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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • Article entitled "Paton's Place", in The Argus.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear dear Loopi Laarraabbee") from Constance Stuart Larrabee ("Konstansia") on white lined paper, asking "How's the farmer, the farm and seven farm dogs and four farm coloreds and two farm birds? What a happy time I am having thanks to Farmer Larrabee. Your present to me is great and I am enjoying it beyond all expectations." Letter mentions seeing old friends and family in Johannesburg and Pretoria.

  • Letter (typed) to Professor Bun Booyens from Constance Stuart Larrabee asking to meet him when in South Africa for her exhibition in Stellenbosch in March.

  • Article entitled "The Essence of Tribal Dress", in The Star.

  • Certificate from The Polytechnic, Regent Street, London, W1: "This is to Certify that Constance Stuart was awarded a Second Class Pass in Portrait Operating: Intermediate Stage."

  • Newspaper article entitled "The Gods Must Be Crazy- A Truly International Hit."

  • Thirty vintage prints; many are duplicates. Most stamped with either "Credit: Constance Stuart from Black Star" or "A Constance Stuart Photograph" Prints include: boys raking dirt in front of white building; a school teacher and his class learning outside; girls with watering cans; girls at play outside, holding hands in a circle; a wooden building with thatched roof and two crosses; family outside white home with thatched roof; portrait of a girl; four boys with small clay (?) figures; person with cooking pot; man gardening; woman and child inside, seated at table; boys outside with shovels, three girls in front of big succulent plant; girls climbing a wooden fence surrounded with barbed wire; young boys and girls outside a building; old lady with covered head, seated against a building, reading a book. All removed to vintage prints box.

  • Brochure: "South Africa's museums and art galleries."

  • Article entitled "Women's Day in KwaNdebele", in South African Digest.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Article entitled "Paton 'Kept Alive' by 'Beloved Country.'" Cape Times.

  • Photographs: Man looking into a box with a magnifying glass top; same scene, with man looking at the camera bottom Removed to vintage print box.

  • Magazine article entitled "The Cape Malays", in South African Panorama.

  • Envelope addressed to Mr. Michael J. Fairlie, Edinburgh.

  • Empty white airmail envelope stamped "Philatelic Services Pretoria 223563." Handwritten on top left of envelope is "Old Photos."

  • Article entitled "Green Valley, Constantia, Cape", in South African Architectural Record. Vol. 28, pp. 301-304.

  • Typed page of names and addresses of journalists/art critics in South Africa. Handwritten on top of page: Give to Mrs Larrabee over the telephone. 43-4603.

  • Letter to Constance Stuart Larrabee from Harry Amdur concerning stains on negatives.

  • Handwritten copy of Stuart Cloete's essay, "A Decorative People." See item 234.

  • Crowd of people listening to the speech on election day, Pretoria (South Africa)

  • Constance Stuart Larrabee's notes.

  • Newspaper clipping entitled "Fashion Notes: The Chic of Africa" by Nina Hyde, in The Washington Post.

  • Black Madonna Series

  • Newspaper article (incomplete) entitled "What Forces Drive the Modern American Playwright? A Roundtable," in The New York Times. Interview with Arthur Miller, Athol Fugard, David Mamet, and Wallace Shawn.

  • Essay by Constance Stuart Larrabee for Black Star entitled "The Cape of Good Hope."

  • Photograph: Constance Stuart Larrabee and another woman in dresses and hats, with four men in suits standing at a rock wall at the ocean. Removed to vintage print box.

  • Two newspaper clippings about the demolition of Cape Town's Doll House restaurant and its replacement with office buildings.

  • Business card folded, advertising Constance Stuart's photography studio at 17 Hannah Court, Eloff Street, Johannesburg.

  • Newspaper clipping of photograph of Constance Stuart, taken in Basutoland, taken by her studio.

  • Photograph: "Pigeons on a Cape Farm in South Africa." Moved to another folder.

  • Letter (typed) to Constance Stuart Larrabee from Ms. Smit, Editor-in-Chief of D.R. Church Publishers, assuring Larrabee that no copyright infringements will be made.

  • South Africa: Bechuanaland

  • Newspaper article entitled "Howard U. Romances the GOP", in The Washington Post.

