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Charles Scribner's Sons Art Reference Department records

Archives of American Art

Object Details

Creator
Charles Scribner's Sons
Names
Berger, William Merritt, b. 1872
Topic
Scribner's Monthly
Topic
Works of art
Photographers
Illustrators -- Great Britain
Designers -- Great Britain
Sculptors -- France
Portrait painters -- New York (State) -- New York
Provenance
The Charles Scribner's Sons Art Reference Department records were donated in 1957 and 1958 by Charles Scribner's Sons.
Creator
Charles Scribner's Sons
See more items in
Charles Scribner's Sons Art Reference Department records
Sponsor
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Summary
The records of the Charles Scribner's Sons Art Reference Department measure 7.0 linear feet and date from 1839 to 1962. The records of the department include original art works, photographs, scattered letters, and miscellaneous printed material reflecting the portraiture and other illustration work completed in support of the wide range of materials and topics published by Charles Scribner's Sons over the company's long publishing history.
Historical Note
Charles Scribner's Sons was founded as a publishing partnership of Isaac D. Baker and Charles Scribner in 1846. The company set out to discover and publish the work of new American authors. The first work to be published was The Puritans and Their Principles by Edwin Hall, followed by many theological treatises, and the first bestseller, Napoleon and His Marshals by the Rev. J. T. Headley. After Isaac Baker's death in 1850, Charles Scribner continued to direct the company which was primarily known for its books on religion. In the mid-1860s, Scribner published an American version of German author Johann Peter Lange's Biblical Commentary on the Holy Scriptures. Co-published with T. and T. Clark of Edinburgh, the resulting twenty-six volume work was both a commercial and critical success. Almost a century later, the two publishing houses again collaborated on a revision of Hasting's Dictionary of the Bible. In 1865, Charles Scribner and Company expanded its range into magazine publishing with the quasi-religious Hours at Home that promoted the virtues by which Americans were supposed to live. In 1870 a new firm, Scribner & Company, was formed to publish a successor magazine entitled Scribner's Monthly. The magazine thrived and began to attract young American writers. Charles Scribner died of typhoid in Lucerne, Switzerland on August 26, 1871, leaving the business to his eldest son, John Blair Scribner. In 1873 Scribner & Company launched a children's periodical, St. Nicholas, under the editorship of Mary Mapes Dodge, with Frank R. Stockton as assistant editor. The magazine brought many now-classic books to the publishing firm and established it permanently in the field of children's literature. The 1870s saw the growth of the subscription book department. In association with Messrs. Black of Edinburgh, Scribners brought out the first American edition of the Encyclopaedia Britannica, selling 70,000 sets. In later years the subscription department published library sets of the works of well-known authors including J. M. Barrie, Henry James, Rudyard Kipling, and Robert Louis Stevenson. Its successor, the reference book department, became the foremost American publisher of reference works such as the Dictionary of American Biography, the Dictionary of American History. In 1875, Charles Scribner II joined his brother, John Blair Scribner, and other partners, Edward Seymour and Andrew Armstrong, in the firm. Seymour died in 1877, and Armstrong sold his share to the Scribner's in 1878, leaving the book publishing company wholly controlled by the Scribner family. The name was changed to Charles Scribner's Sons. John Blair Scribner died in 1879, leaving his brother to manage the business. In 1881 one of the outside partners, Roswell Smith, bought up enough stock to acquire individual control of Scribner & Company, the magazine company. Thus, Scribner's Monthly and the children's magazine St. Nicholas passed entirely out of the hands of the Scribner family. The remaining owners were reincorporated as the Century Company and Scribner's Monthly was renamed the Century Magazine. Charles Scribner's Sons agreed to stay out of the magazine publishing business for five years. Charles Scribner II was joined by his younger brother, Arthur Hawley Scribner, in 1884, and during their almost fifty year partnership, they focused the company's business on publishing American literature. The publications of this period include Frances Hodgson Burnett's Little Lord Fauntleroy, Howard Pyle's The Merry Adventure of Robin Hood, and Robert Louis Stevenson's A Child's Garden of Verses. A popular series of books, "Scribner