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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • Letter-sized envelope with Constance Stuart insignia, containing newspaper clippings. First clipping entitled "Yes, Virginian, There Is A Herald Tribune" is letter by Art Buchwald, declaring the continued existence of the newspaper (1962). Second clipping entitled "Local Woman Lauded On Return to her Former Home In Africa" is about Constance Stuart Larrabee's trip to South Africa, where the Johannesburg Daily Mail celebrated her presence (undated). Third clipping is a picture of a boy at Mapoch Village, near Pretoria, photograph taken by Constance Stuart Larrabee and being shown at "the world-famous 'Family of Man' exhibit." Fourth clipping entitled "Teaching the White House Facts of Newspaper Life" in the New York Herald Tribune, is regarding President John F. Kennedy's cancellation of the White House's Herald Tribune subscription. Correlates with Art Buchwald's editorial (see above), 1962.

  • Newspaper article entitled "The No-Frills Cornmeal Cuisine", in The Washington Post, regarding Zulu cooking appliances and cuisine.

  • "Forty-Eight to New York Presents." Advertisement in The Washington Post for a round-trip train ride from Washington to New York.

  • SANG information sheet- Constance Stuart Larrabee. Entries under "Biography," "The Photographs," "Tribal Photographs," "War photographs," "Nagmaal," and "Steuben Glass."

  • Card to Constance Stuart Larrabee from Durham, N.C.

  • Article entitled "The Tempest", in Libertas, Vol. 6, No. 6, pp. 44-47.

  • Catalogue Preface for "Go Well, My Child." National Museum of African Art.

  • Magazine clipping entitled "Shebeens to be legalised", regarding licensing of liquor taverns.

  • Leaflet for performance: The Tempest by William Shakespeare. Sponsored by the South African Association of Arts, performed at Cape Town City Hall with a "non-European cast."

  • Young Zulu Woman and Man

  • Essay by Constance Stuart Larrabee entitled "Malay Quarter- Capetown."

  • Newspaper clipping entitled "Paint and Plastics" by Phoebe Rayner, discussing the technical accomplishment of Constant Stuart's photography of Basutos.

  • Contact sheet: Images labeled 57-62. Written on reverse: Genadendal Moved to another folder.

  • Letter to Constance Stuart Larrabee from M.V. Clarkson about her guest house in the Cape.

  • Synopsis of the "Seek What is True" Constance Stuart Larrabee exhibition by Duke University Museum of Art.

  • Article entitled "Varsity opens centre to honour Paton's dream", in The Natal Mercury.

  • Movie review of Cry, the Beloved Country.

  • Newspaper article entitled "Photographs of Native Life", regarding new exhibit of Constance Stuart photographs at Johannesburg Art Gallery.

  • Magazine article entitled "Facts and Figures", in South African Digest, p. 3. Describes statistics about South African railways and harbors.

  • Leaflet for performance: "Gwen Ffrangcon-Davies, Marda Vanne in The Merry Wives of Windsor by William Shakespeare." Among acknowledgements: "Photographs by Constance Stuart."

  • Magazine articles entitled "South Africa and its neighbours are partners in the Limpopo basin" and "Water: South Africa faces a crisis", in South African Digest p. 8.

  • South Africa

  • Basutoland, Royal Visit

  • Letter to Constance Stuart Larrabee from Richard Gillin at Washington College, inviting the photographer to talk to his literature students about South Africa.

  • Article entitled "Ndebele's 'silent agony' is killing their need to create", in The Star.

  • Article entitled "Preserved from a vanishing tradition." Review of "Ndebele Images" exhibition at the Knight Gallery.

  • "Press Pioneer Maggs dies at 83," The Star. Obituary for Colonel Eugene O'Connell Maggs, "one of the pioneers of newspapers for blacks..."

  • Mini-essay entitled "The Zulus."

  • Ned Bank and First Bank deposit slips and receipts. Constance Stuart Larrabee's financial statement from Primart Foundation, Westport, CT.

  • Essay entitled "Women of the Ndebele."

  • Article entitled "Images of a Dying Culture", in Eastern Express. Review of "Ndebele Images" exhibition.

  • Article entitled "Vergelegen, Cape Province, South Africa", in Country Life.

  • Letter to Constance Stuart Larrabee from Tom Clarkson, thanking her for lending him money.

  • Goodbye letter to Larrabee from the Museum of Natural History in New York.

  • Magazine clipping entitled "Peter Matthiessen's Africa, Book One: Botswana" pp. 69-81.

  • Blank postcard from The Queen's Gallery, Buckingham Palace: Painting by George Stubbs entitled "The Prince of Wales's Phaeton."

  • Article entitled "Optimism for economic turnaround is growing", in South African Digest, p.1-2.

  • Letter to Constance Stuart Larrabee from Howard Chapnick at Black Star, notifying Constance Stuart Larrabee that two of her photographs from the South African collection have been selected for a postcard series by the Musée d'Elysee in Lausanne. Mr. Chapnick asks Constance Stuart Larrabee to provide captions for the images that are "historically accurate and something that would make you happy."

  • Article entitled "Constance Stuart- Libertas War Correspondent", in Libertas, Vol. 5, No. 10, pp. 37-44.

  • Letter to Constance Stuart Larrabee from Kathleen Ewing, scheduling the A. Audrey Bodine exhibition at Washington College.