  • Envelope from Modernage Photographic Services containing five photographs, a negative, and an index card with notes.

  • Transkei

  • Newspaper article entitled "A moving stillness", in the Financial Mail (Johannesburg, South Africa). Review of Constance Stuart Larrabee's Nagmaal photography exhibition.

  • Article entitled "New life for Bushmen at Omega", regarding training base for Bushmen soldiers.

  • Letter to Constance Stuart Larrabee from Black Star Graphic Division, explaining that editors can take the liberty of changing captions of submitted pictures.

  • Captions: "Black Beauties and their Strange Arts and Crafts."

  • "South Africa: Progress and Stability", in South African Scope. Speech about "South African Policy" by Mr. H. L. T. Taswell, South African Ambassador to the USA.

  • Ndebele

  • Negatives of paintings by Alexis Preller. (11) Moved to another folder.

  • Vintage Photo by Constance Stuart Larrabee: Woman in wagon with family. Moved to another folder.

  • Newspaper clipping entitled "Students grill playwright." South African playwright Athol Fugard, who calls on the young of his nation to lead the battle against apartheid, took his message to U.S. high school students, some of whom were skeptical…

  • Leaflet for performance: The Merry Wives of Windsor by William Shakespeare at the Opera House, Pretoria. The names "Gwen Ffrangcon-Davies" and "Marda Vanne" appear on the front cover.

  • Smithsonian Institution News Release about "Go Well, My Child: Photographs by Constance Stuart Larrabee in Collaboration with Alan Paton."

  • Newspaper clipping discussing the "round of parties usual at this time of the year," including a party given by Constance Stuart.

  • Article entitled "Sanctions threaten a million jobs", in South African Digest.

  • Zulu Men

  • Creative Photography magazine.

  • Magazine clipping of large picture of industrial Johannesburg, from Libertas.

  • Notes, with negative numbers and photo captions.

  • Magazine article entitled "Whose kith and kin now?", about societal change in Zimbabwe.

  • Newspaper article entitled "Tradition fades as rifles and radios become the norm", regarding Bushmen and modernity.

  • Newspaper clipping with wedding photo of Mrs. Chris van Rensburg, with handwritten note in pink ink… "Please post this to your mother. I can't get another…"

  • Index card with notes, titled "Cry, the Beloved Country".

  • Magazine article entitled "Tribal Splendour From Nature", in South African Digest, regarding tribal regalia made from natural materials.

  • Photograph: Three carved figures against a burlap background, mounted on cardboard, and signed Constance Stuart in pencil under the photograph. Removed to vintage print box.

  • Copy of "Lost in the Stars" soundtrack cover.

  • Leaflet for performance: "The Munro-Inglis Co. (in collaboration with African Consolidated Theatres Ltd.) presents Nan Munro in Ladies in Retirement by Edward Percy and Reginald Denham. Among acknowledgements: "Photographs by Constance Stuart."

  • Magazine article in South African Panorama regarding the King of the Zulus, with attached contact photo.

  • Newspaper article entitled "The world through her lens", in Rand Daily Mail, regarding Constance Stuart Larrabee and her exhibition at the Johannesburg Art Gallery.

  • Newspaper article entitled "Owner donates Wye Plantation to institute", explaining that owner of Wye Plantation, on the Eastern shore of Maryland, is giving his land to the Aspen Institute for Humanistic Studies.

  • Newspaper clipping entitled "Bantu Portraits," describing exhibition at Argus Gallery of Constance Stuart's photographs of Basutos.

  • Correction note for Standard Bank Young Artist Award catalogue.

  • Newspaper clipping entitled "'New-era schools' in South Africa breaking down race barriers", in The Christian Science Monitor, regarding integrated preparatory schools which foster inter-racial friendships that are then carried on into the university scene.

  • Newspaper clipping in Die Burger, with photo by Constance Stuart Larrabee at Stellenbosch.

  • Accommodation guide to the Western Cape.

  • Zulu Man and Woman

  • Letter (handwritten) to Colonel Sterling Larrabee ("Darling loopy larra bee") from Constance Stuart Larrabee ("Mouce mit"). Letter written on Mount Nelson Hotel, Cape Town, stationery. Letter thanks Colonel Sterling Larrabee for his Valentine's Day cable, tells him how nice Cape Town is in the winter.

