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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • "Panel Discussion in Conjunction with Lecture Series 'Through a Western Lens: Photographic Images of Africa' at National Museum of African Art."

  • Two Zulu Women

  • Letter to Howard Chapnick from Constance Stuart Larrabee, inviting him to Chestertown, and informing him that she will send sixteen 8 x 10's of the Norwich Terrier photograph, and that "in January I will send you 40-50 photographs and then information for you to approach Camera Arts." She also reiterates 40% of sales to Black Star and 60% of sales to Constance Stuart Larrabee, and she asks "will you please have a new rubber stamp made for stamping credit on the back of my photos from Black Star."

  • Procession of Swazi warriors for Royal Visit, Nhlangano (Swaziland)

  • Sotho Child

  • Article entitled "Toothbrush Art and Plastic Paint make rainbow Ndebele homes", in Architecture.

  • Letter to Howard Chapnick at Black Star from Constance Stuart Larrabee, expressing concern about copyright royalties for her "Norwich Terrier jumping out of the water" and for two of her photographs used by the Musée de l'Elysee on postcards. Also, Constance Stuart Larrabee mentions WWII Exhibit catalogue and that she has complete control over her photographs that appear within.

  • Letter to Constance Stuart Larrabee from Marty Levick at Black Star, including a list of Constance Stuart Larrabee material that Black Star is holding in their files; includes Kimberley Diamond Mines, Sivalazand People, Basutaland, Bushman & Kalahari Police, Alexis Preller, Transkei, Cape of Good Hope, Ndebele.

  • Article entitled "Winnie's Dream Home", in Focus on Reality, regarding Mrs. Mandela's new home.

  • Newspaper clipping entitled "Grant Wood, The Regionalist Vision" at the Whitney Museum of American Art.

  • "Different Approaches", in The New York Times. Review of Constance Stuart Larrabee's "Tribal Women of South Africa."

  • Index cards with notes.

  • Article entitled "An African Tribe's Art is Endangered", in The New York Times.

  • Newspaper article entitled "Chris McConnachie: Friend and physician in the Transkei", regarding an orthopedic surgeon in Transkei.

  • Leaflet entitled "Herberg Drostdy Inn."

  • Libertas magazine, Vol. 7, No. 1.

  • Catalogue: "Helen Mmakgoba Mmapula Sebidi, Standard Bank Young Artist Award."

  • Invitation: "Constance Stuart invites you to an exhibition of her photographs of Basutos... at the Argus Gallery, 63 Burg Street."

  • Article entitled "Vivisection and Vaccination", in Libertas, Vol. 5, No. 7, pp. 62-63.

  • Captions from Constance Stuart Larrabee to Alan Paton.

  • Libertas Magazine

  • Letter to Constance Stuart Larrabee from "Doris" at The Star Democrat.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear Loop the woop") from Constance Stuart Larrabee ("Constance the Mouce"). Letter written on Holland-America Line stationery from R.M.S. Statendam. Labeled at top of page "Letter No. 1." Letter tells Colonel Sterling Larrabee of the festivities aboard the ship.

  • Contact sheet: Images are labeled 11-12 and 19-24. Pictures are of a garden with sculptures and a water feature, men playing bocce, a golf course, and four people standing in front of a building. Moved to another folder.

  • Photo: Alexis Preller in studio. Moved to another folder.

  • Invitation to photography exhibit at the Shell Gallery, Johannesburg, entitled "Images of South Africa."

  • Receipts: David Philip Publisher and Pretoria Country Club.

  • Empty envelope from Modernage Photographic Services, Inc. Account: Constance S. Larrabee Date: 1960 S. Africa Story or Title: S. Africa 1960

  • Brief regarding the Ndebele, featuring Constance Stuart Larrabee's photos.

  • Essay entitled "The Bushmen."

  • Leaflet for performance: "Standard Theatre…Nan Munro, Margaret Inglis, with Wensley Pithey…And So to Bed… Easter Season." Among acknowledgements: "Photographs by Constance Stuart."

  • Empty white envelope entitled "C.S.L. photo certificates Yevonde. Studio etc. 1930s London & Munich From: Constance Stuart Larrabee- 1933 Contents itemized."

  • Letter to Constance Stuart Larrabee from Melody Peart, librarian at the Embassy of South Africa, complimenting Constance Stuart Larrabee on her photography.

  • Two Young Zulu Women

  • Captions for "The Rain Queen of South Africa."

  • Piece of lined paper with handwritten notes: Lyn Payton 3950 Langley Court N.W. Apt C D.C. 20016 202-244-5202 Master Harold and the Boys Set. 12/1/86 Design.

