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Smithsonian Folklife Festival records: 1991 Festival of American Folklife

Center for Folklife and Cultural Heritage

Object Details

Introduction
The 1991 Festival programs were largely about human relationships to land. Indonesian land punctuates sea and ocean to form some 13,000 volcanic islands. On these islands is an amazing diversity of environments, ranging from the sandy beaches of Sumatra to snowcapped mountains that rise above the rainforests in Irian Jaya on New Guinea. To sample this diversity, the Festival presented cultural traditions from three particular environments - the forests of Kalimantan, the fields of Java, and the sea coast of Sulawesi. Half a world away from Indonesia and much closer to home is the American "heartland." American culture embodies a few elemental self-images with mythic stature - the frontier is surely one; the family farm is surely another. The idea of the family farm also entails some of our strongest values - hard work, self-reliance, family solidarity, and community life, all on view to Festival visitors. For millennia before Columbus's arrival in the New World, native peoples gathered and cultivated its bounty, bred new crops, derived medicines to cure sickness, mined ores for making tools and ornaments, used its earth, stone and wood for building homes, made dyes for cloth, and invented ways of preparing and cooking food. Land and its use informed social, moral, religious, and cosmological beliefs, and sacred and secular practices. Some of this knowledge and practice of land use and its symbolic elaboration in artistic forms are continued among many Native American groups. At the Festival, culture bearers from the Haida, Tlingit, and Tsimshian people from Alaska; Hopi from Arizona; Maya and Lacandón from Chiapas, Mexico; Zapotec and Ikood from Oaxaca, Mexico; Shuar and Achuar from Ecuador; Jalq'a and Tiwanaku from Bolivia; and Taquile from Peru illustrated how the land in many varied environments is cared for and thought about, and how, almost five hundred years after Columbus, the wise and humane use, the knowledge and power of land must be re-"discovered." The 1991 Festival, which also featured a program on the roots of rhythm and blues, took place for two four-day weeks (June 28-July 1 and July 4-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). The 1991 Program Book included schedules and participant lists for each program; keynote essays on each of the four programs were supplemented by shorter pieces focusing on particular topics. The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs. Office of Folklife Programs Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Folkways Records; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Betty Belanus, Vivian Chen, Diana N'Diaye, Folklorists; Marjorie Hunt, Ed O'Reilly, Frank Proschan, Nicholas Spitzer, Research Associates; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist Folklife Advisory Council Roger Abrahams, Richard Bauman, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Tchen, Carlos Vélez-Ibáñez National Park Service James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region
Shared Stewardship of Collections
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Creator
Smithsonian Institution. Center for Folklife and Cultural Heritage
Names
Smithsonian Folklife Festival
Topic
arts and crafts
Folk art
World music
Folk festivals
Folk music
Food habits
Folklore
Creator
Smithsonian Institution. Center for Folklife and Cultural Heritage
See more items in
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Summary
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Historical note
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The 1991 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service. For more information, see Smithsonian Folklife Festival records.
Extent
1 Cubic foot (approximate)
Physical Characteristics and Technical Requirements note
The Rinzler Archives is continually engaged in digitization of archival materials to facilitate preservation and ready access by users. However, given the diversity of legacy formats of the originals, some older materials may not be available. Notably, certain older audio recordings cannot be played because of deterioration of the tape stock, and the Archives has no playback equipment for EIAJ-1 videoreels (1/2 inch) or multi-track audio recordings. Where listening or viewing copies are available, this is generally indicated for each item. Users are encouraged to contact Archives staff to verify that the materials of interest to them are already accessible, or to determine if they can be digitized as needed.
Date
June 28-July 7, 1991
Archival Repository
Ralph Rinzler Folklife Archives and Collections
Identifier
CFCH.SFF.1991
Type
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Citation
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Arrangement note
Arranged in 5 series. Series 1: Program Books, Festival Publications, and Ephemera Series 2: Family Farming in the Heartland Series 3: Forest, Field and Sea: Folklife in Indonesia Series 4: Land in Native American Cultures Series 5: Roots of Rhythm and Blues: The Robert Johnson Era
Rights
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Genre/Form
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Scope and Contents note
This collection documents the planning, production, and execution of the 1991 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Restrictions
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Forms Part Of
Smithsonian Folklife Festival records: 1991 Festival of American Folklife forms part of the Smithsonian Folklife Festival records . Smithsonian Folklife Festival records Smithsonian Folklife Festival records: Papers 1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Related link
Record ID
ebl-1503511975805-1503511975811-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/bk5d98aecba-6aa1-482c-ac66-da49e3e1f4e8

