Object Details
- Artist
- Frederic Edwin Church, born Hartford, CT 1826-died New York City 1900
- Gallery Label
- Frederic Church was an ambitious painter and enthusiastic amateur scientist. He had read Darwin's books and Alexander von Humboldt's descriptions of Cotopaxi,"the most dreadful volcano...its explosions most frequent and disastrous."The fabled Ecuadorian mountain provided both a poetic symbol of God's creation and an exciting window into the planet's natural history. Geology was a new science in the nineteenth century, and Church was among those who believed that volcanoes offered clues to the age and origins of the earth.On his first visit to Ecuador, the artist waited an entire day near the hacienda pictured here, hoping that the clouds would part to reveal the peak. American critics complained that Church's paintings of the volcano did not capture the soft atmospheric haze that they were used to seeing in landscapes. Those who had never traveled to the high country of the Andes did not understand that in the thin, clear air, Cotopaxi's icy flanks gleamed just as Church had painted them.Exhibition Label, Smithsonian American Art Museum, 2006
- Credit Line
- Smithsonian American Art Museum, Gift of Mrs. Frank R. McCoy
- 1855
- Object number
- 1965.12
- Restrictions & Rights
- CC0
- Type
- Painting
- Medium
- oil on canvas
- Dimensions
- 28 x 42 in. (71.1 x 106.8 cm)
- See more items in
- Smithsonian American Art Museum Collection
- Department
- Painting and Sculpture
- On View
- Smithsonian American Art Museum, 2nd Floor, East Wing
- Smithsonian American Art Museum
- Topic
- Landscape\phenomenon\volcano
- Landscape\tropic
- Landscape\mountain\Mount Cotopaxi
- Landscape\Ecuador
- Architecture Exterior\domestic\house
- Record ID
- saam_1965.12
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/vk7b8328460-fa17-4f92-84b7-4c54a6fdf9de
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