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Composite album folio, Dancing sufis; Cluster of primrose, calligraphic panels

National Museum of Asian Art

Object Details

Artist
Muhammadi
Master Murad
Calligrapher
Shah Mahmud al-Nishapuri
Description
Detached album folio: page of calligraphy with paintings; two calligraphic panels in Persian black nasta'liq script and two paintings; panel of calligraphy from Gulistan (Rose garden) by Sa'di in the upper right-hand corner; painting: Cluster of primrose by Master Murad in the lower right-hand corner; five couplets of poem by Shah Mahmud al-Nishapuri in the lower left-hand corner; tinted drawing: Dancing sufis attributed to Muhammadi of Herat in the upper left-hand corner.
Border: The painting and the text are set in red and gold rulings with a tendril scroll inner frame and gold, red and black outer frame mounted on a green paperboard with gold floral motifs.
Inscriptions
Lower right, "work of Ustad Murad."
Lower left, "work of the slave Shah Mahmud."
Upper left, "done by Master Muhammadi of Herat."
Seal: Abbas, slave of the monarch sainthood [Ali b. Abi-Talib]."
Label
During the sixteenth and seventeenth centuries in Iran, individual paintings and drawings were often mounted together with fragments of poetry and bound in albums. This album leaf is formed of four very different elements. The text page in the upper right is from a sixteenth-century manuscript of the Gulistan (Rose Garden) by the Persian poet Sa'di (ca. 1213-1292). The lines of delicate script in the lower left comprise a love poem copied by the sixteenth century calligrapher Shah-Mahmud al-Nishapuri (died ca. 1564-;65). The primrose plant is inscribed with the name of the seventeenth-century painter Master Murad. The tinted line drawing of dancers, who may belong to the mystical order of Sufism, is attributed to the well-known artist Muhammadi of Herat (active ca. 1560-91).
Collection
Freer Gallery of Art Collection
Exhibition History
Engaging the Senses (October 14, 2017 - ongoing)
Arts of the Islamic World (May 3, 1998 to January 3, 2016)
Islamic Art (May 9, 1993 to June 3, 1997)
Art of the Court of Shah Tahmasp (December 16, 1979 to August 14, 1980)
The Brush of the Masters: Drawings from Iran (October 14, 1978 to May 30, 1979)
Special Exhibition of Persian Art (May 1, 1960 to August 11, 1961)
Special Exhibition, Near Eastern Art (September 15, 1953 to February 9, 1954)
Islamic Art (November 3, 1944 to February 4, 1945)
Exhibition of Islamic Art (February 24 to March 22, 1937)
A Special Exhibition of Persian Art (January 6 to 27, 1935)
Untitled Exhibition, University of Michigan, 1935 (1935)
Credit Line
Purchase — Charles Lang Freer Endowment
ca. 1575
Period
Safavid period
Accession Number
F1946.15a-d
Restrictions & Rights
Usage conditions apply
Type
Painting
Medium
Ink, color, and gold on paper
Dimensions
H x W (album sheet): 45 x 30.3 cm (17 11/16 x 11 15/16 in)
Origin
Qazvin, Iran
Related Online Resources
Google Cultural Institute
See more items in
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Freer Gallery of Art and Arthur M. Sackler Gallery
Topic
flower
dancing
Safavid period (1501 - 1722)
Sufism
poetry
nasta'liq script
Iran
Arts of the Islamic World
Record ID
fsg_F1946.15a-d
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ye39410cdfa-49a7-4f85-8c2f-a73e6ea66bc3
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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