noah Stewart, digital imaging technician.
Rights
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Existence and Location of Copies
Series 2: Glass Stereo Slides, boxes 3-9 were digitized in 2021. Contact the Archives Center for information at [email protected] or 202-633-3270.
Genre/Form
Videotapes
BetaCam SP (videotape format)
Motion pictures (visual works) -- 1930-1950
Scope and Contents
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. As scientific managers, the Gilbreth's introduced new techniques to analyze work, the workplace, and work practices with the goal of eliminating waste to maximize productivity. The collection illustrates these new techniques and their application to a wide variety of studies. The collection is diverse and provides insight into understanding how Gilbreth approached his studies. Also included are slides documenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins. Series 1, Background Information, 1892-1997, includes biographical materials about Frank B. Gilbreth; copies of some of Frank Gilbreth's patents, 1892-1916; and printed materials, 1907-1997, that contain articles, newspaper and magazine clippings about Frank and Lillian Gilbreth and time and motion study generally. Black-and-white photo prints of Gilbreth or work Gilbreth documented from collections held at Purdue University and Ohio State University are included. Series 2, Glass plate stereo slides, 1910-1924, consists of approximately 2,250 glass stereo slides photographed by Frank B. Gilbreth and others and intended for viewing through an optical viewing machine. Some are positive black and white, positive color, and negative black and white. The subject matter of the slides covers the work undertaken by Frank Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Many of the images serve as documentation for the studies the couple performed as they were hired by firms in an attempt to provide solutions to the problems of inefficiency. Also included are the Gilbreth Family, their travels, residences, and friends. The slides are numbered sequentially. For example, a glass plate slide numbered 318949.001 will have a corresponding photoprint 318949.001 in Series 3, Photoprints of glass plate slides. Note: not all glass plate slides have corresponding photoprints. Additionally, there are Office of Photographics Services, Smithsonian Institution negative numbers assigned to many of the photo prints. Some subject categories include: Frank B. Gilbreth: working in motion laboratories, on factory inspections, seated in offices, with family and friends, in World War I uniform, watching and monitoring shop operations. Lillian M. Gilbreth: with family, during university graduation ceremonies, traveling and working with Frank and observing office workers. Gilbreth Family: family on the road in an automobile, at home seated around the dinner table, in the parlor, in the garden, and with friends and relatives. Gilbreth ship travel: contains views on steamer voyages to Europe, deck scenes, arrivals, departures, ship officers and crew, and other passengers. Automobile assembly study: internal and external views of a warehouse/factory, including large piles or rows of metal car frames and other parts. Benchwork study: images of a male worker standing or sitting in a chair while filing an object secured in a vice at a workbench. Betterment: images of efforts whcih contributed to industrial betterment (the Gilbreth chair, employee library, and the home reading box). Bricklaying study: view of men wearing overalls and caps, shoveling, and men laying bicks. Business and apparatus of motion study: views of lectures, meetings, film showings, demonstrations, charts, drawings, motion models, charts amd some equipment. Disabled study: views of partially blind World War I veterans, amputees using special tytpewriter, assembling machinery, use of cructhes, and a one armed dentist. Factory bench work: table-top machines assembly operations, hand tools, orderly arrangement of parts prior to and during assembly and a variety of bench vises. Factory documentation: various images of the interior and edterior of factories including heavy machinery. Golfing study: various cyclegraphs of a man swinging a golf club. Grid boards: back drops used by Gikbreth to isolate and measure worker motions. This includes walls, floors, desktops, and drop cloths divided into grids of various densities and scales. Handwriting and cyclegraphs: finger lights moving in patterns of script. Ladders: include step ladders and painters' ladders shown in use near shelving. Light assembly study: wide variety of images ranging from cyclegraphs of women working, to the factory floor as well as tools and machinery. Materials handling study: different angles of an empty cart, a cart oiled high with boxes, and a man pushing a cart illustrating different body positions. Military study: illustrate work on the Army foot meausring machine, gun parts, men holding a rifle. Motion models: images of simple wire motionmodels. Needle trade study: views of textile machinery and workers. Office study: various shots inside of an office with tables, desks, drawers, files, and typewriters. Some of the images are cyclegraphs of femal and male workers performing tasks, such as writing, both tin the context of an office as well as in front of a grdidded background. There are several close-ups of an organizer containing penciles, paperclips, pins and rubberbands. Packing: methods of placing and arranging goods in boxes, such as soap packing. Panama-Pacific Exposition 1915: contains views of statuary, fountains, and architecture of the exposition held in San Francisco. Pure light cyclegraphs: no workers or grids visible only finger lights in motion. Rubber stamping study: hand movements and access to ink pads and stamps. Scenic views: views of buildings, landscapes, street scenes, and fountains from around the world documenting Gilbreth's travels. Shoe making study: laboratory studies of shoe assembly operations with an emphasis on workers access to component pieces. Shop machinery: various shots of machines and workers working with machines. Signage: include organizational flow charts, shop floor plans, route maps, office layouts, numbering systems, exhibit display boards illustrating Frank Gilbreth's efficiency studies and techniques. Stacking: