1913–1993, South Africa
Boy and the Candle
Oil on canvas
(Photo by Franko Khoury)
One of the world’s preeminent private collections of African American art will have its first public viewing later this year at the Smithsonian’s National Museum of African Art. “Conversations: African and African American Artworks in Dialogue” brings together artworks from two world-class collections: the National Museum of African Art and the Camille O. and William H. Cosby Jr. Collection. The exhibition, which opens at the museum Nov. 9 and remains on view through early 2016, is a major part of the museum’s 50th anniversary, celebrating its unique history and contributions toward furthering meaningful dialogue between Africa and the African diaspora.
In “Conversations,” 62 paintings, sculptures, mixed-media and textile works of art from the Cosby collection join some 100 traditional, modern and contemporary artworks from the collection of the Smithsonian’s National Museum of African Art.
“Conversations” presents selected pieces from the Cosby collection, including works by Romare Bearden, Elizabeth Catlett, Beauford Delaney, Loïs Mailou Jones, Jacob Lawrence, Keith Morrison, Faith Ringgold, Augusta Savage, Henry Ossawa Tanner and Alma Thomas. With the exception of one work of art, the Cosby collection has never been loaned or seen publicly and only rarely and selectively published. These and other works of African American art are placed in thematic dialogue with African traditional works of art, including a Kongo female figure with child from the Democratic Republic of the Congo, a lidded bowl from Nigeria by the Yoruba master artist Olowe of Ise and a Nuna butterfly mask from Burkina Faso and with modern and contemporary works of art by artists, including Fodé Camara from Senegal, Godfried Donkor from Ghana and William Kentridge from South Africa. The exhibition and its accompanying publication are organized to explore intersecting ideas about history, creativity, power, identity and artistry in ways that resonate with people the world over.
Bill and Camille Cosby began acquiring the more than 300 African American paintings, prints, sculptures and drawings more than four decades ago, based on their personal tastes rather than on investment value. They strongly believe that African American families should seek to learn from and preserve their cultural history, which is told, in part, through works of art.
The unique experience of viewing exceptional African and African American art reinforces the Cosbys’ energizing message: We should all welcome the world of art into our lives—it belongs to us all if we only go out there and make it our own. Bill Cosby also introduced African American art to millions worldwide as a prominent feature of his landmark television series three decades ago.
“At the National Museum of African Art we are excited to show the world these treasured African American artworks for the first time ever,” said Johnnetta Betsch Cole, director of the museum. “The exhibition will encourage all of us to draw from the creativity that is Africa, to recognize the shared history that inextricably links Africa and the African diaspora and to seek the common threads that weave our stories together and over time as part of the human family.”
“It’s so important to show art by African American artists in this exhibition at the Smithsonian’s National Museum of African Art,” said Bill Cosby. “To me, it’s a way for people to see what exists and to give voice to many of these artists who were silenced for so long, some of whom will speak no more.”
“Our mission can be summarized by Elizabeth Catlett, ‘Art must answer a question, or wake somebody up, or give a shove in the right direction,’” said Camille Cosby.
A gala celebration commemorating the museum’s 50th anniversary and the unveiling of the exhibition will take place Friday, Nov. 7, at the museum. For more information call (202) 633-4648.
About the Curators
The exhibition was developed and jointly curated by David C. Driskell, artist and noted scholar of the arts of Africa and the African diaspora; Adrienne L. Childs, independent scholar; Christine Mullen Kreamer, the museum’s deputy director and chief curator; and Bryna Freyer, curator at the museum. It was designed by MFM Design of Bethesda, Md.
A fully illustrated exhibition catalog, developed by the museum, will be available in the museum store in November. It will include a foreword by Cole, a preface by and interview with Driskell, an interview essay with the Cosbys and a series of thematic essays jointly authored by Childs and Kreamer.
Public programs will accompany the exhibition to engage the museum’s diverse audiences from K-12 to adult. In addition, the exhibition launches the museum’s pilot “Museum Ambassadors” program, which will train teen docents on the ideas and themes that inform the exhibition.
About the National Museum of African Art
The National Museum of African Art is the nation’s premier museum dedicated exclusively to the collection, conservation, study and exhibition of Africa’s traditional and contemporary arts. The museum is open daily from 10 a.m. to 5:30 p.m. (closed Dec. 25). Admission is free. The museum is located at 950 Independence Ave. S.W., near the Smithsonian Metrorail station on the Blue and Orange lines. For more information, call (202) 633-4600 or visit the National Museum of African Art’s website. For general Smithsonian information, call (202) 633-1000.
Note to Editors: Selected images from “Conversations: African and African American Artworks in Dialogue” from the collections of the Smithsonian’s National Museum of African Art and Camille O. and William H. Cosby Jr. may be downloaded by visiting the museum’s media website and clicking on “press room.” For media requests, contact Eddie Burke at (202) 633-4660 or email@example.com or David Brokaw at (310) 614-4188 or firstname.lastname@example.org.
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