  • Note to Constance Stuart Larrabee from Suzanne, thanking her for her lecture at The Church of the Redeemer.

  • Letter to Constance Stuart Larrabee from Time-Life International about her Mopogga photographs.

  • "Itinerary for Kgalagadi Tour."

  • Miscellaneous 2

  • Cover page and pages from Libertas magazine, Vol. 4, No. 10. Includes "Constance Stuart- Libertas War Correspondent" spread entitled "She Was There," with photographs taken by Constance Stuart Larrabee during the war in Italy and Southern France.

  • Libertas— "The Tempest" Vol. 6, No. 6

  • Libertas— "Films of our Artists for Schools" Vol. 6, No. 8

  • Contact sheet: images of interior and exterior of house. Written on reverse: 198 Cape Moved to another folder.

  • Essay entitled "The Aims of Administration in Kgalagadi."

  • "TV and Culture," in South African Panorama, regarding the filming of TV advertisements in South Africa.

  • "Tradition updated," SA Digest. Statistics of urban growth in South Africa, 1936-2000. To address the growing black urban population, updating of traditional housing is proposed.

  • Article entitled "New Vistas for Black students", in South African Digest.

  • Captions from Constance Stuart Larrabee: "Bechuanaland."

  • Note card reading "Lovedu."

  • "Tribal Information"

  • Blank postcard: Hotel Palácio de Seteases, Sintra, Portugal.

  • Orders for Constance Stuart Larrabee from River Press, Inc. (Postcard invitations, exhibition posters, etc.)

  • Newspaper article entitled "Garalt MacLiam in frank conversation with Athol Fugard," in The Star.

  • Publication entitled Southern Africa- The New Diplomacy, by Embassy of South Africa, Washington, D.C.

  • Article entitled "Steeped in History", South African Digest, regarding Alphen and Lanzerac, homesteads turned hotels.

  • Essay entitled "Nagmaal in South Africa".

  • Captions for "The Lovedu."

  • Price book, letter, and invoices from Modernage Custom Photo Labs.

  • Letter (handwritten) to Constance Stuart Larrabee from Kurt Safranski at Black Star, informing her that the Museum of Natural History in New York wants to exhibit her photos of African Women.

  • Newspaper clipping entitled "Places of Prayer", regarding the Strooidak Church, Suider Paarl.

  • Slides. Moved to another folder.

  • Mini-essay and captions by Constance Stuart Larrabee for Black Star, entitled "Leopards and Lions."

  • Fragmented newspaper article, entitled "The U.N. List", regarding the U.N. Special Committee Against Apartheid's list of musicians and singers agreeing/disagreeing to perform in South Africa.

  • Zulu Man and Woman

  • Map of Natal.

  • Newspaper clipping in Sunday Times, regarding the alliance of English and Afrikaners in the National Party.

  • Article entitled "A Truly International Hit", in The New York Times, regarding "The Gods Must be Crazy."

  • Article entitled "Rainmaking: Old As Man", in Sunday Compass Magazine, regarding rain-making rituals in various cultures.

  • Profile of Constance Stuart Larrabee and her exhibition with Alan Paton.

  • "Vriendskap en Opoffering"

  • Empty white envelope entitled "Clippings London 1933-34 PTR Exhibit 1936-1937… From: Constance Stuart Larrabee- 1933 Contents itemized."

  • Blank postcard: Scenes of Estoril, Portugal.

  • "South Africa: Four Additional Perspectives." Schedule for lectures arranged by a parish, including Constance Stuart Larrabee as a speaker.

  • Natural History magazine, with "The Ndebele of Africa" color cover photograph by Constance Stuart Larrabee.

  • Letters to Howard Chapnick at Black Star from Constance Stuart Larrabee: First letter, handwritten, refers a traveling exhibit and details of costs and commission. Second letter, typed, gives Constance Stuart Larrabee's phone number, with request for Charles Scribner's contact details (publishing house of Alan Paton's book). Third letter, typed, about financial terms for traveling exhibition of "Seek What is True."

  • Young Zulu Woman With Jewelry

  • "The Transkei." Essay, list of negatives, and captions by Constance Stuart Larrabee. See items 298 and 299.

  • Article entitled "A Scenario for Change" in Newsweek, p.32., regarding sanctions against South Africa.

  • Libertas magazine, Vol. 5, No. 2, with feature by Constance Stuart Larrabee entitled "Springboks in the Apennines," pp.46-47. Also picture of Constance Stuart Larrabee sitting at entrance of shelter at the Italian battlefront, p.67.

  • Letter to Constance Stuart Larrabee from Suzanne Wills, confirming her attendance at the Adult Forum, Church of the Redeemer in Baltimore.

  • Letter to Constance Stuart Larrabee from Helen Brann concerning a possible book contract for "Go Well, My Child/Seek What is True."

  • Article entitled "Films of our Artists for Schools", in Libertas, Vol. 6, No. 8, p. 26.

  • Newspaper article entitled "Native Studies", with photograph of Constance Stuart as she hangs pictures for an exhibition at Christi's Gallery of her photographs of the Mujaji people of the Northern Transvaal and their Rain Queen and the Lovedu.

  • Thirty-eight negatives of Gwen Frangcon-Davies, Marda Vanne, and Ivor Novello in a garden. Moved to another folder.

  • Airline ticket holder.

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Ndebele Woman at Doorway
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