views of the art and science of stacking boxes, clothing, equipment, containers, and vertical storage without shelves. Stock bins: consists of storage pips, paper, other raw materials, shelves, and corridoe shots. Storage: images illustrate contrast between old techniques and new. Surgical and dental studies: thester views of surgeons, assistants, nurses, hand motions in grasping, placing surgical instruments, dental work and self inspection of teeth. Tool cribs: storage of hand tools in shops with an emphasis on easy access and easy inventorying. Typing study: various views of femaile s under observation using Remington typewriters. Series 3, Photoprints of glass plate slides, 1910-1924, consist of black and white photoprints of the glass plate slides depicting the fields of motion study, shop efficiency, and factory organization. Also included are the Gilbreth Family, their travels, residences, and friends. Series 5, Stereographs,1911-1914, Series 6, Audio Visual Materials, 1968, 2000, and undated, is divided into three subseries: Subseries 1, Audio visual documentation, 1968 and undated; Subseries 2, Moving Images, 1968 and undated; and Subseries 3, Audio Recordings, 1980, 1990,. 2000 and undated. The series contains several formats: 7" open reel-to-reel audio tape, 1/2" VHS, Beta Cam SP, DVD, audio cassette, one inch audio tape, and 16 mm film. Subseries 1, Audio visual documentation, 1967-1968 and undated, consists of supplemental documentation for the film, "The Original Films of Gilbreth The Quest for the One Best Way." Specifically, there are brochures and other printed materials detailing what the film is about and how copies may be obtained. This subseries also contains a copy of the book Cheaper by the Dozen, 1948. The book was written by Frank Bunker Gilbreth, Jr. and Ernestine Gilbreth Carey and tells the biographical story of Frank Bunker Gilbreth and Lillian Moller Gilbreth, and their twelve children. The book was adapted to film by Twentieth Century Fox in 1950. Subseries 2, Moving Images, 1967, consists of one title, "The Original Films of Gilbreth The Quest for the One Best Way." The film materials consist of the film's production elements: 16 mm black and white negative A-roll; 16mm black-and-white negative B-roll; and the optical track negative. Each is 800 feet in length. The film presents a summary of work analysis films which were taken by Frank B. Gilbreth between 1919 and 1924 showing a number of industrial operations from which the motion study was developed. Demonstrates motion and fatigue study, skill study, plant layout and material handling, inventory control, production control, business procedures, safety methods, developing occupations for the handicapped, athletic training and skills, military training, and surgical operations as researched and developed by Gilbreth. Points out that Gilbreth created entirely new techniques on how to improve industrial efficiency, while at the same time significantly improving conditions for the workers. The film was produced by James S. Perkins in collaboration with Dr. Ralph M. Barnes and with commentary by Liilian M. Gilbreth and James S. Perkins. The film was presented on December 3, 1968 at the American Society of Mechanical Engineers Annual Meeting in New York. The formats for this title include: 16 mm, Beta Cam SP, and DVD. Additionally, there is a one inch audio tape recording for the film. Subseries 3, Audio Recordings, 1980, 1990, 2000 and undated consist of a Smithsonian radio program titled "Inside the Smithsonian, Cheaper by The Dozen," from 1980 and an recording of Ernestine Gilbreth Casey discussing Gilbreth Family photographs from 2000. Hosted by [Ann Carroll?], "Inside the Smithsonian, Cheaper by The Dozen," featured Fred and Bill Gilbreth discussing their parents Frank and Lillian, Gilbreth, and the book Cheaper by the Dozen. The radio program coincided with the 100th Anniversary of the American Society of Mechancial Engineers (founded 1880)of which Lillian Gilbreth was the Society's first female member and showcased a single case exhibition at the Museum of History and Technology (now the National Museum of American History) titled "Frank and Lillian Gilbreth: Motion Engineers." Inside Smithosnian Radio was a weekly program produced by the Office of Telecommunications. The recording of Ernestine Gilbreth Carey was recorded on July 9, 2000 and documents Ms. Carey's identification and discussion of Gilbreth Family photographs. David Ferguson assisted in the discussion. A hard copy index to the photographs Ms. Carey discusses is available.
Restrictions
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Series 2: Glass Stereo Slides are restricted. Boxes 3-9 were digitized in 2021. Researchers must use digital copies. Contact the Archives Center for information at [email protected] or 202-633-3270.
Related Materials
Material in Other Institutions Purdue University, Archives and Special Collections Frank and Lillian Gilbreth papers, 1869-2000 The Gilbreth Papers documents the professional and personal lives of Frank Gilbreth and Lillian Gilbreth. The collection consists of personal papers, letters, correspondence, photographs, and other memorabilia that Lillian Gilbreth collected during her life regarding her youth, marriage, family, and career. Collection of materials related to Lillian Gilbreth, 1964-2006 One folder of items relating to the life of Lillian Gilbreth, and her family, collected by her granddaughter, Lillian (Jill) Barley and Nancy Weston. Materials include clippings relating to the Lillian Gilbreth postage stamp (1984); obituaries and memorial programs for Peter Barney, Ernestine Carey, Lillian Gilbreth, Anne Gilbreth Barney, Charles Carey, and Frank Gilbreth Jr.; programs and photographs relating to Lillian Gilbreth's visit to Athens in 1964; and biographical information on Lillian Gilbreth. Cornell University, Kheel Center for Labor-Management Documentation and Archives Frank Gilbreth Papers on Microfilm, Collection Number: 5424 mf Selected papers pertaining to industrial engineering. Original materials are held by Purdue University. Microfilm copied purchased from Purdue University in April 1968.
Related link
Record ID
ebl-1539282009181-1539282009353-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/ep8a48e652d-6387-4a23-98c0-299772c454d5

