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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • "The Transkei." Essay, list of negatives, and captions by Constance Stuart Larrabee. See items 298 and 299.

  • Article entitled "A Scenario for Change" in Newsweek, p.32., regarding sanctions against South Africa.

  • Libertas magazine, Vol. 5, No. 2, with feature by Constance Stuart Larrabee entitled "Springboks in the Apennines," pp.46-47. Also picture of Constance Stuart Larrabee sitting at entrance of shelter at the Italian battlefront, p.67.

  • Letter to Constance Stuart Larrabee from Suzanne Wills, confirming her attendance at the Adult Forum, Church of the Redeemer in Baltimore.

  • Letter to Constance Stuart Larrabee from Helen Brann concerning a possible book contract for "Go Well, My Child/Seek What is True."

  • Article entitled "Films of our Artists for Schools", in Libertas, Vol. 6, No. 8, p. 26.

  • Newspaper article entitled "Native Studies", with photograph of Constance Stuart as she hangs pictures for an exhibition at Christi's Gallery of her photographs of the Mujaji people of the Northern Transvaal and their Rain Queen and the Lovedu.

  • Thirty-eight negatives of Gwen Frangcon-Davies, Marda Vanne, and Ivor Novello in a garden. Moved to another folder.

  • Airline ticket holder.

  • Newspaper clipping entitled "First Show By Professional Photographers," describing first exhibition of work of members of the Transvaal Division of the Professional Photographers Association of South Africa and mentioning the "remarkable talents" of Constance Stuart.

  • Pricelist for PROCOLOR- "Photographic materials and equipment at cash & carry prices."

  • Newspaper articles entitled "Exhibit Strikes a Fragile Balance", in The University Journal; "Photos Exude Black Heritage's Grandeur", in The Daily Progress (Charlottesville, VA), regarding Constance Stuart Larrabee's exhibit at the Bayly Art Museum, University of Virginia.

  • Envelope C.S.L. Exhibit 1979 2 Sets Contacts Please Johannesburg Art Gallery containing photographic negatives of an exhibition space, with Constance Stuart Larrabee's work on display. Correlating contact sheet. Negatives and contact sheet Moved to another folder.

  • Essay by Constance Stuart Larrabee, entitled "Black Beauty", about various South African tribes.

  • South Africa: Mapula Sebidi

  • Newspaper clipping of a picture of Constance Stuart and an article regarding her life and work during two years of study in London handwritten in pencil above the article on one copy and on the reverse on a second copy: Rand Daily Mail 1• 6 • 35.

  • Handwritten letter: to Mrs. Stuart from ? (name illegible), thanking her for holiday wishes and saying that "we spent X'mas & New Year in Hamburg…" with Constance.

  • Vintage photo by Constance Stuart Larrabee: Town house in Johannesburg.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dearest Loopy") signed with a drawing of a mouse. Letter gives news about the weather and various parties.

  • Letter from Public Relations at the Museum of Natural History in New York, enclosing newspaper articles about Constance Stuart Larrabee's exhibition.

  • Vintage Photographs: 17 photos transferred to "Vintage Prints Box."

  • Contact sheet: images of interior and exterior of house. Written on reverse: 198 Cape Moved to another folder.

  • Letter (typed) to Ms. Smit from Constance Stuart Larrabee, asking whether the book on Nagmaal was ever published.

  • Photographs: Two shots of Constance Stuart Larrabee standing in the doorway of the Constance Stuart Gallery. Removed to vintage print box.

  • Article entitled "Puppet Troupers", in Libertas, Vol. 6, No. 3, pp. 54-59.

  • Essay by Constance Stuart Larrabee, entitled "Sects Versus Witch Doctors in Johannesburg."

  • "The Indian".

  • Newspaper clipping entitled "35 years of Goldblatt", regarding photographer David Goldblatt's exhibition at the Johannesburg Art Gallery.

  • Personal letter (handwritten) to Constance Stuart Larrabee from Mrs. G. Gordon Massey.

  • Photograph of Alexis Preller. Moved to another folder.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear Loppity") from Constance Stuart Larrabee ("Mouce"), on "Via Panagra" stationery. "Santiago-Buenos Aires" written at top of page. Constance Stuart Larrabee writes about Santiago and the Andes Mountains.

