Hirshhorn Presents “Black Box: Ali Kazma” Opening Dec. 19
The Smithsonian’s Hirshhorn Museum and Sculpture Garden’s popular Black Box series has brought a diverse range of international film and video works to Washington for more than five years. This season Black Box features the first U.S. exhibition of the work of Ali Kazma (Turkish, b. Istanbul, 1971), who is fascinated by the process of work, from the transfixing repetitive flow of automated mass manufacturing to the unique intricacies of artisanal hand labor. His artworks have studied subjects ranging from a blue jeans assembly line in a vast Turkish factory to the intimate benchwork of a wristwatch repairman and the intensity of brain surgery in an operating theater.
Black Box features Kazma’s most ambitious project to date, seven channels of synchronized video, all running on an endless loop. “O.K.” (2010) is a study of a notary stamping hundreds of documents at breakneck speed. The syncopation of the sound is paralleled by the artist’s quick-cut editing. As the images stretch across several screens, it is difficult to discern whether there are many clerks or a single adroit worker, and whether the hands depicted represent astounding manual mastery or belong to one or more actors the artist has enlisted and then digitally accelerated in post-production. In interviews, the artist has revealed the fact that the hands featured in “O.K.” belong to an actual notary public working in Istanbul, and the entire video is indeed actual speed. The artist conducted a casting call in order to find the notary with the extreme dexterity necessary for his bureaucratic ballet.
Kazma, who lives and works in Istanbul, has had works featured internationally in solo exhibitions and film festivals, as well as in biennials in Cuba, Greece and France. “O.K.” will remain on view at the Hirshhorn until April 2012.
Since 2005, Black Box has featured work by emerging and established artists and artist collectives, including Francis Alÿs, Phoebe Greenberg, Kimsooja, Rivane Neuenschwander, Hans Op de Beeck, Semiconductor, Superflex and Guido van der Werve, among others. The artists represent a broad range of nations and approaches to new media. Black Box is organized by associate curator Kelly Gordon. Support for the Black Box program is provided in part by Lawrence A. Cohen/Ringler Associates.
The Hirshhorn offers a range of interactive educational experiences designed to engage people of all interest levels in contemporary art. Friday Gallery Talks are informal weekly lunchtime discussions led by artists and scholars that focus on one work in depth. The museum’s ever-expanding library of podcasts (featured on iTunes in the top 100 Arts and Entertainment podcasts) makes gallery talks and interviews with artists accessible internationally.
About the Hirshhorn
The Hirshhorn Museum and Sculpture Garden, the Smithsonian Institution’s museum of international modern and contemporary art, has nearly 12,000 paintings, sculptures, photographs, mixed-media installations, works on paper and new media works in its collection. The Hirshhorn presents diverse exhibitions and offers an array of public programs that explore modern and contemporary art. Located at Independence Avenue and Seventh Street S.W., the museum is open daily from 10 a.m. to 5:30 p.m. (except Dec. 25). Admission to the galleries and special programs is free. For more information about exhibitions and events, please visit hirshhorn.si.edu. Follow the Hirshhorn on Facebook at facebook.com/hirshhorn and on Twitter at twitter.com/hirshhorn. To request accessibility services, please contact Kristy Maruca at firstname.lastname@example.org or (202) 633-2796, preferably two weeks in advance.
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