Illustrated Classics" became famous for their illustrations by Howard Pyle, Jessie Willcox Smith, N. C. Wyeth, and other members of the Brandywine school. In 1889, Henry Adams published his History of the United States in nine volumes. Following the five-year moratorium on magazine publishing, the firm re-entered the magazine market and introduced the new Scribner's Magazine in December 1886. Under its original editor, Edward L. Burlingame, the magazine grew into a profitable enterprise and was an important venue for new authors, including Edith Wharton, who would follow their magazine debuts with many successful books. By the turn of the 20th century, Scribner's had virtually cornered the market in American literature and was enjoying a golden age of American book publishing. During this period, authors included Henry James, Theodore Roosevelt, and Elizabeth Wharton. In 1913, Charles Scribner III joined the firm. During the 1920s, many important new authors were published, including James Boyd, F. Scott Fitzgerald, Ernest Hemingway, Ring Lardner, and Thomas Wolfe. In 1928, Charles Scribner II turned over the presidency to his younger brother Arthur, who began the publication of the first volumes of the Dictionary of American Biography. Charles Scribner II died in 1930 and Arthur Scribner died two years later, leaving Charles Scribner III to preside alone. In spite of the Depression, Charles Scribner's Sons continued to promote new authors including Taylor Caldwell, Marcia Davenport, Nancy Hale, and Marjorie Kinnan Rawlings. During the 1930s a separate children's department was established by Alice Dalgliesh. In 1937, Scribner's Magazine folded after fifty years of publication. The Dictionary of American History was published in 1940. Charles Scribner III died suddenly in 1952, necessitating the relocation of Charles Scribner IV from his employment as a cryptoanalyst in Washington, D.C. to take charge of the firm in New York. He established the Scribner Library, a line of quality paperbacks that included the titles The Great Gatsby, Tender Is the Night, The Sun Also Rises, and Ethan Frome. Scribner also set out to develop fields of non-fiction such as history, biography, how-to books, and reference works including the Album of American History, and the Dictionary of Scientific Biography.
Extent
7 Linear feet
Date
1839-1962
Archival Repository
Archives of American Art
Identifier
AAA.charscrs
Type
Collection descriptions
Archival materials
Photographs
Sketches
Citation
Charles Scribner's Sons Art Reference Department records, 1839-1962. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is organized into 3 alphabetically-arranged series. Oversized material from all series have been housed in Box 7 (Sol), Box 8 (Sol), and OVs 9 - 12. Notations for the oversized materials are noted at the appropriate folder title with see also/see references Series 1: Portrait Files, 1839-1962, undated (Boxes 1-5, 7, OV 11; 4.5 linear feet) Series 2: Illustrator Files, 1878-1921, undated (Box 5, 6, 8-OV12; 1.5 linear feet) Series 3: Miscellaneous Reference Files, 1933-1952, undated (Box 6, 8, OV 12; 1.0 linear feet)
Processing Information
The papers were processed in March 2006 by Jean Fitzgerald. The collection was digitized in 2010 with funding provided by the Terra Foundation for American Art.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Alternative Forms Available
This site provides access to the records of the Charles Scribner's Sons Art Reference Department in the Archives of American Art that were digitized in 2009, and total 5259 images.
Genre/Form
Photographs
Sketches
Scope and Content Note
The records of the Charles Scribner's Sons Art Reference Department measure 7.0 linear feet and date from 1839 to 1962. The records of the department include original art works, photographs, scattered letters, and miscellaneous printed material reflecting the portraiture and other illustration work completed in support of the wide range of materials and topics published by Charles Scribner's Sons over the company's long publishing history.
Restrictions
Use of original papers requires an appointment.
Related Materials
Additional Charles Scribner's Sons Art Department files are in the Archives of Charles Scribner's Sons, 1786-2003 (mostly 1880s-1970s), at Princeton University Library, Manuscripts Division, Department of Rare Books and Special Collections, identified as Series 2. Art Department Files, 1907-1951, and comprise correspondence and department printing records (on cards) for selected Scribner publications. See Princeton's finding aid for the collection at http://findingaids.princeton.edu/collections/C0101/
Related link
Record ID
ebl-1503511409777-1503511409798-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw9674caee6-a32f-47c9-aca9-f023199d86ee

