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Perls Galleries records, 1937-1997

Archives of American Art

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Object Details

Creator
Perls Galleries
Subject
Austin, Darrel
Miró, Joan
Luce, Henry, III
Luce, Claire
Picasso, Pablo
Streisand, Barbra
Priebe, Karl J.
De Menil, Adelaide
Cafritz, Gwendolyn
Canaday, John
Perls, Klaus
Hitchcock, Alfred
Garbo, Greta
Ford, Henry
Dudensing, F. Valentine
Cafritz, Morris
Calder, Alexander
James Corcoran Gallery
Galerie Maeght
National Gallery of Art (U.S.)
Museum of Modern Art (New York, N.Y.)
Fujikawa Gallery
Art Institute of Chicago
Whitney Museum of American Art
Pierre Matisse Gallery (New York, N.Y.)
Place of publication, production, or execution
United States
Physical Description
79.6 Linear feet
Arrangement
The collection is arranged as 7 series: Series 1: Correspondence, 1937-1995 (Boxes 1-44, OV 81-83; 43.6 linear feet) Series 2: Negatives, circa 1937-1995 (Boxes 44-59; 15.7 linear feet) Series 3: Photographs, circa 1937-1995 (Boxes 60-75, OV 84; 16.1 linear feet) Series 4: Exhibition, Loan, and Sales Records, 1937-1995 (Boxes 76-78; 2.1 linear feet) Series 5: Clippings Files, 1943-1989 (Box 78; 0.5 linear feet) Series 6: Exhibition Catalogs, 1939-1980 (Boxes 78-79; 1.4 linear feet) Series 7: Drawings by John Canaday, circa 1967-1972 (Box 80; 0.3 linear feet)
Access Note / Rights
Use of original papers requires an appointment.
Summary
The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.
Citation
Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.
Use Note
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials
Among the resources relating to the Perls Galleries in the Archives of American Art is an oral history interview with Klaus Perls done by Mona Hadler on January 19, 1993.
Biography Note
Klaus Perls (b. 1912, d. 2008) formally opened Perls Galleries in New York in 1937, and ran it with his wife Amelia until its closing in 1997. The gallery dealt in contemporary French artists of the School of Paris, such as Georges Braque and Pablo Picasso, but also acted as the primary representative of Alexander Calder beginning in 1954. In the 1970s Mr. Perls developed an interest in art from Benin and built an important collection of African sculpture, some of which was later donated to the Metropolitan Museum of Art. Amelia Perls died in 2002, and Klaus Perls died in 2008.
Language Note
Some records are in German, French, Spanish, and Italian.
Provenance
The records were donated in 1997 by Douglas Mayhew, associate and legal representive of Klaus G. and Amelia B. Perls.
Location Note
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Record number
(DSI-AAA_CollID)6120
(DSI-AAA_SIRISBib)216333
AAA_collcode_perlgall
Type
Illustrated letters
Drawings
Photographs
Archives of American Art
Topic
Art, Modern
Record ID
AAADCD_coll_216333
Usage of Metadata (Object Detail Text)
Usage conditions apply

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