“Alexander von Humboldt and the United States: Art, Nature and Culture” Explores Renowned Naturalist’s Impact on American Identity

“Alexander von Humboldt and the United States: Art, Nature and Culture” is the first exhibition to examine Humboldt’s impact on five spheres of American cultural development: the visual arts, sciences, literature, politics and exploration, between 1804 and 1903. It will be on view at the Smithsonian American Art Museum’s main building Sept. 14 through Jan. 3, 2021. The museum is the sole venue for the exhibition. It is organized by Eleanor Jones Harvey, senior curator at the museum.

Humboldt (1769–1859) was a renowned Prussian naturalist and explorer and one of the most influential figures of the 19th century. He lived to his 90th year, published more than 36 books, traveled across four continents and wrote well over 25,000 letters to an international network of colleagues and admirers. In 1804, after traveling five years in South America and Mexico, Humboldt spent six weeks in the United States. In these six weeks, Humboldt—through a series of lively exchanges of ideas about the arts, science, politics and exploration with influential figures such as President Thomas Jefferson and artist Charles Willson Peale—shaped American perceptions of nature and the way American cultural identity became grounded in the natural world.

The exhibition centers on the fine arts as a lens through which to understand how deeply intertwined Humboldt’s ideas were with America’s emerging identity. It includes more than 100 paintings, sculptures, maps, and artifacts as well as a video introduction to Humboldt and his connections to the Smithsonian through an array of current projects and initiatives.

“Eleanor Jones Harvey has dusted for Humboldt’s fingerprints on American art and culture and found them nearly everywhere, including the founding of the Smithsonian Institution,” said Stephanie Stebich, the Margaret and Terry Stent Director of the Smithsonian American Art Museum. “The Smithsonian, with its vast range of disciplines and multitude of collections and ongoing research, is the perfect setting for this expansive evaluation of Humboldt’s impact in the United States. Humboldt encouraged American landscape painters to embrace our natural wonders as emblems of our cultural identity. As a country, we have much to thank Humboldt for, as reflected in the countless namesake places and species across our land. Most importantly, Humboldt’s influence on America’s love of and protection of nature is revealed in other prominent Americans’ legacies, such as Theodore Roosevelt and Rachel Carson.”

The exhibition places American art squarely in the center of a conversation about Humboldt’s lasting influence with artworks that reveal how the American wilderness became emblematic of the country’s distinctive character. Humboldt’s quest to understand the universe—his concern for deforestation and climate change, his taxonomic curiosity centered on New World species of flora and fauna and his belief that the arts were as important as the sciences for conveying the resultant sense of wonder in the interlocking aspects of the planet—make this a project evocative of how art illuminates some of the issues central to stewardship of the planet today. Artworks by Albert Bierstadt, Karl Bodmer, George Catlin, Frederic Church, Eastman Johnson, Samuel F.B. Morse,  Peale, John Rogers, William James Stillman and John Quincy Adams Ward, among others, will be on display. Church, an esteemed painter of the Hudson River school, features prominently in the exhibition. He idolized Humboldt, going as far as trekking in the naturalist’s footsteps in South America.

The exhibition also includes the original “Peale Mastodon” skeleton, on loan from the Hessisches Landesmuseum Darmstadt, with ties to Humboldt, Peale and an emerging American national identity in the early 19th century. Its inclusion in the exhibition represents a homecoming for the important fossil that has been in Europe since 1847, and emphasizes that natural history and natural monuments bond Humboldt with the United States. The skeleton, excavated in 1801 in upstate New York, was the most complete to be unearthed at that time. Its discovery became a symbol of civic pride. In 1804, Humboldt was honored with a dinner beneath the mastodon while it was exhibited in the Peale Museum in Philadelphia. Two paintings featuring the fossil—“Exhumation of the Mastodon” (1806–08) and “The Artist in His Museum” (1822) both by Peale—are on display nearby in the galleries.