In the Collection

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  • The Bible

  • The Bible

  • Napoleon Bonaparte

  • Sarah S. Stilwell

  • N. C. Wyeth

  • William Hickling Prescott; May Wilson Preston; Pierre Joseph Proudhon; William Prynne; Alexander Pushkin

  • Francis de Laval; Antoine Lavoisier; Sir Thomas Lawrence; John Leech; Robert Le Gallienne

  • William Wetmore Story

  • Quarles; A. T. Quiller-Couch

  • Jules Massenet; Cotton Mather; Cardinal Mazarin

  • A. R. Dugmore

  • Sarah S. Stilwell

  • E. M. de Witte; Rev. Thomas Frognall Dibdin

  • Ahmedi Xani

  • John Adams

  • Jay Norwood (Ding) Darling

  • Benjamin Franklin Butler

  • Louis Rhead

  • Charles Shepard Chapman

  • John Ruskin

  • Clothing

  • John Fulleylove

  • The Bible

  • Donald G. Mitchell

  • Anders Zorn; Ulrich Zwingle

  • Joseph Addison

  • John Greenleaf Whittier; Wiclif; William Wilberforce

  • Wilhelm von Humboldt; Marie von Rumänien

  • Turgot; John Tyler

  • Walt Whitman; Caspar Whitney; Gertrude Vanderbilt Whitney

  • Karl Marx

  • Richard Wagner; Martin Waldseemuller; Robert Walker; Sir William Walker

  • Oversized Charcoal Drawing of V. F. Calverton by Francisca Bolles

  • Oversized Ink Drawing of John Galsworthy

  • Five Oversized Tempera Paintings by Charles R. Knight for The World of the Great Forest

  • Three Oversized Watercolor Drawings by Carl Michel Boog for the "How It Came About Stories"

  • Oversized Ink Drawing by Haberstock for The Last Puritan by George Santayana

  • Oversized Tempera Painting for the Cover of Boot Straps: Autobiography of Tom M. Girdler by an Unidentified Artist

  • Two Oversized Color Pencil Drawings of Lord and Lady Salisbury by George T. Tobin

  • Oversized Color Pencil Drawing of the Duchess of Cambridge by George T. Tobin

  • An Oversized Sheet of Pencil Drawings of Mexican Images by Jack Van Ryder

  • Oversized Red Chalk Drawing of Laurence Stallings by McNerney

  • Four Oversized Photographs of Murals by Edwin Austin Abbey

  • Two Oversized Ink Drawings of Civil War Scenes by Arthur E. Jameson

  • Oversized Ink Drawing of Meredith Nicholson by McKee

  • Oversized photograph of charcoal drawing of Stanley Pennell by Elizabeth Horton

  • Oversized Charcoal Drawing of Nancy Hall by Francisca Bolles

  • Two Oversized Charcoal and Ink Drawings of F. Scott Fitzgerald by Francisca Bolles

  • Oversized Oil Painting "Spanning the Continent by Rail" by Walter H. Everett

  • Two Oversized Ink Drawings of the Aftermath of the Johnstown Flood and of the City Hall in Richmond by William St. John Harper

  • Three Oversized Watercolor Paintings by M. Jean McLean

  • Three Oversized Ink and Watercolor Drawings for Treasure Island by George Varian

  • Oversized Conte Crayon Drawing of Charles George "Chinese" Gordon by George T. Tobin

