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Thomas Warren Sears photograph collection

Smithsonian Gardens

Object Details

Creator
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
American Society of Landscape Architects
Donor
Tibbetts, Eleanor Sears
Topic
Landscape architecture
Topic
Photographers
Landscape architects
Gardens -- United States
Gardens -- Switzerland
Gardens -- Scotland
Gardens -- Italy
Gardens -- Germany
Gardens -- France
Gardens -- England
Provenance
Gift of Eleanor Sears Tibbetts, Sears' daughter, to the Horticulture Services Division (later Smithsonian Gardens) in 1992.
Creator
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
American Society of Landscape Architects
See more items in
Thomas Warren Sears photograph collection
Summary
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.
Biographical/Historical note
Thomas Warren Sears was born in 1880 in Brookline, Massachusetts. He received a Bachelor of Arts degree from Harvard University in 1903 and Bachelor of Science degree in landscape architecture from the Lawrence Scientific School of Harvard in 1906. Sears was an amateur photographer who won awards for his photography while at Harvard. In 1915 his images were published in the monograph, Parish Churches of England. After graduation he worked for the firm of Olmsted Brothers Landscape Architects for two years and then briefly practiced in Providence, Rhode Island. In 1913, Sears established a landscape design office in Philadelphia, Pennsylvania where he spent the remainder of his professional career. Sears at one point was in a professional partnership; some of his design plans list the firm name of Sears and Wendell. He was made a Fellow of the American Society of Landscape Architects in 1921. Sears designed many different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments. His designs were primarily located in Pennsylvania, Maryland, and New York. Just a few of his private landscapes include Marengo in Easton, Maryland; Sunnybrook, the Isaac H. Clothier, Jr. estate in Radnor, Pennsylvania; and Balmuckety in Pikesville, Maryland. In 1915, Sears started work on Reynolda, a country estate in Winston-Salem, North Carolina. He generated design plans for the property intermittently over the next two decades. Reynolda's formal gardens, greenhouses, and acres of fields and woodlands subsequently became part of Wake Forest University. During World War I, Sears designed Army camps in Battle Creek, Michigan and Spartanburg, South Carolina. He also helped lay out Langley Field, at that time an experimental aviation field in Hampton Roads, Virginia. In the 1940s, Sears designed the amphitheater at Swarthmore College in Swarthmore, Pennsylvania for concerts, outdoor performances, and other special events. During that decade he also worked on Colonial Revival gardens at Pennsbury, William Penn's country estate in Bucks County, Pennsylvania located by the Delaware River. Sears retired in 1964 and died in 1966.
Extent
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Date
1899-1964
Custodial History note
Sears' daughter, Eleanor Sears Tibbetts, deposited the Thomas Warren Sears Collection with the Winterthur Museum's Garden Department around 1991. Winterthur subsequently decided not to acquire the collection and it was then donated by Mrs. Tibbetts to the Smithsonian's Horticulture Services Division (now Smithsonian Gardens). The collection was transferred to HSD in the plastic crates which Winterthur had used to store it.
Archival Repository
Archives of American Gardens
Identifier
AAG.SRS
Type
Collection descriptions
Archival materials
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Citation
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Arrangement note
The glass plate negatives were originally housed in numerous cardboard boxes manufactured for the sale of undeveloped glass plate negatives. Sears annotated the outside of the boxes with project or client names and/or locations, but the contents do not always match these labels. In addition, because very few of the glass plate negatives and lantern slides were labeled or captioned, it is not always evident where one job ended and another began if multiple projects were stored in the same carton. As a result, there are many instances in the Sears Collection where images have been inadvertently mislabeled because their identification is not apparent. Misidentified images are subject to correction as their proper identification is discovered. Each project has been assigned its own unique AAG job number based on its geographic origin. Those groups of images that have not been identified as to their location have been assigned a project number starting with 'SRS.' The collection is arranged into 3 series: 1) Photographic images (including glass plate negatives, film negatives, glass lantern slides, and photograph albums) 2) Plans and Drawings 3) Monographs
Processing Information note
The collection was processed by Smithsonian staffers Paula Healy and Marca Woodhams and Smithsonian volunteer Nancy Sahli.
Rights
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: [email protected].
Genre/Form
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Other Finding Aids note
An item-level inventory of the photographic images in the Thomas Warren Sears Collection was generated by Marie Martin, an appraisor of 19th and 20th century photography, for the collection's donor (Sears' daughter), Eleanor S. Tibbetts. Martin inventoried the collection from December 1992 to February 1993 after it had been donated to the Smithsonian's Horticulture Services Division (later Smithsonian Gardens); she submitted copies of the completed inventory to Mrs. Tibbetts and to the Smithsonian in March 1993.
Scope and Contents note
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and monographs by or about Sears. Several of the glass lantern slides are duplicates of glass plate negatives in the collection. They apparently were chosen by Sears to illustrate some of his best design work, perhaps for lecture or client purposes. In addition, there are 56 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina. They range in date from 1917 to 1937 and from 1955 to 1964. Sears photographed some of his early plans; they are included in with the photographic images. Sears also photographed a handful of design plans by landscape architect Sibley Coslett Smith who practiced in Providence, Rhode Island; Sears and Smith shared the same business address there. The Thomas Warren Sears Collection does not fully document the extent of Sears' design work. The use of glass plate negatives—which make up the bulk of the Thomas Warren Sears Collection—as a photography medium waned sometime during the first quarter of the twentieth century. As a result, the images in the Sears Collection capture examples of Sears' early to mid-career design work but they do not include jobs designed by Sears during the latter half of his design career.
Restrictions
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: [email protected].
Related Archival Materials note
The Philadelphia Architects and Buildings Project (PAB), administered by The Athenaeum of Philadelphia, includes references to design projects by Sears. Harvard University's Loeb Library includes a number of images by Sears, some of them documenting gardens that he designed. Harvard University's Fine Arts Library, Special Collections includes a collection of photographs and negatives of English parish churches by Sears, c. 1908. Some of the images were published in the monograph, Parish Churches of England. The Reynolda House Museum of American Art in Winston-Salem, North Carolina includes plans by Sears of Reynolda in its Estate Archives.
Related link
Record ID
ebl-1562707900944-1562707901728-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/kb68e184341-59d2-4612-8886-4cc747c92bfe

