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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • Letter ("Dear Reader…") from Harry Schwarz, South African Ambassador, about the lifting of economic sanctions against South Africa by the US.

  • "Tribal Information"

  • Letter to Harry Amdur at Modernage from Constance Stuart Larrabee, citing a mistake in mailing fees.

  • South Africa: Swaziland

  • Letters to Mrs. Paton from Peter and Margaret Hart (Chestertown, MD) containing advice on offshore accounts in the British Isles.

  • South Africa

  • Newspaper clipping entitled "Talk On Tribal Life," discussing talk by J.F. Eloff at the home of Constance Stuart.

  • Letter to "Kurt" from Constance Stuart Larrabee, containing biographical information.

  • Letter to Constance Stuart Larrabee from A.J. Werth, thanking Constance Stuart Larrabee for her exhibition.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My darling Loopy") from Constance Stuart Larrabee ("Mouce") on airmail stationery that says, "Greetings from South Africa." Constance Stuart Larrabee writes… "How happy I am that I have little Larrabee and seven little dogs and many little Americans waiting for me and that in about four weeks I will be home again…. I wish I didn't have to stop in England."

  • Magazine article: See item 222.

  • "A Vanished South Africa." Review in "Gallery" section of American Photographer of "Go Well, My Child: Photographs by Constance Stuart Larrabee in Collaboration with Alan Paton."

  • "Extracts from letters from the American Museum of Natural History." Letter to Constance Stuart Larrabee from the PR department informing her of the success of her exhibition.

  • Chicago Sunday Tribune

  • Announcement: Athenaeum. Society for the Promotion of International Cultural Relations ... Constance Stuart will speak on Camera Men at Work.

  • Letter to Constance Stuart Larrabee from M.V. Clarkson, thanking Constance Stuart Larrabee for some money.

  • Photo by Constance Stuart Larrabee: Voortrekker Monument, Pretoria. Moved to another folder.

  • Book: Tribal Dress. Beadwork and Other Decorative Arts.

  • Contact sheet: Images labeled 44-54. Written on reverse: 1960 Genadendal Moved to another folder.

  • Letter (typed) to Ms. Smit, Editor-in-Chief of D.R. Church Publishers, from Constance Stuart Larrabee. Larrabee expresses concern about the possible fragmentation of her Nagmaal photographic collection and hope that she and D.R. Church Publishers will collaborate.

  • "Calendar of Exhibitions and Programs," National Museum of African Art.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Newspaper article entitled "Richly evocative photographs come alive", in The Star (Johannesburg, South Africa). Review of Constance Stuart Larrabee's Nagmaal photography exhibition.

  • Brochure entitled "Native Life in South Africa."

  • Article entitled "Swazi Move to Expel South African Guerillas Sparks Fighting," in The Washington Post.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Envelope, empty, to Constance Stuart Larrabee in Pretoria, from Johannesburg.

  • School book: On cover: "PRETORIA High School for Girls." A small blue envelope pasted to the inside cover contains two copies of newspaper pictures of Constance Stuart and her mother. Other pages contains newspaper clippings, dated from December 31, 1931 to April 14, 1933.

  • Article entitled "New Look Comes to Pretoria", in Spotlight magazine, by Constance Stuart Larrabee about the Radcliffe Observatory telescope (with pictures).

  • Essay by Constance Stuart Larrabee entitled "San Marino. The World's Smallest Republic."

  • Invitation for Constance Stuart Larrabee from Mrs. C. Donald Parker to attend a party for wives of African Ambassadors.

  • Sunday News

  • Captions from Constance Stuart Larrabee for Nagmaal photos.

  • Newspaper clipping with attached color photograph of people in an art gallery, entitled "Costly gifts for Johannesburg", in Rand Daily Mail. …Mrs C S Larrabee, a former South African photographer now living in America, has donated three of her photographs recently exhibited in the gallery…

  • Article entitled "The Chosen Trio", in South African Digest, regarding Cape Town hotels.

