Skip to main content

Search

My Visit
Donate
Home Smithsonian Institution

Site Navigation

  • Visit
    • Museums and Zoo
    • Entry and Guidelines
    • Maps and Brochures
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
      • Group Sales
  • What's On
    • Exhibitions
      • Current
      • Upcoming
      • Past
    • Online Events
    • All Events
    • IMAX & Planetarium
  • Explore
    • - Art & Design
    • - History & Culture
    • - Science & Nature
    • Collections
      • Open Access
    • Research Resources
      • Libraries
      • Archives
        • Smithsonian Institution Archives
        • Air and Space Museum
        • Anacostia Community Museum
        • American Art Museum
        • Archives of American Art
        • Archives of American Gardens
        • American History Museum
        • American Indian Museum
        • Asian Art Museum Archives
        • Eliot Elisofon Photographic Archives, African Art
        • Hirshhorn Archive
        • National Anthropological Archives
        • National Portrait Gallery
        • Ralph Rinzler Archives, Folklife
        • Libraries' Special Collections
    • Podcasts
    • Stories
  • Learn
    • For Caregivers
    • For Educators
      • Art & Design Resources
      • Science & Nature Resources
      • Social Studies & Civics Resources
      • Professional Development
      • Events for Educators
      • Field Trips
    • For Students
    • For Academics
    • For Lifelong Learners
  • Support Us
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
      • Smithsonian Call Center
      • Ambassador Program
      • Museum Information Desk
      • Docent Programs
      • Behind-the-Scenes
      • Digital Volunteers
      • Participatory Science
  • About
    • Our Organization
      • Board of Regents
        • Members
        • Committees
        • Reading Room
        • Bylaws, Policies and Procedures
        • Schedules and Agendas
        • Meeting Minutes
        • Actions
        • Webcasts
        • Contact
      • Museums and Zoo
      • Research Centers
      • Cultural Centers
      • Education Centers
      • General Counsel
        • Legal History
        • Internships
        • Records Requests
          • Reading Room
        • Tort Claim
        • Subpoenas & Testimonies
        • Events
      • Office of Human Resources
        • Employee Benefits
        • How to Apply
        • Job Opportunities
        • Job Seekers with Disabilities
        • Frequently Asked Questions
        • SI Civil Program
        • Contact Us
      • EEO & Small Business
        • EEO Complaint Process
        • Individuals with Disabilities
        • Small Business Program
          • Doing Business with Us
          • Contracting Opportunities
          • Additional Resources
        • Special Emphasis Program
      • Sponsored Projects
        • Policies
          • Combating Trafficking in Persons
          • Animal Care and Use
          • Human Research
        • Reports
        • Internships
    • Our Leadership
    • Reports and Plans
      • Annual Reports
      • Metrics Dashboard
        • Dashboard Home
        • Virtual Smithsonian
        • Public Engagement
        • National Collections
        • Research
        • People & Operations
      • Strategic Plan
    • Newsdesk
      • News Releases
      • Media Contacts
      • Photos and Video
      • Media Kits
      • Fact Sheets
      • Visitor Stats
      • Secretary and Admin Bios
      • Filming Requests

Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

Pages

  • « first
  • ‹ previous
  • …
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • University of Missouri- "African Profile."

  • Article entitled "Hospital Report", in The Washington Post.

  • "The Red Guns That Spread Over Africa", in South African Digest, regarding Soviet military presence around borders of South Africa.

  • Press release, Gallery of Art, Morgan State University, "Touring Exhibition of Black South African Art."

  • "Friends of the Corcoran Gallery of Art Reservation Application" for excursion to Yellowstone Art Center.

  • Notes by Constance Stuart Larrabee: "Into the Kalahari."

  • Review of Constance Stuart Larrabee's "Seek What is True" exhibition at Duke University.

  • Newspaper clipping entitled "Paton to be cremated in private."

  • Newspaper clipping entitled "Photos and Paintings," describing joint exhibition of photographs by Constance Stuart and paintings by Yolande Friend in the studio at Cuthbert's Buildings, St. Andries Street.

  • Article entitled "The Dark Visions of V.S. Naipaul", in Newsweek, regarding author V.S. Naipaul.

  • Photo by Constance Stuart Larrabee: Three Zulu people. Moved to another folder.

  • Research document about Nagmaal.

  • Leaflet: see item 134.

  • Script for "African Mystique," dealing with the artistic relationship between Constance Stuart Larrabee and Preller.

  • Photographs: Five photographs mounted on a wall beneath a window, with a potted plant and a bench top; two women sitting in an office near the mounted photographs bottom. Removed to vintage print box.