“This project sets out to recapture the immediate, sustained and profound impact of Humboldt’s ideas and understand how they shaped the works made by some of the most influential American artists of the 19th century who deliberately wove into their major paintings messages about American cultural identity,” Harvey said. “Collectively their efforts created a nature-based aesthetic so well recognized today that its roots are obscured, much in the way Humboldt’s concept of ‘Cosmos’ or ‘unity of nature’ has been accepted as received wisdom. That collaborative model lies at the heart of Humboldt’s enterprise and at that of the Smithsonian as well.”

The exhibition features a digital exploration of Church’s famous landscape, “Heart of the Andes” (1859), enabling visitors to engage with the painting’s details in new ways. The wealth of detail is a painterly extrapolation of Humboldt’s plant geography map. The mountain at the center of the work, Chimborazo, was referred to as “Humboldt’s Mountain.” The narrated, 2.5D animated projection enables visitors to appreciate the connections between Church’s painting and Humboldt’s ideas.

The exhibition concludes with a “One Smithsonian” Interpretive Lounge where visitors can explore the contemporary connections between Humboldt and the work being done across the Smithsonian today. Featured experts include Ximena Velez-Zuazo, marine managing director of the Biodiversity Monitoring and Assessment Program at the Smithsonian Conservation and Biology Institute’s Center of Conservation and Sustainability; Kristina Anderson-Teixeira, forest ecologist at the Smithsonian Conservation Biology Institute and the Smithsonian Tropical Research Institute; Mary Elliott, curator at the Smithsonian’s National Museum of African American History and Culture and a member of the Slave Wrecks Project International leadership team; and Sofia Elian, graphic designer at the Smithsonian Science Education Center.

Public Programs

Due to the Smithsonian American Art Museum’s temporary closure as a public health advisement due to COVID-19, exhibition-related public programming shifted online. Visitors to the website are also encouraged to explore the exhibition galleries via a 35-minute video tour hosted by Harvey.

The Smithsonian American Art Museum is hosting “The World of Alexander von Humboldt,” a six-part, free online lecture series with presentations by historians of art and science and contemporary artists that address how Humboldt’s observations and ideas from 200 years ago resonate with even greater relevance today in the face of climate change. Featured speakers include Andrea Wulf, author of The Invention of Nature: Alexander von Humboldt’s New World; Randall Griffin, professor of art history at Southern Methodist University; Dario Robleto, artist-in-residence at the University of Houston’s Cullen College of Engineering; Tom Lovejoy, professor of environmental science at George Mason University; and George Steinmann, artist, musician and researcher. Originally planned as a symposium, this series has transformed into a Zoom webinar, where each presentation lasts for 30 to 40 minutes, followed by a Q&A session with the audience. This lecture series begins at 1 p.m. EDT Wednesday, Sept. 16, and is free to the public; registration is required through Eventbrite.

The Zoom webinar schedule is slated as follows:  

• • Eleanor Jones Harvey, senior curator, “Humboldt and the United States: Art, Nature and Culture,” Wednesday, Sept. 16
  • Andrea Wulf, author, “The Invention of Nature: Alexander von Humboldt’s New World,” Wednesday, Sept. 23
  • Randall Griffin, professor, “Georgia O’Keefe’s Aerial River series, Gaia, and the ‘Web of Life,’” Wednesday, Oct. 7
  • Dario Robleto, artist, “The Curious Confront Eternity,” Wednesday, Oct. 14
  • Tom Lovejoy, professor, “Alexander von Humboldt: Polymath of His Time,”  Wednesday, Oct. 21
  • George Steinmann, artist, musician and researcher, “Looking from Within: Art in the Horizon of the UN Agenda 2030,” Wednesday, Oct. 28

Smithsonian Channel Documentary

Humboldt: Epic Explorer premiered Wednesday, March 25, at 8 p.m. (ET/PT) on the Smithsonian Channel. This new docudrama features Wulf, who follows in Humboldt’s footsteps, tracing his five-year journey across the South American continent—from the Orinoco River to the Andes Mountains—making revolutionary discoveries about the workings of the natural world, including his insights into human-induced climate change, evolution and continental drift. Humboldt’s visit to Washington, D.C., is also featured. It is produced, in collaboration with the museum, by Spiegel TV for Smithsonian Networks, ZDF and ZDF Enterprises in association with Arte.