  • South Africa

  • Article entitled "South African author Alan Paton dies at 85", in The News-Journal Papers.

  • Newspaper clipping from The Christian Science Monitor. Contains article entitled "S. African urban blacks told they may live as families," which explains a South African appeals court's decision to allow black urban workers to obtain residency and therefore be able to have their families live with them.

  • Photograph, mounted on cardboard, of woman in black dress and pearls. Signed by Constance Stuart, with "much love Auntie Prue. Feb. 1948" handwritten at bottom right of cardboard. Moved to another folder.

  • Photograph: Man seated next to painting, smoking a pipe. Written on reverse: Hendrik Pierneef Photo by Constance Stuart Larrabee Moved to another folder.

  • Invitation: "Constance Stuart invites you to an exhibition of her photographs of Mujaji, the Rain Queen, and the Lovedu ... at Christie's Gallery ... Hochstetter House, Andries St., Pretoria."

  • Newspaper article entitled "Buried with Military honours", regarding the funeral of Col. J.C. Freeth.

  • Leaflet for Arena Stage (Washington D.C.) production of Woza Albert! ("Woza Albert! imagines the reactions of South Africans to the Second Coming of the Lord, who arrives in Johannesburg via jumbo jet...")

  • Photo of Constance Stuart Larrabee and friend.

  • Letter to Christo Coetzee from Constance Stuart Larrabee, concerning the cost of the Rolleiflex repairs.

  • Letter to station commanders of Tsabong and Werda, from Bechuanaland police commissioner, about "Tour of Kgalagadi District by Constance Stuart Larrabee."

  • Newspaper clipping entitled "Discovery of unrecognized photographic genius leads to Market exhibit", in The Star, regarding Mike Disfarmer, a portrait photographer whose works (mostly of rural America) were discovered, posthumously, to be brilliant.

  • Newspaper clipping featuring Constance Stuart Larrabee's photograph of a "Native woman preparing herself for some tribal ceremony," to be shown at the Family of Man exhibition as the only South African entry.

  • Article entitled "Crossing Kenya On the 'Iron Snake'", in The New York Times.

  • Article entitled "Salute to the 6th Division", in Libertas, Vol. 5, No. 4, pp. 51-52.

  • Note paper and letter to "Philip" with questions about finances. List of Constance Stuart Larrabee's wire transfers.

  • Early Family Pictures

  • Magazine clipping: p. 13 of Woman's Life with headline "We doff our bonnets to…" with oval-shaped portrait photograph of Constance Stuart, with caption… "Constance Stuart, the well-known Pretoria photographer, for being the first accredited South African woman war correspondent to be sent to the Middle East." Also, photograph of Margaret Inglis and Gwen Ffrangcon-Davies performing Noel Coward's Blithe Spirit.

  • Magazine article entitled "The Tsotsis and the Pondos", in The New Yorker pp. 26-30. Essay about man dodging vandals/thieves in Johannesburg daily life.

  • Article entitled "U.S. And South Africa: The Ties, The Differences", in U.S. News & World Report pp. 96-9. "A visiting American driving from Jan Smuts Airport to the center of Johannesburg could easily feel that he had never left home. Clearly visible along the way are the signs of how deeply the United States is involved in the affairs of South Africa…"

  • Letter (typed) from the National Wildlife Federation.

  • "School of Photography Annual Exhibition- 1943." List of awards given to students, with Miss C. Stuart winning an honourable mention for the "animal" category.

  • Photographic negatives of an exhibition in a South African gallery (Pretoria?) showing Constance Stuart Larrabee's photographs. Two correlating contact sheets. Negatives and contact sheets Moved to another folder.

  • Leaflet for performance: "The Munro-Inglis Company presents Nan Munro in Noel Coward's Hay Fever."

  • Letter (typed) to an editor, correcting inaccuracies about South Africa.

  • Envelope with negative numbers.

  • Catalogue of "Alexis Preller Retrospective."

  • Letter to "friends" from "Christo."

  • Newspaper clipping entitled "Exhibition of Photographs," at the Duncan Hall in Johannesburg, including more than 200 prints from leading professional photographers in Witswatersrand and Pretoria. The article mentions "several interesting Native studies" from Constance Stuart Studio's "Journalistic Photograph" of a Mapoga mother and child.

  • Newspaper clipping entitled "Alan Paton."

  • Article entitled "Tutu Assails Botha Policies As 'Un-Christian' and 'Evil'", in The Washington Post.

  • Vintage Photo by Constance Stuart Larrabee: Boy being helped with his shoe. Moved to another folder.

  • Print of Preller's "Marathon."