  • "Programme for the Royal Visit to the Bechuanaland Protectorate."

  • Newspaper clipping entitled "Studio Party," at Constance Stuart's studio in Cuthbert Chambers, featuring photographs of Constance Stuart and paintings by Yolande Friend.

  • Text For Exhibition of "Seek What is True"

  • Ndebele

  • Page of an regarding Constance Stuart Larrabee, with some of her photos.

  • Captions from Constance Stuart Larrabee: "Bechuanaland."

  • Photocopy of newspaper clipping entitled"Art," The Citizen. Art critic Richard Cheales this time looks at the photographic work of South Africa's first woman war correspondent in WW2, Constance Stuart.

  • Basutoland: Explanatory Memorandum, Basuto National Treasury.

  • Essay by Constance Stuart Larrabee for Black Star, entitled "African Puppets."

  • Essay and captions by Constance Stuart Larrabee, entitled "Boy Meets Girl in South Africa", about courtship in the Transkei.

  • Libertas— "Smuts Sees Martyrdom of the Old World", Vol. 2, No. 12

  • Letter (typed) to Constance Stuart Larrabee from Ms. Smit, apologizing for the delayed return of her photo-sheets and requesting prints from Constance Stuart Larrabee for the impending Nagmaal book.

  • Letter ("Dear Reader…") from Harry Schwarz, South African Ambassador, about the lifting of economic sanctions against South Africa by the US.

  • "Tribal Information"

  • Letter to Harry Amdur at Modernage from Constance Stuart Larrabee, citing a mistake in mailing fees.

  • South Africa: Swaziland

  • Letters to Mrs. Paton from Peter and Margaret Hart (Chestertown, MD) containing advice on offshore accounts in the British Isles.

  • South Africa

  • Newspaper clipping entitled "Talk On Tribal Life," discussing talk by J.F. Eloff at the home of Constance Stuart.

  • Letter to "Kurt" from Constance Stuart Larrabee, containing biographical information.

  • Letter to Constance Stuart Larrabee from A.J. Werth, thanking Constance Stuart Larrabee for her exhibition.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My darling Loopy") from Constance Stuart Larrabee ("Mouce") on airmail stationery that says, "Greetings from South Africa." Constance Stuart Larrabee writes… "How happy I am that I have little Larrabee and seven little dogs and many little Americans waiting for me and that in about four weeks I will be home again…. I wish I didn't have to stop in England."

  • Magazine article: See item 222.

  • "A Vanished South Africa." Review in "Gallery" section of American Photographer of "Go Well, My Child: Photographs by Constance Stuart Larrabee in Collaboration with Alan Paton."

  • "Extracts from letters from the American Museum of Natural History." Letter to Constance Stuart Larrabee from the PR department informing her of the success of her exhibition.

  • Chicago Sunday Tribune

  • Announcement: Athenaeum. Society for the Promotion of International Cultural Relations ... Constance Stuart will speak on Camera Men at Work.

  • Letter to Constance Stuart Larrabee from M.V. Clarkson, thanking Constance Stuart Larrabee for some money.

  • Photo by Constance Stuart Larrabee: Voortrekker Monument, Pretoria. Moved to another folder.

  • Book: Tribal Dress. Beadwork and Other Decorative Arts.

  • Contact sheet: Images labeled 44-54. Written on reverse: 1960 Genadendal Moved to another folder.

  • Letter (typed) to Ms. Smit, Editor-in-Chief of D.R. Church Publishers, from Constance Stuart Larrabee. Larrabee expresses concern about the possible fragmentation of her Nagmaal photographic collection and hope that she and D.R. Church Publishers will collaborate.

  • "Calendar of Exhibitions and Programs," National Museum of African Art.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Newspaper article entitled "Richly evocative photographs come alive", in The Star (Johannesburg, South Africa). Review of Constance Stuart Larrabee's Nagmaal photography exhibition.

  • Brochure entitled "Native Life in South Africa."

  • Article entitled "Swazi Move to Expel South African Guerillas Sparks Fighting," in The Washington Post.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Envelope, empty, to Constance Stuart Larrabee in Pretoria, from Johannesburg.

  • School book: On cover: "PRETORIA High School for Girls." A small blue envelope pasted to the inside cover contains two copies of newspaper pictures of Constance Stuart and her mother. Other pages contains newspaper clippings, dated from December 31, 1931 to April 14, 1933.

  • Article entitled "New Look Comes to Pretoria", in Spotlight magazine, by Constance Stuart Larrabee about the Radcliffe Observatory telescope (with pictures).

  • Essay by Constance Stuart Larrabee entitled "San Marino. The World's Smallest Republic."

