Gelatin silver print of Paul Monday playing the piano
Object Details
- Photograph by
- Unidentified
- Subject of
- Paul Monday, American
- Peacock Records, Inc., American, founded 1949
- Description
- A black and White photograph of Paul Monday at the piano.
- Paul is wearing a light colored suit with buttons on the sleeves. He has curly dark hair. His hands are on the piano keys. The piano is black and reads [CARLETON] on the front. There is a silver microphone to the right side of his face. There is a mirror behind the piano. His back is facing the camera and is face can be seen in the mirror.
- Below the image is typed black text on the right side, which reads [PAUL MONDAY, Pianist / PEACOCK RECORDING ARTIST] and the left side, which reads [MANAGEMENT / PEACOCK AGENCY / 4104 LYONS AVE. / HOUSTON, TEXAS]. There are many creases on the photograph. The back of the photograph has several small brown spots and there is text handwritten in graphite on the top left side.
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- 1951-1958
- Object number
- 2015.97.38.13
- Restrictions & Rights
- Public domain
- Proper usage is the responsibility of the user.
- Type
- gelatin silver prints
- portraits
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W (Sheet): 7 3/8 × 8 5/8 in. (18.7 × 21.9 cm)
- H x W (Image): 6 3/4 × 8 5/8 in. (17.1 × 21.9 cm)
- Place depicted
- Houston, Harris County, Texas, United States, North and Central America
- See more items in
- National Museum of African American History and Culture Collection
- Classification
- Photographs and Still Images
- National Museum of African American History and Culture
- Topic
- African American
- Instrumentalists (Musicians)
- Jazz (Music)
- Photography
- Rhythm and blues (Music)
- Record ID
- nmaahc_2015.97.38.13
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/fd50c012813-f7fd-4f89-973c-f99ef6a917ea
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
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