In the Collection

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  • Electronic resourceProgram Books, Festival Publications, and Ephemera

  • Video

  • Festival Recordings: Blues Music Stage: Blank

  • Festival Recordings: Shuar and Lacandon Crafts

  • Quincentenary Program COLOMBIA

  • Festival Recordings: Indonesia Music Stage: Topeng Mask Dance

  • Festival Recordings: Blues Music Stage: Moving Star Hall Singers; Robert Jr. Lockwood; Henry "Mule" Townsend

  • Festival Recordings: Hopi Dictionary Stage: Hopi Dictionary Project (very brief); Basketry

  • Festival Recordings: Blues Narrative Stage: Piano Workshop; Blues Harmonica

  • Festival Recordings: Farm Narrative Stage: Selling the Crop

  • Festival Recordings: Blues Music Stage: Jessie Mae Hemphill; Moving Star Hall Singers; Children's Material as Root Music

  • Festival Recordings: Farm Music Stage: Midwestern Fiddle Contest; Moon Mullins and the Traditional Grass;

  • Indonesian Fieldwork: East Java and Sulawesi: Reog, Rebana, Weavers, Ship builders; Bugis dance; Pakarena

  • Festival Recordings: Blues Music Stage: Children's Material as Root Music; Fife & Drum Band; Savage Brothers; J. Shines

  • Festival Recordings: Rainforest Stage: Tlingit Storytelling; Shuar Music and Dance;

  • Festival Recordings: Farm Narrative Stage: Seasonal Farm Help; Live Radio with Rich Hawkins

  • Festival Recordings: Blues Narrative Stage: Songs That Pace Work; Crossroads Myth

  • Family Farm Fieldwork: Ohio: Moon Mullins and Traiditonal Grass at the Gambier Folk Festival

  • Festival Recordings: Farm Music Stage: Dance Party: Brian and the Mississippi

  • Festival Recordings: Blues Narrative Stage: Women Sing the Blues; Children's Material as Root Music

  • Festival Recordings: Farm Narrative Stage: Live Radio with Verlene Looker; Making Hay; Farm Humor

  • Indonesian Fieldwork: Dayak Healing Ritual

  • Indonesian Fieldwork: Acari Kesenian, Daerah Makassar

  • Family Farm Fieldwork: Interview with Alfred Hawkins and Betty Colombel (African-American farm life) of Covert, Michigan by Marsha MacDowell and Peter Wehr tape 1

  • Festival Recordings: Blues Music Stage: Blues Song Swap; Johnny Shines

  • Festival Recordings: Indonesia Narrative Stage: Dayak Crafts

  • Festival Recordings: Blues Narrative Stage: Johnson Era; Children's Material as Root Music; Guitar Styles

  • Festival Recordings: Blues Music Stage: Lonnie Pitchford; Mamie Davis Blues Band

  • Festival Recordings: Blues Music Stage: Jessie Mae Hemphill; Moving Star Hall Singers; Children's Material as Root Music

  • Land in Native American Cultures Fieldwork: Interview with Robert Loescher (Sealaska Regional Corporation)

  • Family Farm Fieldwork: Interview with O'Hare Family Farm- Corby, Doug, and Cindy