  • Invitation for Constance Stuart Larrabee from Mrs. C. Donald Parker to attend a party for wives of African Ambassadors.

  • Sunday News

  • Captions from Constance Stuart Larrabee for Nagmaal photos.

  • Newspaper clipping with attached color photograph of people in an art gallery, entitled "Costly gifts for Johannesburg", in Rand Daily Mail. …Mrs C S Larrabee, a former South African photographer now living in America, has donated three of her photographs recently exhibited in the gallery…

  • Article entitled "The Chosen Trio", in South African Digest, regarding Cape Town hotels.

  • Handwritten letter to Constance Stuart Larrabee from "Jacqueline." I spoke to Edward Bernardi about your photographs, he is very interested in doing the auction for you and says that they should definitely remain in South Africa as you would be able to get a good price for them here… but in the USA they would definitely have a smaller value as they are so typically African…

  • Essay and captions from Constance Stuart Larrabee, entitled "Basutoland."

  • Postcard of Voortrekker Monument, Pretoria.

  • Vintage Photo by Constance Stuart Larrabee: Two women, boy, and dog next to crumbling building. Moved to another folder.

  • South African Digest pp. 1-2, 23-24.

  • Newspaper clipping entitled "Photographs of Malays: Praise from Dr. du Plessis," about Dr. du Plessis' opening of Constance Stuart's exhibition of photographs of the Malay Quarter and the theater, at the Argus Gallery (with Noel Coward attending).

  • Brochure with cover photographs of Noel Coward and a female, advertising opening of Constance Stuart's photography studio at A14, Annan House (First Floor), 86 Commissioner Street (opposite the Corner House).

  • Essay entitled "The Basutos."

  • Certificate from Kodak School of Professional Photography: "This is to Certify that Constance Stuart has successfully completed an approved Course of training in Professional Photography at this School… Printing & Enlarging Section."

  • Article entitled "Alan Paton Remembers", in Weekend Argus.

  • Newspaper clipping entitled "Tribalism Over-Simplified."

  • Letter to Constance Stuart Larrabee from "Brother Roger."

  • "Springbok"

  • Article entitled "Dilemma of Independence for South Africa's Ndebele", in National Geographic.

  • Newspaper article entitled "The Boers Go on Their Easter Trek", in Leader Magazine. Photos and captions by Constance Stuart Larrabee.

  • Newspaper clipping entitled "Malay Spotlight," mentioning Constance Stuart's exhibition at the Argus Gallery.

  • Newspaper clippings: Obituaries of G. M. C. Cronwright, printer and publisher.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear Lop-eared Larrabee") from Constance Stuart Larrabee ("Mouce"). Letter written on Marinte Hotel, Hermanus Cape, stationery. Constance Stuart Larrabee asks her husband how the dogs are and tells of more traveling in South Africa.

  • "Jackson's People-to-People Diplomacy", in The Washington Post, regarding Jesse Jackson comforting Armenians after an earthquake.

  • Libertas magazine, pp. 1-80, without cover page. Photograph of Major-General W.H. Evered Poole, D.S.O. by Constance Stuart Larrabee. Special issue dedicated to Springboks on the front line in Italy, with photographs mostly taken by Constance Stuart Larrabee, "our own war correspondent- the first South African woman to visit the front line…" (quote from p. 17) See item 1024.

  • Photographs

  • Article entitled "Men of the 6th Division", in Libertas, Vol. 5, No. 3, pp. 43-45, 65-71.

  • Article entitled "Limpopo Frontier Skirmish", in Libertas, Vol. 5, No. 10, pp. 28-40.

  • Article entitled "A fuzzy picture, but clear image of Alan Paton", in Baltimore Sun.

  • Newspaper clipping: masthead entitled "Die Vaderland" from Johannesburg.

  • Magazine clipping: Book review of Bartle Bull's Safari: A Chronicle of Adventure.

  • Tribal Pertinent to South Africa

  • Article entitled "M'Pogga", in Architectural Review, regarding the painted architecture of the M'Pogga people.

Pages

  • « first
  • ‹ previous
  • …
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
Ndebele Woman at Doorway
View Slideshow
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer
View Finding aid

Footer logo

Link to homepage

Footer navigation

  • Contact Us
  • Job Opportunities
  • Get Involved
  • Inspector General
  • Records Requests
  • Accessibility
  • EEO & Small Business
  • Shop Online
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use

Social media links

  • Facebook
  • Instagram
  • YouTube
  • LinkedIn

Get the latest news from the Smithsonian

Sign up for Smithsonian e-news

Get the latest news from the Smithsonian

Email powered by BlackBaud (Privacy Policy, Terms of Use)
CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.
Back to Top