Kako Genzai Ingakyo (Sutra of Cause and Effect)
Social Media Share Tools
Object Details
- Provenance
- To ?
- Hosomi Ryoichi (1901-1978). [1]
- To 1962
- Oriental Art Gallery, New York. [2]
- From 1962
- Freer Gallery of Art, purchased from Oriental Art Gallery, New York. [3]
- Notes:
- [1] Curatorial Remark 1 in the object record.
- [2] Freer Gallery of Art Purchase List after 1920 file, Collections Management Office.
- [3] See note 2.
- Collection
- Freer Gallery of Art Collection
- Exhibition History
- Words of Wisdom: Buddhist Calligraphy from Japan (April 1, 2023 to February 25, 2024)
- Real and Imagined Places in Japanese Art (March 4 to October 21, 2001)
- Japanese Art (March 12, 1982 to November 3, 1986)
- Japanese Art (June 16, 1982 to September 28, 1982)
- Japanese Art (July 14, 1980 to March 6, 1981)
- Japanese Art (April 11, 1978 to March 6, 1981)
- Japanese Art, Galleries 3, 4, and 5 (January 1, 1963 to September 16, 1970)
- Previous custodian or owner
- Hosomi Ryoichi (1901-1978)
- Oriental Art Gallery
- Credit Line
- Purchase — Charles Lang Freer Endowment
- 14th century
- Period
- Kamakura period
- Accession Number
- F1962.2
- Restrictions & Rights
- Usage conditions apply
- Type
- Painting
- Medium
- Ink and color on paper
- Dimensions
- H x W (image): 26.9 × 75.1 cm (10 9/16 × 29 9/16 in)
- Origin
- Japan
- Related Online Resources
- Google Cultural Institute
- See more items in
- Freer Gallery of Art and Arthur M. Sackler Gallery Collection
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Topic
- Buddhism
- Buddha
- Kamakura period (1185 - 1333)
- lotus
- Japan
- Sutra of Cause and Effect
- kakemono
- Japanese Art
- Record ID
- fsg_F1962.2
- Metadata Usage (text)
- Not determined
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ye336413fa6-78b1-4c45-b3ca-b7041b4e0e1c
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.