  • Oversized Charcoal Drawing of John Galsworthy by Stevenson

  • Oversized Pencil Drawing of Thomas Verderber

  • Oversized Copy Photograph of General Philip H. Sheridan and Generals George A. Custer, Thomas C. Devin, James W. Forsyth, and Wesley Merritt

  • Three Oversized Charcoal Drawings by Wladyslaw Theodore Benda

  • Oversized Pencil Drawing of Christina Weston by Waldo Peirce

  • Two Oversized Ink Drawings of Civil War Scenes by Victor S. Perard

  • Oversized Charcoal Drawing of Joseph Pennell by Elizabeth Horton

  • Oversized Photograph of Charcoal Drawing of "George" by John Singer Sargent

  • Edward Montagu; Marquis de Montcalm; Baron de Montesquieu; Albert Moore; Henry More; Sir Henry Morgan; Lewis Henry Morgan

  • Oversized Ink Drawing of Edmund Wilson

  • Oversized Ink Drawing by N. C. Wyeth for Portrait of a Philosopher by Dorothy Canfield

  • Five Oversized Ink Drawings for the Child-Lore Dramatic Reader by H. D. Williams

  • Three Oversized Photographs of John Galsworthy by Unidentified Photographers

  • Five Photographs of Art Work and Miscellaneous Views of New York City

  • Two Oversized Ink Drawings of Civil War Soldiers by an Unidentified Artist

  • Oversized Charcoal Drawing of Peter Fleming by Francisca Bolles

  • Oversized Charcoal Drawing of H. Baass by Francisca Bolles

  • Oversized Photograph of a Painting of Admiral David G. Farragut

  • Oversized Charcoal Drawing of Henry Van Dyke by Walter Appleton Clark

  • Oversized Oil Painting for A Child's Garden of Verse by an Unidentified Artist

  • Oversized Drawing of Unidentified Man by Francisca Bolles

  • Two Oversized Block Prints of Stuart Sherman

  • Oversized Engraving of William Cullen Bryant

  • Oversized Ink Drawing by G. W. Edwards for the Cover of Hans Brinker or the Silver Skates by Mary Mapes Dodge

  • Oversized Block Print of Richard Harding Davis

  • Oversized Photograph of a Bust of John Adams

  • Oversized Photograph of Lithograph of Washington Irving

  • Two Oversized Ink Drawings of Maps of Custer's Last Stand by Vaughn Gray

  • Oversized Ink and Charcoal Drawing of Thomas Bertram by Lydia Hess

  • Oversized Charcoal Drawing of Boyd by K. S. Woerner

  • Oversized Ink and Gouache Painting of a Civil War Scene by Gordon Grant

  • Four Oversized Ink Drawings of Civil War Scenes by J. Campbell Phillips

  • Two Oversized Etchings of Copeland by D. C. Sturges

  • Oversized Ink Drawing by George Carlson for Stately Timbers by Rupert Hughes

  • Oversized Charcoal Drawing of Boyd by an Unidentified Artist

  • Oversized Etching of Old Trinity Church by Thorpe

  • Two Oversized Ink Drawings of Marjorie Kinnon Rawlins

  • Two Oversized Ink Drawings of the Peace Palace in The Hague and of Wall Street in the Seventeenth Century by E. J. Meeker

  • Oversized Watercolor Drawing by John for Richard Pryne by Cyril Harris

  • Oversized Photograph of Painting of Mary and the Christ Child

  • French Cathedral

  • Oversized Ink Drawing by Carl Cobbledick for the Cover of White Sails Crowding

  • Oversized Ink Drawing by I. W. for The Hero in America by Dixon Wecter

  • Oversized Photograph of John Galsworthy by Arnold Genthe

  • Oversized Pencil Drawing of Dr. Leopold Damrosch

  • Oversized Red Chalk Drawing of Suydam Cutting

  • Oversized Block Print of John Galsworthy

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Unidentified Subjects
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