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On the Way to the Public Garden

Smithsonian American Art Museum and its Renwick Gallery
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Object Details

Artist
Francis Hopkinson Smith, born Baltimore, MD 1838-died New York City 1915
Exhibition Label
Francis Hopkinson "Hop" Smith spent almost every summer painting in Venice between the 1880s and the end of his life, quickly finding friends among its growing community of American artists and art collectors. Specializing in watercolors, he typically created large and detailed images of canals and modest buildings, celebrating Venice's everyday beauty. Unlike the gestural, expressive styles of Sargent and Whistler, Smith chose a more controlled approach that conveys tranquility. He also published accounts of his journeys, writing in an accessible voice and illustrating these with reproductions of his watercolors. This scene of a bridge near the Public Garden, on the city's western tip, appeared in his 1895 collection Venice of To-Day. That same year Venice launched the first of its Biennale art fairs, which continue to this day in special pavilions in these gardens, just paces from this bridge.
Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano, 2021.
Credit Line
Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney
ca. 1895
Object number
1957.13.22
Restrictions & Rights
CC0
Type
Painting
Medium
opaque watercolor and pastel over graphite on paper
Dimensions
sheet: 18 1/4 × 29 in. (46.4 × 73.7 cm) image: 14 1/2 × 24 3/4 in. (36.8 × 62.9 cm), irregular
See more items in
Smithsonian American Art Museum Collection
Department
Graphic Arts
Smithsonian American Art Museum
Topic
Figure group
Architecture\bridge
Waterscape\boat
Cityscape\Italy\Venice
Waterscape\canal
Architecture\boat\gondola
Record ID
saam_1957.13.22
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/vk753ebbb67-371c-4f4f-a6ac-c82fd1e1ff52

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  • Digital Backgrounds

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
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IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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