In the Collection

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  • Delaware Park

  • Stonehurst: sketch of formal garden with pond, beyond the terrace.

  • Unidentified Garden

  • Miscellaneous Sites in Switzerland: part of the town of Hilterfingen, on the Thunersee, and its church, built in 1727.

  • Muskau Park and Vicinity: peasants in a hayfield.

  • St. Mary's Church: a full view of the church in Long Sutton, Lincolnshire, and its steeple.

  • Royal Botanic Gardens, Kew: looking across the Lake to a large specimen tree, probably an oak.

  • Unidentified Sites: a farm in an unidentified location, with a mansion, greenhouse, and extensive stone retaining walls dominating the hillside beyond.

  • Chatsworth Estate: a house (possibly a gatehouse when this image was made) in the estate village of Edensor.

  • Holm Lea

  • Unidentified -- Sibley C. Smith Children

  • Bougemont

  • Frederic C. Hood Garden: view from terraces toward house.

  • Miscellaneous Sites in New Hampshire, Series 1: cows by a stream in a pasture in Intervale.

  • Ford Garden

  • The Riverway: a stone bridge.

  • Harvard University

  • Mount Royal Park: a foot trail amidst woodlands.

  • Royal Botanic Gardens, Kew: the Lake.

  • Unidentified Garden

  • Unidentified Landscape

  • Miscellaneous Sites in France, Series 1: an unidentified location, probably in the Bois de Boulogne.

  • Brady Garden

  • Unidentified Boy

  • Harvard University

  • Franklin Park: a shelter made of Roxbury Conglomerate (also known as Roxbury puddingstone), with the Refectory barely visible in the distance.

  • Miscellaneous Sites in France, Series 1: an unidentified streetscape with rail or trolley tracks, probably in Paris.

  • Watch Hill

  • Miscellaneous Sites in Switzerland: houses in an unidentified rural location.

  • Miscellaneous Trees, Shrubs and Plants: a group of flowering crabapples, probably at the Arnold Arboretum.

  • Unidentified Landscape

  • Unidentified Landscapes: an unidentified country scene with a stream, possibly in New England.

  • Westbrook: looking up a grass walkway toward the house.

  • Watch Hill

  • Miscellaneous Trees, Shrubs and Plants: a sprig of Fothergilla major, commonly called witch-alder.

  • Miscellaneous Trees, Shrubs and Plants: Malus x arnoldiana or Arnold crabapple.

  • Miscellaneous Sites in Reading, Pennsylvania: looking north on 5th toward Court Street.

  • Miscellaneous Trees, Shrubs and Plants: Prunus subhirtella 'Pendula' or Weeping Higan Cherry.

  • Belcliff: house

  • The Riverway: an unpaved road in early spring.

  • Pine Valley Golf Club: patio at the end of the clubhouse looking toward the clubhouse.

  • South Kingstown -- Unidentified Garden in Matunuck, Rhode Island

  • Fontainebleau: gate and adjacent gatehouses on the château grounds, looking out toward what is now the Avenue de Maintenon.