In the Collection

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  • 318949.0381 to 318949.0620

  • 318949.0841 to 318949.1043

  • Stereograph Cards

  • 318949.0181 to 318949.0380

  • 318949.1239 to 318949.1423

  • Photoprints of glass stereo slides

  • Glass Stereo Slides (Positive)

  • 318949.1158 to 318949.1238

  • 318949.0621 to 318949.0840

  • Background Information

  • 318949.1044 to 318949.1157

  • 318949.0001 to 318949.0180

  • 318949.0785 Female, wearing light patterned dress, seated on adjustable chair in front of gridded background.

  • 318949.1179 Storage bins of wire or cable coils, with tags in front.

  • 318949.0360 Detail of mechanical device, sitting on a gridded table in front of a gridded background. Ruler include in photograph to give vertical and horizontal dimensions.

  • 318949.0607 Large room with much unidentified machinery visible.

  • 318949.0792 Seated male with feet on curved support in front of gridded background.

  • 318949.0283 Male sitting at large gridded drafting style table. F.W. Talyor card filer (flying machine).

  • 318949.0348 Cyclegraph equipment

  • 318949.1046 Twenty male figures in uniforms formally posed in what appears to be a large room of a ship.

  • 318949.1221 This is the same set-up for the man in black trousers who was resting his feet on a curved footrest. Here one sees a curver foot rest, a chair with adjustable front legs, two gilbreth clocks, a gridded background, and a small card which says 140. See also 99-30308.

  • 318949.1371 Pure chronocylcegraph, not sure of what, Long sweeping motion of five cycles.

  • 318949.1161 Pine storage bins of multiple bays, with items stored within and tage affixed to the outside of the bins.

  • 318949.1292 There are a number of these chronocyclegraph studies of locomotion (at least 9), some of which are numbered 1700.152 (etc.) and some of which are numbered in the 18000 series, such as 18198. FBG took these as part of his shoe-fitting investigations in the military motion study laboratory. It appears lights were attached to each foot, the belt, and the head; some of the wavy images suggest (intentionally) erratic walking.

