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Clay Image: Cellist (Deizo: Serohiki)

National Museum of Asian Art

Object Details

Artist
Suzuki Osamu (Japan, 1926-2001)
Description
Plain, flattened columnar closed form, suggestive in its scale, volume, and frontality of a human torso (the cellist) or the cello itself, resting on a small oval base and capped by a flat, oblong top, domed in the center, joined by a sharp edge whose bilaterally symmetrical line is highest at midpoint, sloping gently to either side. Hand-built from coils of clay, with traces of finger manipulations over coil seams remaining on surface as bands of irregular but rhythmical patterns. Pinhole in center of domed top to allow gasses to vent from closed form during firing.
Shigaraki-type stoneware clay, light buff, concealed by coating of red-brown slip except at sharp edges of top seam and finger impressions.
Thin coating of red-brown slip applied in gradations of tone from darker at top to lighter near base. Slip overlaid at top of piece only with thin ash glaze.
Inscriptions
1. (Louise A. Cort, 10 October 1997) Seal (hiragana syallable su [for Suzuki] inside circle) impressed above incised date ('87) near base of one narrow side.
Label
Suzuki, whose career began in Kyoto in the years immediately following World War II, was a leading figure in the first generation of Japanese ceramic artists who used clay to create abstract sculptural forms. International abstraction is not the only reference in his nonfunctional works, however. His series Clay Images-hand-built shapes covered with reddish brown slip and ash glaze-explores visual and emotional relationships to ancient Japanese earthenware vessels, another important model for Japanese artists since the 1950s. Cellist, from that series, evokes a European musical instrument's form yet stands with the solemn poise of a Japanese tomb figure.
Collection
National Museum of Asian Art Collection
Exhibition History
Reinventing the Wheel: Japanese Ceramics 1930 - 2000 (July 23, 2011 - June 30, 2013)
Honoring Friends: Recent Gifts by Members of the Freer and Sackler Galleries (June 10 to November 25, 2001)
Credit Line
Purchase -- funds provided by John and Marinka Bennett
1987
Period
Showa era
Accession Number
S1997.32
Restrictions & Rights
Usage conditions apply
Type
Sculpture
Medium
Stoneware with red-brown iron slip and ash glaze
Dimensions
H x W x D: 42.3 x 31 x 19.2 cm (16 5/8 x 12 3/16 x 7 9/16 in)
Origin
Kyoto, Japan
See more items in
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Freer Gallery of Art and Arthur M. Sackler Gallery
Topic
ceramic
Showa era (1926 - 1989)
Japan
stoneware
Japanese Art
Contemporary Art
Record ID
fsg_S1997.32
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ye30747b0c3-ad9a-4922-b896-c7b2b695de35
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

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