National Museum of African American History and Culture

Interim Director: Spencer Crew
Total Full-Time Employees: 205
Annual Budget (federal and trust) FY 2019: $51 million
Approximate Number of Artifacts: More than 37,000

Visiting the Museum

The museum reopened to the public Friday, Sept. 18, with new hours of operation and enhanced safety measures that protect visitors and staff. The museum is closed Monday and Tuesday and open Wednesday through Sunday from 11 a.m. to 4 p.m. The museum is closed Dec. 25.

Visitors are required to obtain free timed entry passes, which are available on a 30-day rolling basis on the museum’s website at nmaahc.si.edu/visit/passes.

During this time, the museum will not accommodate any walk-up visitors.

The museum is evaluating our exhibitions, interactives, and indoor spaces on a case-by-case basis. Some of these features may be closed or operate at limited capacity.

Background

The National Museum of African American History and Culture opened Sept. 24, 2016, on the National Mall in Washington, D.C. Occupying a prominent location next to the Washington Monument, the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. The museum was created in 2003 by an act of Congress, establishing it as part of the Smithsonian. In 2018, the museum earned LEED Gold certification from the U.S. Green Building Council (USGBC) for design and construction.

Collections

The museum has about 3,000 objects on display from its collection of more than 37,000.

Highlights include:

• Harriet Tubman collection, including her hymnal (1876); lace shawl (c. 1897), given to her by Queen Victoria; and family photographs from her funeral
• Jim Crow railroad passenger car (1922)
• Chuck Berry’s red Cadillac convertible (c. 1973)
• Black Fashion Museum Collection (about 1,000 items)
• Tuskegee Airmen Trainer Plane, an open-cockpit PT-13 Stearman (c. 1944) used to prepare Tuskegee Airmen for World War II combat duty
• Works of art by Charles Alston, John Biggers, Elizabeth Catlett, Jacob Lawrence, Lorna Simpson, Romare Bearden, Archibald John Motley Jr., Henry O. Tanner and Frederick C. Flemister, Kehinde Wiley, Amy Sherald
• Emmett Till’s casket (1955)—the glass-topped casket that held the body of 14-year-old Emmett Till, whose murder in Mississippi helped galvanize the civil rights movement
• Slave cabin from Edisto Island, South Carolina (1853)

Building Layout and Inaugural Exhibitions

Located at the corner of 15th Street N.W. and Constitution Avenue, the museum includes exhibition galleries, an education center, a theater, an auditorium, a café, a store and offices. The museum’s inaugural exhibitions focus on broad themes of history, culture and community. These exhibitions have been conceived to help transform visitors’ understanding of American history and culture and to help visitors adapt to and participate in changing definitions of American citizenship, liberty and equality. The exhibitions employ a range of interpretive and experiential strategies.

Fifth floor 

Staff offices, boardroom

Fourth floor 

Culture Galleries: “Musical Crossroads,” “Cultural Expressions,” “Visual Art and the American Experience,” “Taking the Stage”

Third floor 

Community Galleries: “Power of Place,” “Making a Way Out of No Way,” “Sports: Leveling the Playing Field,” “Double Victory: The African American Military Experience”

Second floor 

The Robert Frederick Smith Explore Your History Family Center, Education Classrooms, Earl W. and Amanda Stafford Center for African American Media Arts, Digital Learning Interactives

First floor 

Heritage Hall, welcome center, Corona Pavilion, store

Concourse 0 

Atrium, Contemplative Court, Oprah Winfrey Theater, “A Century in the Making,” Special Exhibitions Gallery, Sweet Home Café

Concourse 1 

History Gallery—“A Changing America: 1968 and Beyond”

Concourse 2 

History Gallery—“Defending Freedom, Defining Freedom: Era of Segregation 1876–1968”

Concourse 3 

History Gallery—“Slavery and Freedom 1400–1877”

Recent Awards

2018 AIANY Design Awards Best in Competition, Center of Architecture

2018 People’s Voice Webby Award                                  2018 People’s Voice Webby Award, The International Academy of Digital Arts and Sciences

2017 Award for Excellence in Architecture, American Institute of Architects (AIA|DC)

2017 Thea Award for Outstanding Achievement, Themed Entertainment Association

2017 James Beard Finalist, Best New Restaurant, James Beard Foundation

2017 Gold Muse in Interactive Kiosk Category, American Alliance of Museums

2017 Best Teaching Mobile App, American Association of School Librarians

2017 Audience Honor, Gold Shorty Award, Sawhorse Media

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SI-284-2020