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Matthew Baigell papers

Archives of American Art

Object Details

Creator
Baigell, Matthew
Names
Benton, Thomas Hart, 1889-1975
Cézanne, Paul, 1839-1906
Davis, Stuart, 1892-1964
Gottlieb, Harry, 1895-
Gropper, William, 1897-1977
Lichtenstein, Roy, 1923-1997
Lozowick, Louis, 1892-1973
Macdonald-Wright, Stanton, 1890-1973
Marsh, Reginald, 1898-1954
Sherman, Hoyt Leon, 1903-
Weichsel, John, 1870-1946
Occupation
Painters
Topic
Cubism
Regionalism
Social realism
Muralists
Provenance
Donated 1980, 2002 and 2004 by Matthew Baigell.
Creator
Baigell, Matthew
Biographical / Historical
Art historian; New York, N.Y. b. 1933. Baigell is associate professor of art, Rutgers University, New Brunswick, New Jersey.
Extent
0.2 Linear feet ((partially microfilmed on 1 reel))
Date
[ca. 1965-1985]
Archival Repository
Archives of American Art
Identifier
AAA.baigmatt
Type
Collection descriptions
Archival materials
Sound recordings
Interviews
Existence and Location of Copies
35mm microfilm reel 2086 available at Archives of American Art offices and through interlibrary loan.
Genre/Form
Sound recordings
Interviews
Existence and Location of Originals
Copy of the Hoyt Sherman interview also available at the Roy Lichtenstein Foundation.
Scope and Contents
Correspondence, writings and research material concerning Thomas Hart Benton and Baigell's other writings. Also included is a ca. 1965 interview with Hoyt Sherman conducted by Baigell.
REEL 2086: Letters, notes, and writings, some illustrated, ca. 1967-1972, from Thomas Hart Benton to Baigell for Baigell's writings and biography of Benton. Benton writes about synchronism, cubism, regionalism, social realism, John Weichsel, Stuart Davis, Stanton Macdonald-Wright, Reginald Marsh, and others, and his life. Inluded is a copy of Benton's 53-page handwritten manuscript, "The Thirties," describing his mural commissions and the controversies with the social realists over his regionalist style of painting. Also included are 2 letters from Louis Lozowick, and one each from William Gropper and Harry Gottlieb in response to Baigell's questions of social realism, regionalism, and art in the 1930's.
ADDITION: Letters, research notes, and writings on Thomas Hart Benton, as well as correspondence with Dorothy Dehner, Doris Lee, Louis Lozowick, Raphael Soyer and Ben Shahn, among others, relating to Baigell's book, "The American Scene: American Painting of the 1930s," (1974). Also included is an interview with colleague Hoyt Sherman conducted by Baigell, ca. 1965, in which Sherman discusses perception, Cézanne, and Sherman's most famous pupil, Roy Lichtenstein, who always testified that he was profoundly influenced by Sherman's methods and philosophy. Sherman analyzes Lichtenstein's work and recalls the artist during his student days at Ohio State University, and discusses his possible impact on Lichtenstein.
Restrictions
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Related link
Record ID
ebl-1596148244059-1596148244061-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw94d4cf4fb-79e9-4295-aa94-38cab9c55b0f
View Finding aid

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