  • Handwritten letter to Constance Stuart Larrabee from "Jacqueline." I spoke to Edward Bernardi about your photographs, he is very interested in doing the auction for you and says that they should definitely remain in South Africa as you would be able to get a good price for them here… but in the USA they would definitely have a smaller value as they are so typically African…

  • Essay and captions from Constance Stuart Larrabee, entitled "Basutoland."

  • Postcard of Voortrekker Monument, Pretoria.

  • Vintage Photo by Constance Stuart Larrabee: Two women, boy, and dog next to crumbling building. Moved to another folder.

  • South African Digest pp. 1-2, 23-24.

  • Newspaper clipping entitled "Photographs of Malays: Praise from Dr. du Plessis," about Dr. du Plessis' opening of Constance Stuart's exhibition of photographs of the Malay Quarter and the theater, at the Argus Gallery (with Noel Coward attending).

  • Brochure with cover photographs of Noel Coward and a female, advertising opening of Constance Stuart's photography studio at A14, Annan House (First Floor), 86 Commissioner Street (opposite the Corner House).

  • Essay entitled "The Basutos."

  • Certificate from Kodak School of Professional Photography: "This is to Certify that Constance Stuart has successfully completed an approved Course of training in Professional Photography at this School… Printing & Enlarging Section."

  • Article entitled "Alan Paton Remembers", in Weekend Argus.

  • Newspaper clipping entitled "Tribalism Over-Simplified."

  • Letter to Constance Stuart Larrabee from "Brother Roger."

  • "Springbok"

  • Article entitled "Dilemma of Independence for South Africa's Ndebele", in National Geographic.

  • Newspaper article entitled "The Boers Go on Their Easter Trek", in Leader Magazine. Photos and captions by Constance Stuart Larrabee.

  • Newspaper clipping entitled "Malay Spotlight," mentioning Constance Stuart's exhibition at the Argus Gallery.

  • Newspaper clippings: Obituaries of G. M. C. Cronwright, printer and publisher.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear Lop-eared Larrabee") from Constance Stuart Larrabee ("Mouce"). Letter written on Marinte Hotel, Hermanus Cape, stationery. Constance Stuart Larrabee asks her husband how the dogs are and tells of more traveling in South Africa.

  • "Jackson's People-to-People Diplomacy", in The Washington Post, regarding Jesse Jackson comforting Armenians after an earthquake.

  • Libertas magazine, pp. 1-80, without cover page. Photograph of Major-General W.H. Evered Poole, D.S.O. by Constance Stuart Larrabee. Special issue dedicated to Springboks on the front line in Italy, with photographs mostly taken by Constance Stuart Larrabee, "our own war correspondent- the first South African woman to visit the front line…" (quote from p. 17) See item 1024.

  • Photographs

  • Article entitled "Men of the 6th Division", in Libertas, Vol. 5, No. 3, pp. 43-45, 65-71.

  • Article entitled "Limpopo Frontier Skirmish", in Libertas, Vol. 5, No. 10, pp. 28-40.

  • Article entitled "A fuzzy picture, but clear image of Alan Paton", in Baltimore Sun.

  • Profile of Larrabee and a Thesis

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear dear Loppity Loopity") from Constance Stuart Larrabee ("Bubbles") on "Royal Interocean Lines" stationery. Constance Stuart Larrabee tells her husband about the people she has met aboard the boat (sailing from South America to South Africa).

  • South Africa: Ned Bank

  • The Market Theatre Diary. Features include play "Master Harold"…and the Boys and Photo Gallery exhibition by Constance Stuart Larrabee.

  • Letter to Constance Stuart Larrabee from Anne Paton.

  • "Exhibition of South African Photos at Talbot Library", in The Easton Star-Democrat. Review of Constance Stuart Larrabee's exhibition.

  • Letters from Pretoria Country Club concerning Constance Stuart Larrabee's resignation.

  • Permit from Chamber of Mines to visit a gold mine.

  • Letter to Constance Stuart Larrabee from Alan Paton, congratulating her on receiving an Honorary Degree from Washington College.