  • "The Boers Go on their Easter Trek." Feature in Leader Magazine. Vol. 5, No. 21.

  • Letter to Constance Stuart Larrabee from Judith Luskey, archivist at the National Museum of African Art, informing Constance Stuart Larrabee that the museum needs her written permission for reproduction rights to her photos.

  • Newspaper clipping regarding curfew in Soweto townships.

  • Publication entitled "President F.W. de Klerk's Visit to the United States of America", by Embassy of South Africa, Washington, D.C.

  • Letter (handwritten) from ? Shield, Secretary, on behalf of Princess Yvonne (London) Limited, dated August 29nd 1935, under letterhead of Yvonne's Portrait Studio, London, and stating that "Miss Constance Stuart was employed by us as improver for over five months & gave every satisfaction."

  • Letter to Constance Stuart Larrabee from Diane Levy, graduate student researching Larrabee. Reply enclosed.

  • "From the Earth: African Ceramic Art." Education leaflet from exhibition at the National Museum of African Art, Smithsonian Institution.

  • Letter to Constance Stuart Larrabee from Alan Paton, giving her permission to use excerpts of his book.

  • Sabena Airlines postcard to Constance Stuart Larrabee from David O.M. Gooday.

  • Miscellaneous notes and card to Kate Jones from Constance Stuart Larrabee with picture on front of Constance Stuart Larrabee and her Norwich Terriers.

  • Leaflet entitled "Paddagang wine house."

  • Magazine clipping entitled "Land-Rover Owner's Club of Southern Africa."

  • Newspaper clipping entitled "Boom in tourism along SA's 'Gold Coast.'"

  • Letter to Constance Stuart Larrabee from Howard Chapnick at Black Star, reading… "I am a little bewildered by your letter. You said you had spoken to me briefly about someone wanting to do a postcard of the 'celebration' of the Norwich Terrier jumping out of the water. You ask me 'Has he let you know what terms he is considering?'… Please write me a specific note of clarification…"

  • "Vriendskap en Opoffering". Play catalogue with cast portraits by Constance Stuart Larrabee.

  • Page of handwritten notes entitled "S.A. War Museum." Notes contain dimensions of photographs, miscellaneous measurements and prices, and costs of shipping. On reverse of page are misc. names: Col. Duxbury, Mr. Stan (Anti-Insurgency Warfare), Major Tyrrell…

  • Photograph: Constance Stuart Larrabee sitting in a vintage car in front of a gabled house with a chain-link fence. Removed to vintage print box.

  • Newspaper clipping entitled "Young Woman With A Camera", in the Pretoria Times, discussing visit of American photographer Pat English with Constance Stuart in Pretoria, and photograph of both women.

  • Newspaper article entitled "Nagmaal", in the Milwaukee Journal.

  • Partial Newspaper clipping see item 927.

  • Article entitled "Transkei Parliament Opens in Umtata", in South African Scope.

  • Invitation: "Constance Stuart invites you to the private view of her exhibition of documentary photographs ... the Argus Gallery, Burg Street."

  • Letter to Constance Stuart Larrabee from John T. Marvin (Doylestown, Pennsylvania)… "Just a line to ask you if you have a glossy print of the Norwich "jumping" from the water that appears on page 27 of Kennel Update, 1981. It is a wonderful shot and I would like to use it in the next update of my book of all Terriers."

  • Captions for photos in Constance Stuart Larrabee's essay, "The City of Diamonds".

  • Newspaper article entitled "Fugard's Treaty for the Warring Sexes", in The New York Times. In his 1969 play Mr. Fugard presents a man and a woman brutalized as much by their inability to communicate as by the tragedy of apartheid. Mr. Fugard is directing a revival of the play at the Manhattan Theater Club…

  • Postcard: Constance Stuart Larrabee standing on the sidewalk front of a two-story stone building, near a lamppost. Removed to vintage print box.

  • Miscellaneous

  • Kimberley Miner Counting His Money

  • Leaflet entitled Advertisement for "Duiker Island."

  • Newspaper clipping entitled "Exhibition by Alexis Preller."

  • Article entitled "A Forest of Living Fossils", in Libertas Vol. 6, No. 11, pp. 40-43.