  • Letter to Miss. Harmsen from Constance Stuart Larrabee, about Alexis Preller.

  • Envelope labeled "Athol Fugard," containing 16 photographs of Athol Fugard and actor Zakes Mokae. One photograph signed "for Constance with admiration and love. Athol Fugard." Photographs Moved to another folder.

  • Newspaper clipping entitled "The Future of Professional Theatre in South Africa" by Margaret Inglis in The Outspan, pp.23-26. Accompanying photographs taken by Constance Stuart. "When South Africa has permanent professional theatre, avenues will be opened up for artists and costumiers as well as academies where eager young actors and actresses can be properly trained to go on the stage."

  • South African Panorama, Volume 34, Number 10. Feature regarding President Frederik W. de Klerk of South Africa.

  • Essay entitled "The Basutos." See item 287.

  • Libertas Magazines

  • Photograph: Constance Stuart Larrabee, seated, with eight other people; the men are wearing suits, and the women are in skirts and blouses. Removed to vintage print box.

  • South Africa

  • Newspaper clipping entitled "Eddie Calvert's son was bored with life", regarding suicide of magazine editor Gilbert Calvert, son of musician Eddie Calvert.

  • Index card with notes about Cry, the Beloved Country.

  • "Seek What is True"

  • Young Zulu Women Dancing

  • Copy of letter to Constance Stuart Larrabee from "Danny, Debbie, Melanie, and Robyn," with enclosed article regarding Alan Paton.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My darling Larrabee") from Constance Stuart Larrabee ("Konstansia") on white lined paper. Constance Stuart Larrabee tells her husband that she is looking forward to coming home ("my heart is 100% in Maryland"), but that she first is spending a week in Cornwall and a week in London. She also writes that she took "some excellent photos" at a Ndebele kraal.

  • Newspaper clipping entitled "Here's why proof K-rand performs sedately", regarding South African Gold Coin Exchange and coin minting.

  • Article entitled "Achievements in Mining", in South African Panorama, regarding the mining industry.

  • Newspaper clipping entitled "Rebels Kill 4 Whites in Zimbabwe", in The Washington Post. "Four members of a white faming family have been killed by dissidents in a new outbreak of violence in the troubled Matabeleland region… The killings have international implications following Prime Minister Robert Mugabe's charge yesterday that Botswana was allowing dissidents to infiltrate into Zimbabwe from its territory."

  • Magazine article entitled "Charka for Basutoland?", in Libertas, regarding proposals to increase weaving industry in hopes of bolstering the economy.

  • 5 x 7 black and white negatives of various images. Moved to another folder.

  • "Seek What is True"

  • Two letters (typed) to Constance Stuart Larrabee from Richard Cutler. Letters make it clear that Richard Cutler made all the preliminary arrangements for Constance Stuart Larrabee's exhibitions in South Africa, 1979. Cutler instructs Constance Stuart Larrabee to write to Professor van Niekerk about her exhibition.

  • Newspaper article: See item 227.

  • Letter (typed) to Constance Stuart Larrabee from P.A. Senior, Director of the Johannesburg Art Gallery. At its meeting of 3 May 1979, the Art Gallery Committee accepted your gift of three photographs with great pleasure… I regret to inform you that, after consideration by the Art Gallery Committee, a decision was taken by the members not to purchase the photographs you offered for sale…

  • Newspaper clipping entitled "This you should see for yourself", in The Star. Review of American photographer Mike Disfarmer's exhibition at the Market Photo Gallery. All photographs are of "the rural inhabitants of a small town in Arkansas… the post-depression period which found itself going to war."

  • Mini-essay and captions by Constance Stuart Larrabee: "Solving the Housing Problem in Africa."

  • Leaflet entitled "The Hohenort", regarding a Cape Town "Conference and Seminar Center."

  • Essay by Constance Stuart Larrabee entitled "The Transkei."

  • South Africa Theatre, Nan Munro, M. Inglis

  • Copyright/publication agreements for "Go Well, My Child" exhibition at the National Museum of African Art, Smithsonian Institution. "Copyright of original negatives will be returned by Constance Stuart Larrabee who hereby grants permission for the Smithsonian Institution to produce copy prints for the exhibition." Signed by Constance Stuart Larrabee and Judith Luskey, archivist for Eliot Elisofon Photographic Archives.

  • Article entitled "Larrabee Recalls Paton and Memories of Africa", in The Elm (Washington College newspaper). See item 647c.

  • Newspaper clipping entitled "Exhibition by Constance Stuart," featuring pictures of children, at Constance Stuart's studio at 6 Burlington House.

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Ndebele Woman at Doorway
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