  • 318949.1159 Pine storage bins of at least 12 bays each; inside each are objects; each bay has a tag.

  • 318949.0251 Proper seating study. Photograph of female from knees down seated with shoes on specialized Gilbreth footrest.

  • 318949.0479 Cyclegraph of female seated behind gridded table in front of gridded background doing unidentified work.

  • 318949.1146 Office environment. Same place as 99-30235. Same place and image as 99-30238.

  • 318949.0594 Three males stand amidst tropical vegatation. One tree in foreground has large ferns (?) growing on the trunk. A portion of a house is visible in the background.

  • 318949.1174 very neatly organized pine storage units with tags in front of each bay. In most of the bays are small porcelain conductor things--fuses??

  • 318949.0798 Male, in coat and tie, wearing cyclegraph lights seated at desk pile high with papers. Cyclegraph equipment visible off to right.

  • 318949.1330 Martha Gilbreth stands in walkway in back yard of Moller house in Oakland, c. 1915.

  • 318949.0830, Female standing next to railing of ship, town and mountainside castle visible on shore.

  • 318949.0149 machine gun disassembled on gridded table

  • 318949.1309 Chronocyclegraph of handkerchief folding. Very difficult to tell, but my hunch is that this is a pattern of an experienced folder using 'standard' motions; it may even be the pattern which the Gilbreths turned into a motion model of the 'right way.' There are fewer cycles than documented in the stereocards, and this image shows no background at all. Check against motion model images.

  • 318949.0085 Female worker seated at table with time stamp (?). Two motion clocks visible.

  • 318949.0407 Room stacked to the ceiling with boxes, tables, and chairs.

  • 318949.1098 View of a large, round piece of industrial equiptment. A plaque leaning against the machine reads 'Gilbreth Day Mon 1915, 247 7.XII.14.'

  • 318949.0245 Close-up of a person doing surgical or dental work in a male patient's mouth.

  • 318949.0410, Miscellaneous rubbish under stairway Crate in foreground marked R.F. & Co., Zebbrechlic?

  • 318949.0904 Martha Gilbreth wearing a necklace standing outside with water in background. Identical to image acc. 318949.1210; see also 318949.0967 and all the other Buttonwoods images. Info from Jane Lancaster, Gilbreth biographer, June 2000 in correspondence with Elspeth Brown, Gilbreth scholar: 'Martha Gilbert, RI 1913 (see image 0224 for necklace).' Buttonwoods, RI, I am almost positive.In the summer of 2000, Elspeth Brown sent Dave Ferguson, of the Gilbreth Network, a set of photos and xeroxes for him to bring to Ernestine Gilbreth Carey, for ID purposes. Her comments follow: agrees that this Martha. c. 1913-14.

  • 318949.0478 Cyclegraph of seated female doing unidentified work.

  • 318949.0129 pen and ink holder, 12 colors noted.

  • 318949.0934 Male wearing vest and tie seated at gridded table in front of gridded background. On table is an Andre pen holder and a motion clock.

  • 318949.0174 Motion picture motion study step-up (shoe lasting?). Motion picture camera central with man standing on table to one side (camerman?). Motion clock, gridded tables, and gridded background visible.

  • 318949.0654 Standing one armed, one eyed, dentist working on seated female patient. Dentist appears to actually have second arm hidden beneath coat. Dentist may also be missing (or pretending to be missing) legs from below the knees.

  • 318949.0878 Lillian's graduation. Line of men and women in caps and gowns lined up along side of road, house and trees in background. Lillian is third from right.In the summer of 2000, Elspeth Brown sent Dave Ferguson, of the Gilbreth Network, a set of photos and xeroxes for him to bring to Ernestine Gilbreth Carey, for ID purposes. Her comments follow: LMG Brown commencement. Helen G. Ladd in front of LMG. All four Gilbreth girls, 1915. See also the accession 318949.0880: Info from Jane Lancaster, Gilbreth biographer, June 2000 in correspondence with Elspeth Brown, Gilbreth scholar: 'Lillian's graduation. Walking up George Street, from Benefit St. Anne and Ernestine joined the procession back to the green from the first Baptist Meeting House, where the ceremony was held. The woman in white is alsmost certainly Mildred Gray, Lillian's secretary.'1915

  • 318949.0668 Frank Gilbreth observes a one armed male seated at a gridded table with a typewriter with a special paper feed. One motion clock visible.Upper corners of plate are missing.

