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Alvin Langdon Coburn Portraits of Charles Lang Freer

National Museum of Asian Art

Alvin Langdon Coburn Portraits of Charles Lang Freer
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  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer
  • Alvin Langdon Coburn Portraits of Charles Lang Freer

    Object Details

    sova.fsa.a.01_ref3165
    GUID
    https://n2t.net/ark:/65665/dc36e7ea4f0-2cf2-4aec-946a-5e5ebc97cd63
    Local Numbers
    FSA A.01 12.01.2
    Creator
    Coburn, Alvin Langdon, 1882-1966
    Freer, Charles Lang, 1856-1919
    Names
    Freer Gallery of Art
    Freer, Charles Lang, 1856-1919
    Collection Creator
    Freer, Charles Lang, 1856-1919
    Topic
    Art, Asian -- Collectors and collecting
    Art, American -- Collectors and collecting
    Art -- Collectors and collecting
    Creator
    Coburn, Alvin Langdon, 1882-1966
    Freer, Charles Lang, 1856-1919
    See more items in
    Charles Lang Freer Papers
    Charles Lang Freer Papers / Series 12: Photographs / 12.1: Portraits of Freer
    Biographical / Historical
    Alvin Langdon Coburn (1882-1966) was born in Boston, Massachusetts to a middle class British family. Coburn began exploring photography after receiving a camera for his eighth birthday. However, it was not until a few years later that he began exploring photography seriously. Coburn opened his first studio in New York City in 1902 to exhibit his prints, and became part of a crowd that wanted to establish photography as art. He moved to London in 1904 to take portraits of celebrities, including an iconic one of George Bernard Shaw posed nude as Auguste Rodin's "The Thinker." Coburn not only shot portraits, but also unique street scenes of New York City. He was quite interested in creating the fractured affects of cubism and futurism through use of photography, as demonstrated in his "vortographs." He experimented with perspective and abstract patterns. Later in his life, Coburn became disinterested in photography as his interest in mysticism grew. He resumed photography in the 1950s before his death in 1966.
    Extent
    1 Item (linear foot)
    Date
    1909
    Archival Repository
    Freer Gallery of Art and Arthur M. Sackler Gallery Archives
    Identifier
    FSA.A.01, File FSA A.01 12.01.2
    Type
    Archival materials
    Photographs
    Collection Citation
    Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
    Arrangement
    Organized by country.
    Collection Rights
    Permission to publish, quote, or reproduce must be secured from the repository.
    Genre/Form
    Photographs
    Scope and Contents
    Photographs of Charles Lang Freer taken by Alvin Langdon Coburn, February 1909. They depict Freer in a variety of poses, such as leaning against a desk, examining some artwork, or simply facing the camera. One print was sent to the Freer Gallery in 1955 by a relative of Freer's business partner Frank Hecker. Two autochromes and 14 platinum prints.
    Collection Restrictions
    Collection is open for research.
    FSA.A.01_ref3165
    Large EAD
    https://n2t.net/ark:/65665/dc36e7ea4f0-2cf2-4aec-946a-5e5ebc97cd63
    FSA.A.01
    FSA
    Record ID
    ebl-1585218689097-1585218689850-0

    • Charles Lang Freer Papers


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