  • Thesis: "A Response to the Environment: Traditional Dwellings of the South African Transvaal Ndebele." Includes reproduced images belonging to Constance Stuart Larrabee.

  • Article entitled "Colour and Symbolism form Preller's Palette", in South African Panorama.

  • Article entitled "An African Journey, From the Cape to Cairo", in The New York Times.

  • Letter to Constance Stuart Larrabee from Jo Holz and Tom Newman, thanking her for dinner.

  • Letter to Constance Stuart Larrabee from Black Star, asking if she would allow her exhibition to travel to more US cities.

  • Article entitled "The Bushmen of the Kalahari", in Natural History, with photographs by Constance Stuart Larrabee.

  • Newspaper article entitled "Former women's editor careered to great success", in The Star, regarding Margot Bryant, South African writer and The Star's "women's editor."

  • Photocopy of newspaper article entitled "Piece of city history dies with the Doll House", regarding sentimental farewell to "Cape Town's oldest roadhouse" which is being torn down and replaced with office buildings.

  • Letter to Constance Stuart Larrabee from Chris N. at the Embassy of South Africa.

  • Article entitled "Transvaal Ndebele Texts", in Ethnological Publications, Department of Native Affairs.

  • Article entitled "Last of the Rain Queens?, in Libertas, Vol. 6, No. 13, pp. 40-43.

  • Leaflet for performance: "Christmas Season 1943: Library Theatre… The Munro Inglis Company Presents Nan Munro in Noel Coward's Hay Fever." Among acknowledgements: "Photographs by Constance Stuart."

  • Note to Constance Stuart Larrabee from Ann M. Hoopes.

  • Letter to Constance Stuart Larrabee from Managing Editor of Coronet magazine.

  • Essay: see item 154.

  • Article entitled "Queen of the Rain", in South African Panorama, regarding the induction of the fifth Rain Queen of the Lovedu tribe.

  • Newspaper articles from The Washington Post, entitled "Mozambique Evicts Urbanites In Effort to Hike Productivity," "From Drought to Drenching, S. Africa's Weather Reversals Threaten Disaster," "El Nino Blamed for Dire S. African Weather."

  • Commentary on Alan Paton and Constance Stuart Larrabee.

  • Negatives: "Mrs. Bagge." 332083-7. Moved to negative files. Digitized, available online.

  • Alan Paton

  • Index card with notes 1984 Feb. WBJC Radio: 396 0404 Dr Zippa ZEMALA Baptist from S.A. Spoke at St. John Church on Apartheid= S.A. Nazism Has written book.

  • Leaflet for performance: "The Munro-Inglis Company in collaboration with African Consolidated Theatres Limited presents… Nan Munro and Margaret Inglis in And So To Bed by J.B. Fagan." Among acknowledgements: "Photographs- Constance Stuart."

  • Magazine article entitled "South Africa and its Problem", in Life, regarding racial issues in South Africa, particularly the mining industry. With photographs by Margaret Bourke-White.

  • Invoices: Johannesburg Public Library and Africana Museum.

  • Invitation: "an exhibition of watercolor sketches by R. H. Veitch ... at the Constance Stuart Studio, Cuthberts Building, St. Andries Street, Pretoria."

  • Natural History magazine, with article illustrated by Constance Stuart Larrabee entitled "The Bushmen of the Kalahari."

  • Photocopy of newspaper clipping with photograph ("Northern Transvaal, land of the Rain") by Constance Stuart Larrabee. Constance Stuart Larrabee commented that "it was a great day for photography." It was the first exhibition of photographs to be held in the Johannesburg Art Gallery.

  • Young Xhosa Man, Transkei, South Africa

  • Program from church service.

  • Xhosa Woman, Transkei

  • Article entitled "Craftsmanship of Ndebele beadwork", in South African Digest. Contains picture taken by Constance Stuart Larrabee.

  • Letter to Constance Stuart Larrabee from Mrs. Miles Gray of Santa Barbara Museum of Art, apologizing for the delay in responding to her request for an exhibition. Also included is a letter from the curator.

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Ndebele Woman at Doorway
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