  • Festival Recordings: Farm Narrative Stage: Women and Men's Roles; Live Radio with Rich Hawkins; Hogs

  • Family Farm Fieldwork: Interview on Jones Family Farm- Dave, Lois, and Carol Jones

  • Festival Recordings: Hopi Dictionary: Comparative Basketry; Katcina Doll Carving

  • Land in Native American Cultures Fieldwork: Interviews: Tzotzil (Chiapas, Mexico) tape 3

  • Festival Recordings: Indonesia Narrative Stage: Dayak Music and Dance; Dayak Crafts

  • Family Farm Fieldwork: KMA Iowa Regional Radio "Lifestyles" with Verlene Looker

  • Festival Recordings: Blues Music Stage: Henry "Mule" Townsend; Savage Brothers; Mamie Davis Blues Band

  • Festival Recordings: Blues Music Stage: Kent DuChaine,Johnny Shines,Mamie Davis Blues Band

  • Family Farm Fieldwork: Country Schoolhouse Dance in West Frankfort, Illinois featuring Lloyd Shew on fiddle recorded by Tim Cooley and Lee Ellen Friedland tape 1

  • Family Farm Fieldwork: Interview with Alfred Hawkins and Betty Colombel (African-American farm life) of Covert, Michigan by Marsha MacDowell and Peter Wehr tape 2

  • Festival Recordings: Indonesia Narrative Stage: Indonesian Masks; Madurese Cooking; Sulawesi Cooking

  • Festival Recordings: Indonesia Music Stage: South Sulawesi Music and Dance

  • Festival Recordings: Farm Narrative Stage: Live Radio with Rich Hawkins; Caring for the Land; Accordion Styles

  • Family Farm Fieldwork: Interview with Harlan and Judy Borman of Kingdom City, Missouri by Prof. William D. Heffernan

  • Festival Recordings: Blues Music Stage: Mamie Davis Blues Band cont

  • Festival Recordings: Blues Narrative Stage: Rhythm and Blues: Its Living Legacy; Songs that Pace Work; Slide Techniques

  • Festival Recordings: Indonesia Music Stage: Gandrung Social Dance;

  • Festival Recordings: Blues Music Stage: Blues Song Swap; Johnny Shines: Delta Blues; Dave "Honeyboy" Edwards: Delta Blue

  • Family Farm Fieldwork: Interview with Thornton family of Millersburg, Illinois by Tim Cooley tape 2

  • Festival Recordings: Blues Narrative Stage: Children's Material as Root Music; Songs that Pace Work; Slide Techniques

  • Family Farm Fieldwork: Interview with Pascalena Galle Dahl of Mineral Point, Wisconsin by Janet Gilmore tape 2

  • Festival Recordings: Rainforest Stage: Blank ?

  • Family Farm Fieldwork: Interview with Tom Holmquist of Kansas by Mark Esping tape 3

  • Audio Log Sheets

  • Festival Recordings: Indonesia Music Stage: Topeng Mask Dance; Sulawesi Music and Dance; Gandrung Social Dance; Reyog

  • Festival Recordings: Blues Music Stage: Dave "Honeyboy" Edwards; Arabbers of Baltimore; Johnny Shines

  • Festival Recordings: Blues Music Stage: Dance Party: Blues Special

  • Family Farm Fieldwork: Interview with Thornton family of Millersburg, Illinois by Tim Cooley tape 1

  • Family Farm Fieldwork: Interview with Kate Borman of Kingdom City, Missouri by Judith Heffernan

  • Festival Recordings: Blues Music Stage: Jessie Mae Hemphill; Rev. Leon Pinson

  • Festival Recordings: Indonesia Music Stage: Sulawesi Music and Dance; Topeng Mask Dance

  • Family Farm Fieldwork: Family Farm program review tape 5

  • Festival Recordings: Rainforest Stage: S.E. Alaskan Dances continued; Rainforest Narrative and Music;