  • Lavino Garden

  • Sutton Place: a water garden.

  • Miscellaneous Sites in London, England: looking from Park Crescent Gardens toward the intersection of Park Crescent and Portland Place.

  • Harvard University

  • Miscellaneous Sites in France, Series 1: horse-drawn carriages and automobiles along Rue de Castiglione in Paris.

  • The Vale

  • Chateau de Saint-Germain-de-Livet: part of the chateau and its moat.

  • Lawrence Garden: photograph of landscape design plan for area around house.

  • Unidentified Sites in England: a street scene in an unidentified location, probably a village.

  • Weld

  • Watch Hill

  • Windy Gates: proposed design by Thomas W. Sears for one of the two formal gardens.

  • Belcliff: house

  • Miscellaneous Sites in Glen Ridge, New Jersey: an unidentified house and grounds..

  • Shere Church: the church's main entrance.

  • Unidentified Sites in England: street scene in an unidentified location.

  • Reynolda

  • Miscellaneous Sites: cattle along the shore in an unidentified location, probably New England.

  • Unidentified Landscape in Unknown Location

  • Miscellaneous Sites in the Trossachs, Scotland: Loch Lubnaig, near Callander.

  • Holderness -- Camp Asquam

  • Miscellaneous Sites in the Trossachs, Scotland: looking north along what is now the A84 toward the southern end of Loch Lubnaig, near Callander.

  • Unidentified Sites: an unidentified rural location, probably in France, Germany, or Switzerland.

  • Fontainebleau: part of the formal garden of the château, with the Grand Canal barely visible in the distance.

  • Schaeffer Garden: a view of the house featuring its porches, porticoes, and balustrades.

  • Miscellaneous Sites in Clovelly, Devon, England: fishing boats and rowboats in the harbor at high tide.

  • Unidentified Sites: a river or pond in an unidentified location probably in New England or the northeastern United States.

  • Unidentified Sites in England: an unidentified location, possibly in a park.

  • Miscellaneous Sites in Shere, Surrey, England, and Vicinity, Series 1: a country road in an unidentified location, with a house in the background.

  • Amberley, West Sussex -- Miscellaneous Sites in Amberley

  • Miscellaneous Trees, Shrubs and Plants: Spiraea x vanhouttei, commonly called Vanhoutte spirea or bridalwreath.

  • Unidentified Landscapes and Gardens

  • Bright Garden

  • Miscellaneous Sites in Shere, Surrey, England, and Vicinity, Series 1: looking from The Square toward the Church of St. James.

  • Miscellaneous Sites in Shere, Surrey, England, and Vicinity, Series 1: an unidentified street or alley, perhaps in back of a pub or inn.

  • Miscellaneous Sites in Scotland: wall, driveway, and entry gate leading to an unidentified estate house.

  • Miscellaneous Sites in Providence, Rhode Island: an unidentified Colonial Revival house, probably designed by Providence architect F. Ellis Jackson.

  • Miscellaneous Sites in New Hampshire, Series 1: Mt. Adams (left) and Mt. Madison (right), seen from Mt. Washington.

  • Muskau Park and Vicinity: a hayfield.

  • Miscellaneous Sites in Groombridge, Kent, England: Groombridge Place house and moat.

  • Unidentified Sites in England: a street scene in an unidentified location.

  • Clovelly, Devon -- Clovelly Court

  • Branscombe, Devon -- Miscellaneous Sites in Branscombe, Devon

  • Hampton Court Palace: the colonnade on the south side of the Clock Court.

  • Miscellaneous Sites in New Hampshire, Series 1: looking toward Jackson, New Hampshire, from the west.

  • Miscellaneous Sites in the Lake District near Hawkshead, Cumbria: Esthwaite Water.

  • High Tide

  • Riverside Thesis, Pictures for

  • Miscellaneous Sites in Edinburgh, Scotland: an unidentified location, possibly in Princes Street Gardens.

  • Miscellaneous Sites in New Hampshire, Series 1: looking south from an unidentified location in or near Jackson, New Hampshire, with Thorn Mountain on the right and Mt. Kearsarge North in the far distance.

  • New York -- Central Park

  • Miscellaneous Sites in the Adirondack Mountains: an unidentified location showing a stream, with a country road going over a small bridge in the background.

  • Kilkhampton Church: looking toward the church through the lych gate.

  • Reynolda: entrance gates leading to Reynolda House.

  • Skibo

  • Unidentified Garden in Philadelphia, Pennsylvania

  • London -- Royal Botanic Gardens Kew

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Thomas Warren Sears [slide]
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IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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