Book

The exhibition catalog, Alexander von Humboldt and the United States: Art, Nature and Culture, is written by Harvey with a preface by Hans Sues, chair of paleobiology and curator of vertebrate paleontology at the Smithsonian’s National Museum of Natural History. The book examines how Humboldt left a lasting impression on American visual arts, sciences, literature and politics. Humboldt inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans and extol America’s wilderness as a signature component of the nation’s sense of self. Harvey traces how Humboldt’s ideas influenced the transcendentalists and the landscape painters of the Hudson River school and laid the foundations for the Smithsonian, the Sierra Club and the National Park Service. Co-published by the Smithsonian American Art Museum and Princeton University Press, it is available for purchase ($75)  online.

Credit

“Alexander von Humboldt and the United States: Art, Nature and Culture” is organized by the Smithsonian American Art Museum with generous support from Joanne and Richard Brodie, Billings and John Cay, Fern and Hersh Cohen, Sheila Duignan and Mike Wilkins, the Embassy of the Federal Republic of Germany, Marie M. Halff, Liliane A. and Christian W.E. Haub, Raymond J. and Margaret Horowitz Endowment, Kandeo Asset Management, Maureen and Gene Kim, LATAM Trade Capital, Robert Lehman Foundation, Henry Luce Foundation, The Lunder Foundation—Peter and Paula Lunder Family, Provost of the Smithsonian, Lucy S. Rhame, Holly and Nick Ruffin, Jacquelyn and William Sheehan, Smithsonian Scholarly Studies Awards, the Terra Foundation for American Art and Kelly Williams and Andrew Forsyth.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. The accompanying catalog is supported by Furthermore: a program of the J.M. Kaplan Fund.

Planning a Visit to the Museum

The Smithsonian American Art Museum has reopened with a reduced schedule and new health and safety measures due to the COVID-19 pandemic. The museum is open five days a week, Wednesday through Sunday, 11:30 a.m. to 7 p.m. Visitors will need to reserve timed-entry passes to enter, and masks are required while at the museum. Passes can be reserved online at si.edu/visit or by phone at 1-800-514-3849, ext. 1. An individual will be able to reserve up to six passes. Each visitor must have a pass, regardless of age. Visitors may choose to print timed-entry passes at home or show a digital timed-entry pass on their mobile device. The museum’s store and café remain closed at this time, and the museum’s entrance at Eighth and F streets N.W. is closed. All visitors must enter at Eighth and G streets N.W. Additional information is available on the museum’s website at AmericanArt.si.edu/visit.

About the Smithsonian American Art Museum

The Smithsonian American Art Museum is the home to one of the most significant and most inclusive collections of American art in the world. Its artworks reveal America’s rich artistic and cultural history from the colonial period to today. The museum’s main building is located at Eighth and G streets N.W., above the Gallery Place/Chinatown Metrorail station. Museum hours are 11:30 a.m. to 7 p.m. Wednesday through Sunday (closed Dec. 25). Its Renwick Gallery, a branch museum dedicated to craft and decorative arts, is located on Pennsylvania Avenue at 17th Street N.W. The Renwick is open from 10 a.m. to 5:30 p.m. Wednesday through Sunday (closed Dec. 25). Admission is free, though timed passes are required. Follow the museum on Facebook, Instagram, Twitter and YouTube. Museum information (recorded): (202) 633-7970. Smithsonian information: (202) 633-1000. Website: americanart.si.edu.

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Note to editors: Selected high-resolution images for publication only are available through the museum’s Dropbox account. Email AmericanArtPressOffice@si.edu to request the link.

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