  • Festival Recordings: Farm Narrative Stage: Live Radio with Verlene Looker; Keeping the Family Farm; Rural Musical Settings

  • Festival Recordings: Blues Narrative Stage: Guitar Styles

  • Festival Recordings: Farm Narrative Stage: Children's Chores; Quilting; Live Radio with Rich Hawkins

  • Family Farm Fieldwork: Interview with Gerald and Mabel Goecker of Jackson County, Indiana by Catherine Swanson tape 1

  • Festival Recordings: Farm Narrative Stage: Stories About Children; Heritage Gardening; Working with Metal, Wood & Stone

  • Land in Native American Cultures Fieldwork: Interviews: Tzotzil (Chiapas, Mexico) tape 2

  • Festival Recordings: Blues Music Stage: Dave "Honeyboy" Edwards; Mamie Davis Blues Band

  • Family Farm Fieldwork: Interview with William Day of Warren County, Indiana by Catherine Swanson tape 2

  • Land in Native American Cultures Fieldwork: Interviews: Tzotzil (Chiapas, Mexico) tape 10

  • Festival Recordings: Plaza Stage: Ikoods Dance; Jalq'a Carnival Dance; Zapotec Music;

  • Festival Recordings: Indonesia Music Stage: Gandrung Social Music

  • Family Farm Fieldwork: Interview with O'Hare Family Farm

  • Family Farm Fieldwork: Eastern Iowa Brass Band featuring Doug Stine (commercial cassette)

  • Festival Recordings: Indonesia Music Stage: Sulawesi Music and Dance; Gandrung Social Dance

  • Festival Recordings: Indonesia Music Stage: Gandrung Social Dance; Children's Gamelan Workshop

  • Festival Recordings: Farm Foodways: Making Sausage

  • Family Farm Fieldwork: Interview with Bridgford family of Millersburg, Illinois by Tim Cooley

  • Indonesian Fieldwork: Seleksi Kamdidat Festival

  • Festival Recordings: Blues Music Stage: Dave "Honeyboy" Edwards: Delta Blues; Mamie Davis Blues Band; Jessie Mae Hemphill

  • Festival Recordings: Plaza Stage: Who's the Scholar? - Anthropology Among the Ikoods and Tiwanaku; Farm: Cow Milking

  • Fieldwork

  • Festival Recordings: Farm Music Stage: Farm Songs and Stories; Moon Mullins and the Traditional Grass

  • Festival Recordings: Farm Narrative Stage: Cattle Judging and Showing; Marketing Networks

  • Family Farm Fieldwork: Swedish church choir of Salemsburg, Kansas and interview with Tom Holmquist (choir music, bobcats) recorded by Mark Esping

  • Audio

  • Festival Recordings: Hopi Dictionary: Hopi Dictionary; Painting and Mythology; Women's Song

  • Family Farm Fieldwork: Interview with Tomesh family of Haugen, Wisconsin by J.P. Leary tape 1

  • Festival Recordings: Hopi Dictionary Stage: Andean Narrative; Hopi Pottery

  • Family Farming in the Heartland

  • Family Farm Fieldwork: Wisconsin: Brian Brueggen and the Mississippi Valley Dutchmen

  • Festival Recordings: Blues Music Stage: Fife and Drum Band; Moving Star Hall Singers; Lonnie Pitchford- Robert Johnson Blues

  • Festival Recordings: Farm Music Stage: Midwestern Parlor Style Music; Swiss American Music; Eastern Iowa Brass Band

  • Family Farm Fieldwork: Interview with Regina Tomesh and Lillian Dvorak of Haugen, Wisconsin by J.P. Leary

  • Family Farm Fieldwork: Interview with Ned and Nancy Stump, Sam Perkins of the FFA Club, La Grange County, Indiana by Catherine Swanson tape 2

  • Festival Recordings: Farm Narrative Stage: Quilting; Weather Reports

  • Family Farm Fieldwork: Musical Group Conjunto Ideal- with Ramon Rangel

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