Cooper Hewitt to Present Largest-Ever Retrospective on Graphic Design Pioneer E. McKnight Kauffer

"Underground Modernist: E. McKnight Kauffer" on View Sept. 10 to April 10, 2022
August 11, 2021
News Release

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Two posters side by side

Images: Poster, Soaring to Success! Daily Herald—the Early Bird, 1919; Designed by E. McKnight Kauffer (American, 1890–1954); Lithograph; Published by Daily Herald (London, England); Printed by T. B. Lawrence Ltd. (London, England); Courtesy of William W. Crouse. Poster, Power, The Nerve Centre of London’s Underground, 1930, printed 1931; Designed by E. McKnight Kauffer (American, 1890–1954); Published by Transport for London (London, England); Printed by Vincent Brooks, Day & Son (London, England); Lithograph; 101.6 × 61.4 cm (40 × 24 3/16 in.); Cooper Hewitt, Smithsonian Design Museum, Gift of Mrs. E. McKnight Kauffer, 1963-39-45; Photo: Matt Flynn © Smithsonian Institution.

This September, Cooper Hewitt, Smithsonian Design Museum will present the largest-ever exhibition of works by E. McKnight Kauffer (American, 1890–1954), a pioneer of commercial art—the profession known today as graphic design. On view Sept. 10 through April 10, 2022, “Underground Modernist: E. McKnight Kauffer” will feature some 200 objects to examine the designer’s impact and legacy across media.

Hailed in his lifetime as “the poster king,” Kauffer brought design to many creative industries. He made modernism accessible by applying cutting-edge styles to designs for advertising, literature, theater, transportation and more. He adopted emerging avant-garde aesthetics in provocative ways to promote services and products.

Cooper Hewitt holds one of the most extensive collections of Kauffer’s designs in the world, comprising material in both the Drawings, Prints & Graphic Design department and the Archives department. The exhibition is organized by Caitlin Condell, associate curator and head of Drawings, Prints & Graphic Design at Cooper Hewitt, and Emily M. Orr, Ph.D., assistant curator of modern and contemporary American design at Cooper Hewitt.

“‘Underground Modernist’ will reveal new stories and research to position Kauffer not simply as a designer of posters, but as a figure who applied the graphic arts broadly to creative pursuits,” Condell said. “He transformed the public’s perception of modernism and influenced the work of other equally significant artists, designers and writers on both sides of the Atlantic.”

“Drawing heavily on Cooper Hewitt’s unique holdings of Kauffer’s work, the exhibition will explore the wide circulation and popular resonance of Kauffer’s designs,” Orr said. “Motivated by a desire to serve the public, Kauffer brought art closer to all people. He believed that advertising was an opportunity to introduce new visual expression.”

Organized chronologically in 10 sections, the exhibition will trace Kauffer’s career from his beginnings as a painter to his transformation into an internationally renowned commercial artist. At the height of his career in the 1920s and 1930s, Kauffer, an American, was among the most influential artists in England. In 1940, he moved to New York, joining the influx of European designers who brought dynamism to American advertising. His remarkable output includes eye-catching posters for the London Underground, illustrations for celebrated works of literature and iconic graphics for major corporations such as Shell-Mex and American Airlines.

Kauffer widened the scope and impact of his practice through collaborations with his peers in art, literature, performance and film. A champion of new media, Kauffer’s work included commissions as varied as film titles for Alfred Hitchcock’s The Lodger, illustrations for T. S. Eliot’s Ariel poems, costumes for theatrical and ballet productions, and covers for novels by H.G. Wells, Aldous Huxley and Ralph Ellison. He shared a dark room with Man Ray and worked with groundbreaking textile designer Marion V. Dorn, who would later become his wife. Dorn’s designs will be highlighted at key moments in the exhibition.

Though Kauffer considered himself a progressive and an egalitarian, his commissioned work tells a more complicated story about his ideals, his privilege and his perspective on race. “Underground Modernist” will examine how Kauffer’s designs expressed and challenged the energy, ideas and unrest of his time. Over the course of four decades, he responded to the quickening pace of contemporary life by capturing the attention of a fast-moving public. His dedication to design as a social responsibility guided his distinguished career and defines his legacy.

Kauffer believed that modern art should move beyond the walls of museums and galleries to infiltrate daily life. He argued that innovative expression should be matched by social and cultural engagement, and that designers should be accountable to their public as well as to their clients. “The artist in advertising is a new kind of being,” Kauffer wrote in 1938. “His responsibilities are to my mind very considerable. It is his business constantly to correct values, to establish new ones, to stimulate advertising and help to make it something worthy of the civilization that needs it.”

Support

“Underground Modernist: E. McKnight Kauffer” is made possible with support from the Barbara and Morton Mandel Design Gallery Endowment Fund and the Esme Usdan Exhibition Endowment Fund.

Publication

E. McKnight Kauffer: The Artist in Advertising, co-published by Cooper Hewitt and Rizzoli Electa, features 11 incisive essays from an interdisciplinary group of scholars and provides new contexts through which to examine Kauffer’s work and its impact on design and culture in the early 20th century. Designed by Lucinda Hitchcock, the book includes a chronology and a richly illustrated plate section. The publicationa 2021 Alice Award finalistis available at SHOP Cooper Hewitt.

Programming

The exhibition will be accompanied by robust virtual programming, curriculum-based activities and online resources.

Exhibition Design + Graphics

Exhibition design and graphics by LucienneRoberts+ and Universal Design Studio.

About Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt is America’s design museum. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum, education and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Steward of one of the world’s most diverse and comprehensive design collections—over 215,000 objects that range from an ancient Egyptian faience cup dating to about 1100 BC to contemporary 3D-printed objects and digital code—Cooper Hewitt welcomes everyone to discover the importance of design and its power to change the world.

For more information, visit www.cooperhewitt.org or follow @cooperhewitt on Instagram, Facebook, Twitter and YouTube.

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SI-249-2021

Media Only

Laurie Bohlk

(212) 849-8420

bohlkl@si.edu

Ashley Tickle

(212) 849-2954

ticklea@si.edu

Exhibitions