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James Monroe

National Portrait Gallery

Object Details

Artist
John Vanderlyn, 15 Oct 1775 - 23 Sep 1852
Sitter
James Monroe, 28 Apr 1758 - 4 Jul 1831
Exhibition Label
Fifth president, 1817–1825
James Monroe continued the Virginia dynasty of Democratic-Republican presidents that had been interrupted only by the tenure of John Adams. As one of the last Founding Fathers to remain politically active in 1820, most people considered him to be unopposed in his bid for a second term. His success reflected the Era of Good Feelings—the period following the War of 1812 that was marked by the temporary suspension of two-party factionalism. The Monroe Doctrine, the enduring legacy of his administration, articulated opposition to European meddling in the Western Hemisphere and became a keystone of American foreign policy. When Monroe was first elected, in 1816, the majority of voters did not know what he looked like. His friend John Vanderlyn, who had recently returned from studying art in Paris, painted two portraits of him. Monroe gave one to his friend James Madison and kept this one. With the careful rendering of Monroe’s features, the highly finished surface, and the clarity of lighting, Vanderlyn’s painting exemplifies the French neoclassical style that was prevalent at the time. The image was quickly engraved for public dissemination.
5o presidente, 1817–1825
James Monroe continuó la dinastía virginiana de presidentes demócratas-republicanos interrumpida por la administración de John Adams. Por ser unode los últimos Padres Fundadores que permanecían políticamente activos en 1820, casi todo el mundo creía que no tendría oposición en su postulación para un segundo término presidencial. Su éxito reflejó la “era de la concordia”, el período que siguió a la Guerra de 1812, marcado por la suspension provisional del faccionalismo partidista. El legado perdurable de su administración fue la Doctrina Monroe, que articulaba la oposición a la interferencia europea en el hemisferio occidental y se convirtió en piedra angular de la política exterior estadounidense. Cuando Monroe fue electo por primera vez, en 1816, la mayoría de los votantes no conocían su rostro. Su amigo John Vanderlyn —quien regresaba de estudiar arte en París— pintó dos retratos suyos. Monroe le obsequió uno a su amigo James Madison y conservó este. Con su cuidado trazo de los rasgos de Monroe, su pulida superficie y abundante luz, la pintura de Vanderlyn ejemplifica el estilo neoclásico francés prevaleciente en aquel momento. La imagen se reprodujo pronto en grabado para difundirse entre el público.
Provenance
Emily C. Johnson, Frederick, Maryland, descendant of Monroe; sold 1970 to NPG.
Credit Line
National Portrait Gallery, Smithsonian Institution
1816
Object number
NPG.70.59
Restrictions & Rights
CC0
Type
Painting
Medium
Oil on canvas
Dimensions
Stretcher: 67.3 × 57.2cm (26 1/2 × 22 1/2")
Frame: 87 x 78.1 x 10.2cm (34 1/4 x 30 3/4 x 4")
See more items in
National Portrait Gallery Collection
Exhibition
America's Presidents (Reinstallation September 2017)
On View
NPG, South Gallery 240
National Portrait Gallery
Topic
James Monroe: Male
James Monroe: Law and Crime\Lawyer
James Monroe: Politics and Government\Government official\State Legislator\Virginia
James Monroe: Military and Intelligence\Army\Officer\Revolutionary War
James Monroe: Politics and Government\Government official\Congressman\Continental congressman
James Monroe: Politics and Government\Government official\Cabinet member\Secretary of War
James Monroe: Military and Intelligence\Army\Officer\Captain
James Monroe: Politics and Government\Government official\President of US
James Monroe: Arts and Culture\Education and Scholarship\Administrator\University administrator\University trustee
James Monroe: Politics and Government\Government official\Cabinet member\Secretary of State
James Monroe: Politics and Government\Diplomat\Minister
James Monroe: Politics and Government\Government official\Governor\Virginia
Portrait
Record ID
npg_NPG.70.59
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm4141ff3d1-6cd0-4195-8bfc-2b00923104d3

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This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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