In the event of a government shutdown, the Smithsonian will remain OPEN through at least Saturday, October 7. Check back for updates...
Amplifier used as part of a DJ setup
- Manufactured by
- BGW Systems, American, founded 1971
- Used by
- Angelo T. King, American, born 1959
- A BGW professional power amplifier, model number 100B. The metal amplifier is black in color with white type. The front plate has three dials and an earphone jack. There is a BGW logo on the proper right of the front plate and cursive text that reads: [Professional / Power Amplifier / Model 100B] on the proper left of the front plate. The top of the amplifier has a long caution message in white text. The back of the amplifier has a plate with model information, a frayed power cord, a fuse, two outlets, inputs, and outputs. The plate with model information reads: [MODEL 100B S/N 79D0206 / THIS UNIT IS WIRED FOR THE VOLTAGE AND CURRENT INDICATED BELOW TO CHANGE VOLTAGE REFER TO OWNERS MANUAL. / 120 VOLTS 3 AMPS].
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Angelo T. King / The Original DJ Tony Tone AKA Tony Crush of The Cold Crush Brothers
- Object number
- Restrictions & Rights
- No Known Copyright Restrictions
- Proper usage is the responsibility of the user.
- metal and plastic
- H x W x D (without cord): 1 3/4 × 19 × 12 1/8 in. (4.4 × 48.3 × 30.8 cm)
- H x W x D (with cord): 1 3/4 × 19 × 20 1/2 in., 19 lb. (4.4 × 48.3 × 52.1 cm, 8.6 kg)
- Place used
- New York City, New York, United States, North and Central America
- See more items in
- National Museum of African American History and Culture Collection
- Musical Instruments
- Tools and Equipment-Audiovisual
- Power of Place
- On View
- NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 051
- National Museum of African American History and Culture
- African American
- Hip-hop (Music)
- Record ID
- Metadata Usage (text)
- GUID (Link to Original Record)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.