Tehran (Iran): Kakh-i Gulistan (Gulistan Palace): Talar-i Salam or Talar-i Takht (Throne Room)

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Object Details

sova.fsa.a.04_ref10087

GUID

Local Numbers: FSA A.4 2.12.GN.15.03
General: Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Creator: Sevruguin, Antoin, 1851-1933
Names: Islamic Archives; Kākh-i Gulistān (Tehran, Iran); Sevruguin, Antoin, 1851-1933; Smith, Myron Bement, 1897-1970
Collection Creator: Smith, Myron Bement, 1897-1970

Place: Asia; Iran; Tehran (Iran)

Topic: Palaces; Qajar dynasty, -- Iran, -- 1794-1925; Royalty (Nobility); Thrones

Creator: Sevruguin, Antoin, 1851-1933

See more items in: Myron Bement Smith Collection; Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Biographical / Historical: Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Extent: 1 Glass negative (b&w, 17.8 cm. x 12.9 cm.)

Date: 1880-1920

Archival Repository: Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Identifier: FSA.A.04, Item FSA A.4 2.12.GN.15.03

Type: Archival materials; Glass negatives

Collection Citation: The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Arrangement: According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 15."

Collection Rights: Permission to publish, quote, or reproduce must be secured from the repository.

Genre/Form: Glass negatives

Scope and Contents: "Talar-I Takht or Throne room of Gulistan palace housed the famous Peacock throne and was the offical reception room of the palace. The photo is taken from the middle of the room and in the opposite direction of the entrance, facing the throne at the far end. The room is depicted empty with only one attendant whose reflection is visible in the mirror to the left side the throne. The walls and tables on the either sides of the hallway are decorated with paintings and objects that could be the valuable gifts of the visitors to the Qajar court." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]; - FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is chipped off on the right and the bottom sides."; - Myron Bement Smith handwritten caption in English reads, "47.P; Box 15.3: Tehran. Golestan Palace. Throne room." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]