  • Mini-essay from Constance Stuart Larrabee entitled "Bechuanaland."

  • Johannesburg Art Gallery Annual Report.

  • Magazine clipping in South African Digest regarding first Afrikaans, Zulu, and Sootho Bibles.

  • Captions for the Voortrekker Monument, "A Monument to Courage."

  • Article entitled "Great S.A. Regional Plan", in Libertas, Vol. 5, No. 1, pp. 53-53 and 54-66.

  • Page 25 of unknown book entitled "Let Us Build Our Houses," with two photographs by Constance Stuart.

  • Article entitled "Building Brick Bungle", in Libertas, Vol. 5, No. 2, pp. 46-47, 65, 67.

  • Invoices and receipts: Exhibition and travel costs.

  • South Africa: Ned Bank

  • Letter to Howard from Constance Stuart Larrabee, in which she recounts that Little, Brown used her photograph of Noel Coward without remuneration. Having since given her $400 she wonders if she should get the publisher's terms in writing and if she should be paid again upon the event of a second edition.

  • Statement of Account for Constance Stuart Larrabee from Black Star. Statement lists "monies collected" with invoice number, magazine, story, amount billed, and photographer's share of this money. Constance Stuart Larrabee seems to give Black Star 50% of her earnings.

  • Photograph: a woman in a plaid, long-sleeved blouse sitting on the ground holding three dogs. The photograph is mounted on black construction paper; the reverse side shows evidence of glue-like mounting method. Removed to vintage print box.

  • "Spyskaart Menu."

  • Essay entitled "The Ndebele." See item 232.

  • Leaflet for performance: "The Munro-Inglis Company presents Nan Munro and Noël Willman in Lady Frederick by Somerset Maugham." Among acknowledgements: "Photographs by Constance Stuart." Advertisement reading "Be Photographed by Constance Stuart."

  • Magazine articles: "The Campbell Collections," pp. 35, 37-39 (about an old family estate in Durban, "an imposing white neo-Cape Dutch style house commanding magnificent views over the city and Indian Ocean," that is maintained as a museum by the University of Natal). "The Education of Black South Africans," pp. 47-52 (an outlook on the future of South Africa's educational system and its availability to the black population).

  • Letter to Constance Stuart Larrabee from Richard, telling her of Alexis Preller's death.

  • Letter to Constance Stuart Larrabee from Howard Chapnick at Black Star, suggesting 60%/40% financial terms for exhibition in Lausanne. Also, Black Star is sending Constance Stuart Larrabee negatives from Life magazine to the National Museum of Women of the Arts for an exhibition of war photographs.

  • Letter (typed) to Constance Stuart Larrabee from Ms. Smit, Editor-in-Chief of D.R. Church Publishers. Letter acknowledges that she received earlier letters, approves inclusion of additional illustrations, and will send a set of proofs shortly.

  • Article entitled "Swaziland Becomes Independent."

  • Photograph: Constance Stuart Larrabee, in overalls, sitting on a lawn, with trees in the background. Removed to vintage print box.

  • Index card with notes.

  • Newspaper clipping showing only the title and date The Star 02-20-79; invitations to Constance Stuart Larrabee's exhibition at The Johannesburg Art Gallery; piece of paper with "City of Johannesburg, Afrikana Museum, Public Library" letterhead.

  • Print of Preller's "Garden of Eden."

  • Essay: see item 371.

  • Letter to Kathleen Ewing from Kevin Grogan (Fine Arts Center, Nashville) about available space for Constance Stuart Larrabee's "Seek What is True" exhibit.

  • Newspaper clipping of pictures of religious ceremonies, from Münchner Illustrierte Zeitung.

  • Article entitled "Paton 'Continued His Journey'", in Weekend Argus.

  • Letter to Constance Stuart Larrabee from the South African Embassy in D.C., offering money for her exhibition. Also included is ensuing correspondence about exhibition details.

  • Three weekly calendars of March, June, and August 1975 with cover images of flowers by Dick Findlay.

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Ndebele Woman at Doorway
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