  • 318949.1283 There are a number of these chronocyclegraph studies of locomotion (at least 9), some of which are numbered 1700.152 (etc.) and some of which are numbered in the 18000 series, such as 18198. FBG took these as part of his shoe-fitting investigations in the military motion study laboratory. It appears lights were attached to each foot, the belt, and the head; some of the wavy images suggest (intentionally) erratic walking.

  • 318949.0012 Cyclegraph of worker using a small table top lathe.

  • 318949.1318 Two Gilbreth children, Frank Jr. and Martha Gilbreth, standing in seashore meadow, probably Buttonwoods RI, summer 1914. IDed by Elspeth Brown.

  • 318949.0684 Board for route and order tickets.Plate is broken in two pieces.

  • 318949.0897 Frank Gilbreth and unidentified male in bowler hat and jacket stand in room at New England Butt Companyfilled with braiding machinery on work benches. I suspect thatthe image was made after 1912, perhaps in 1916, when FBG returned to NEButt to make additional motion studies.

  • 318949.0148 five men in an office, four in military garb. Gilbreth (?) in military dress visible in one frame.

  • 318949.0461 bar chart

  • 318949.0297 Gridded desk with drawer pulled out to show arrangement of organizing bins. Dictaphone on the top of the desk.

  • 318949.0552, 10 cutting tools laid out on a white cloth.

  • 318949.1302 There are a number of these chronocyclegraph studies of locomotion (at least 9), some of which are numbered 1700.152 (etc.) and some of which are numbered in the 18000 series, such as 18198. FBG took these as part of his shoe-fitting investigations in the military motion study laboratory. It appears lights were attached to each foot, the belt, and the head. This particular image is a close-up of the cyclegraph apparatus on the stocking feet.

  • 318949.0634 Lift truck partially under pallet piled high with boxes.

  • 318949.1000, Dinning table set for an ornate meal. This is the Gilbreth's dining room at 77 Brown Stree, Providence (not wisteria screen).

  • 318949.1397 This is one of a series of images that show handwriting experiments at the Auergesellschaft company in Berlin, Nov-Jan. 1915. This image shows the grid, the big light hanging overhead,a nd a big part of the room, along with a message that reads 'Herr ??? Happy Birthday.'

  • 318949.0550, 16 cutting tools laid out on a white cloth.

  • 318949.0810, Street scene showing automobile and horse drawn carts, several males walking on sidewalk.

  • 318949.1226 This is one of two nearly identical images which shows a wooden chair mounted on a square platform with rollers. There is a Gilbreth day blackboard in the image which says Gilbreth Day Mon 1914 21 XII 346.' Plain white background. Chair itself does not seem to have been altered in any way. See also 99-30315.

  • 318949.0762 Chair standing on rolling booster platform in front of gridded wall.

  • 318949.0389 Female seated at bench organizing (?) bobbins of yarn (?) which are being gravity fed from a crate. Gridded floor

  • 318949.0306 Office with desk with two side by side chairs. In the background long lists hang from the walls.

  • 318949.1207 A row of redesigned charis lined up in front of a gridded background. In the front are two clocks and a placard that says 134 (which would have been the first image number, assigned prior to 17989). Also on the upper right hand side of slide is a small sticker which says B 51--as if this is the number for a slide show.

  • 318949.0547, 10 cutting tools laid out on a white cloth.

  • 318949.1175 Older darker storage bins of 6-7 bays high. Don't see any tags.

  • 318949.0240, Two members of a surgical team wearing gowns stand at a gridded table in an operating theater set up inside a home. One man smokes a pipe. Two motion clocks visible.

  • 318949.0382-2, Three males working at large tables building factory route models (?). Sinks line one wall.

  • 318949.0600, Frank Gilbreth, three adult females, and five children standing on a lawn. Left to right Grandmother Martha Bunker Gilbreth, Carrol Cross, Bill Gilbreth, Lillian Gilbreth, Frank Gilbreth Jr., Frank Gilbreth. Front row left to rignt Martha Gilbreth, Ernestine Gilbreth, Anne Gilbreth.

  • 318949.0117 Cyclegraph of woman doing light assembly work (staking buttons). Three motion clocks visible she sits in front of a Gilbreth penetrating screen.