  • Letter to Constance Stuart Larrabee ("My dear Bubbles…") requesting a reproduction of one of her images.

  • Letter to Constance Stuart Larrabee from Alan Paton, thanking her for a book of her exhibition at the Corcoran Gallery.

  • Newspaper article entitled "Pinning Blame in South Africa," expressing concern about corruption in the South African authorities.

  • Letter to Constance Stuart Larrabee from Alexis Preller.

  • Photographs: Two shots of a woman seated in front of a man using a camera and photographic lighting. Removed to vintage print box.

  • Captions: "Women of the Ndebele" by Constance Stuart Larrabee for the Black Star.

  • Quotes from Cry, the Beloved Country (15 different quotes.)

  • Article entitled "The Cape Malays, Rich and Unusual Culture and Folklore of Afrikaans-Speaking Muslims", in Libertas.

  • South Africa

  • Libertas— "Salute to the 6th Division" Vol. 5, No. 4

  • Photo by Constance Stuart Larrabee: Man next to wagon, holding pumpkins. Moved to another folder.

  • "Directions to Church of the Redeemer."

  • Article entitled "Mountains of Africa", in South African Panorama.

  • Letter to Constance Stuart Larrabee from Alan Paton, giving her permission to use excerpts from his book.

  • "Timeless Serenity: Constance Larrabee's Africa", in The Washington Times. Review of Constance Stuart Larrabee's "Tribal Photographs" exhibition at the Corcoran.

  • Index card with handwritten notes by Constance Stuart Larrabee: South Africa 1983 Johannesburg Athol Fugard (1) Athol Fugard with Actor from "Master Harold and the Boys" (2) Athol Fugard (3) 36 frames.

  • Article entitled "Oxford Movement marks 150th anniversary", in The Episcopalian.

  • Photograph, on cardboard, of a woman, in dress and beaded necklace, and man, in suit and tie, at a dinner table. Moved to another folder.

  • Letter to Constance Stuart Larrabee from Kathleen Ewing, rescheduling the A. Audrey Bodine exhibition at Washington College.

  • Newspaper article entitled "The Fact the World Bank Won't Face", regarding the need for birth control in developing nations.

  • Letter to Howard Chapnick at Black Star from Constance Stuart Larrabee, with regard to Black Star's role in her traveling exhibit. The letter also requests "opinion on my future W.W.II exhibit in Washington in 1989" and "an updated list of all negatives and prints you have of mine in stock."

  • Small divider reading "Slides Set No. 2."

  • Photograph: Constance Stuart and four others sitting outside on a bench, dressed casually, with a small dog. Removed to vintage print box.

  • "Tribal Information"

  • Newspaper article entitled "Exhibition by Constance Stuart," discussing photographs of children at Stuart's studio, 6 Burlington House.

  • Essay entitled "The Tribes of the Transkei."

  • "National Museum of African Art, Smithsonian Institution, Selected Biography for the Lecture Series 'Through a Western Lens: Photographic Images of Africa.'"

  • Cover of Natural History, with color photograph of some Ndebele.

  • Letter from Prof. A. L. Meiring allowing Constance Stuart Larrabee to visit the Ndebele settlement.

  • Letter to Constance Stuart Larrabee from M.V. Clarkson, about mortgage payments.

  • Postcard: Photograph of a woman in wide-brimmed hat, waistcoat, britches and pointed shoes, holding camera in a stylized pose.

  • English Translation of Item 1: one typed page entitled report of the Chairman of the Association of Professional Photographers, Munich.

  • Article entitled "A prize collection of Ndebele beads", in The Star. Review of Ndebele beadwork exhibition.

  • Newspaper clipping: item mentioning that Captain C. E. Stuart had returned to South Africa to visit his daughter and together they were guests of "the well-known photographer" Constance Stuart.

  • Pages 49 and 50 of Libertas magazine, with headline "Golden City's Diamond Jubilee" and introduction to essay about urban planning in Johannesburg.

  • Two Young Zulu Women

  • Newspaper clipping from column entitled "Talk of the remainder cut off" about Constance Stuart's exhibitions in Cape Town and Pretoria.

  • Notes, pertaining to exhibition at Duke University.

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Ndebele Woman at Doorway
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