  • 318949.0564 People walking along tree line street with cathedral in background.

  • 318949.0288 Gilbreth motion study exhibit

  • 318949.0842 Large ornate building with fountains and gardens in foreground

  • 318949.0938 Male in military uniform standing on garden path holding a small child.Info from Jane Lancaster, Gilbreth biographer, June 2000 in correspondence with Elspeth Brown, Gilbreth scholar: 'c. 1917 or 1918, one of Lillian's brothers. Possibly baby Fred (b. August 1916). I believe all three of them served in WWI.' In the summer of 2000, Elspeth Brown sent Dave Ferguson, of the Gilbreth Network, a set of photos and xeroxes for him to bring to Ernestine Gilbreth Carey, for ID purposes. Her comments follow: 'Fred Moller with Family' Fred Moller was LMG's brother.

  • 318949.1312 Martha Gilbreth wearing a necklace standing outside with water in background. Identical to image acc. 318949.1904; see also 318949.0967 and all the other Buttonwoods images. Info from Jane Lancaster, Gilbreth biographer, June 2000 in correspondence with Elspeth Brown, Gilbreth scholar: 'Martha Gilbert, RI 1913 (see image 0224 for necklace).' Buttonwoods, RI, I am almost positive. In the summer of 2000, Elspeth Brown sent Dave Ferguson, of the Gilbreth Network, a set of photos and xeroxes for him to bring to Ernestine Gilbreth Carey, for ID purposes. Her comments follow: agrees that this Martha. c. 1913-14.

  • 318949.0612 Small table with casters and adjusting mechanism.

  • 318949.1056 A view of a sports feild. Several male figures are visible playing the game while a large crowd in stadium-style seating watches. Buildings and trees are visible in the background.

  • 318949.0039 gridded desk top filled with specialized tools - brayer, punch, key, scissors, pencil and pens in rack, stamps, ink.

  • 318949.0317 Route model of factory, Bldg D, 1st floor. Model is laid out on a board with what appears to be two more behind it. Photograph is taken in a room that has sinks lining the walls.

  • 318949.1070 Interior of a factory room crowded with machinery.

  • 318949.0886 Lillian leaning against deck railing with wooded hillside behind her. Taken at her parents' summer house, Wildwood, in Inverness CA, probably 1917. See 318949.0886; 318949.0771; and 318949.0875.

  • 318949.0733 Set-up for motion study showing numerous lights. Male standing on right, gridded background in rear. Handwriting on the glass says 'Drill Press,' but the image number falls in the middle of a series of typing studies done in April 1916 as part of the Remington contract.

  • 318949.0483 Chronocyclegraph of female doing unidentified work.

  • Photo prints from Purdue University documenting Gilbreth

  • 318949.1019 Scientific management class. Frank Gilbreth standing in front of routing (?) board and an audience (and perhaps subject) of at least 9 male and female participants.

  • 318949.0844 Interior view of room with portable drying frame from which hang long strips of paper looped over rack.

  • 318949.0779 Two females standing at gridded and numbered table writing on pads.

  • 318949.0543 Storeroom with neat cubbyholes for machine shop supplies. Sign on right appears to be in German.

  • 318949.1308 Chronocyclegraph of handkerchief folding. Very difficult to tell, but my hunch is that this is a pattern of an experienced folder using 'standard' motions; it may even be the pattern which the Gilbreths turned into a motion model of the 'right way.' There are fewer cycles than documented in the stereocards, and this image shows no background at all. Check against motion model images.

  • 318949.1215 Close-up of a woman's boots resting on a curved foot rest underneath a table. See also 99-30306.

  • 318949.0485 Chronocyclegraph of seated female doing unidentified work. Two motion clocks are visible. Photograph taken through penetrating screen.

  • 318949.0962 Family seated at dinner table (Thanksgiving). Visible are Frank, Lillian, six children, one unidentified male adult and two unidentified female adults.

  • 318949.1061 A view of what appear to be train tracks with electrical wires and apparatus above them.

  • 318949.0899 Frank Gilbreth standing on bustling European urban street. Sign on building reads Societe Generale.

  • 318949.0109 Female in polka dot dress seated at gridded desk in front of gridded background stamping papers. One motion clock is visible.

  • 318949.0653 Disabled study of man wearing an eye patch and telephone headset seated in front of cash register. Sign on cash register says Get a Receipt

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