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Bill Holman Collection

National Museum of American History

Music Manuscripts
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Finding aid
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Object Details

sova.nmah.ac.0733
GUID
https://n2t.net/ark:/65665/ep8ecf71aef-19e8-455b-bfb2-c604e11f2591
Creator
Holman, Bill, 1927-
Kenton, Stan
Monk, Thelonious (19171010-19820217)
Basie, Count, 1904-1984
Herman, Woody, 1913-1987
Occupation
Composers -- 20th century
Topic
Music -- 20th century
Musical arrangers
Jazz
Creator
Holman, Bill, 1927-
Kenton, Stan
Monk, Thelonious (19171010-19820217)
Basie, Count, 1904-1984
Herman, Woody, 1913-1987
See more items in
Bill Holman Collection
Biographical / Historical
Born Willis Leonard Holman on May 21 in Olive, California, Bill Holman is considered one of the great jazz composers of the last half of the twentieth century. He is best known as one of the architects of the style of jazz defined as "West Coast" and as the major arranger for the Stan Kenton Orchestra from 1952 - 1955. Holman began playing clarinet in junior high school and tenor saxophone while in high school eventually leading his own band. After serving in the Navy and studying engineering, he chose a career in music instead and attended Westlake College of Music in California from 1948-1950. While attending Westlake, he studied counterpoint with Russ Garcia and one hallmark of a Holman work continues to be the distinguished use of that compositional element. While performing as a tenor and baritone saxophonist for Charlie Barnet & His Orchestra in 1951, Holman submitted his first composition for a name band to Woody Herman. Originally titled Prez Conference in honor of Lester Young, the piece - which featured solos for four tenors - was recorded in 1954 with a baritone and trumpet introduction and ending tagged on by Herman and re-titled Mulligantawny Stew. From 1952 - 1954, Holman performed in the reed section of the Stan Kenton Orchestra and there he received international recognition. Within six months, Kenton encouraged Holman's voice as a composer and arranger and he quickly became a principal. His distinctive swinging approach was always evident resulting in songs still beloved by Kenton fans all over the world such as Stomping At The Savoy and Whats New. Taking advantage of his clout in the industry, Stan Kenton facilitated Holman's first recording as a leader in 1954 (Kenton Presents Jazz B Bill Holman: Bill Holman Octet) as one in a series of Capitol recordings featuring Kenton's sidemen as bandleaders. Unfortunately, this was not released until five years later. After returning to the West Coast in 1955, Holman continued as a Kenton staff arranger until 1956 and contributed compositions and arrangements on an occasional basis until the late 1950s. Upon his return to Los Angeles, California in 1955, Holman B as an instrumentalist, composer and arranger B helped shape the sound later dubbed West Coast Jazz. At first, Holman worked in small groups for others including Conte Candoli (1955), Shelly Manne (1955), and Art Pepper (1957) but in 1957 Holman longed to Amake a statement@ for himself and formed his own big band. The band eventually recorded three albums that have become collector=s items among jazz aficionados: The Fabulous Bill Holman (1957), Big Band In A Jazz Orbit, (1958) and Bill Holman's Great Big Band. (1960) Holman continued to work in small group settings as well recording Jive For Five with a quintet co-led by Mel Lewis and Jazz Erotica (re-titled in CD release as West Coast Jazz) in an octet featuring Richie Kamuca. In 1960, Holman entered into a twenty-seven year hiatus from recording. However, he remained active in the business and was continually sought out as a composer and arranger for both jazz and popular music. His arrangements for Gerry Mulligan, Count Basie, Woody Herman, and Shorty Rogers, among others, are considered the pinnacle of jazz composition and orchestration. Holman=s occasional forays into film, television and popular music include Aquarius as recorded by the Fifth Dimension and The Association=s Never My Love and Cherish. A long relationship with the Tonight Show band directed by Doc Severinson (1967 B 1992) developed eventually awarding him with his first Grammy award for an arrangement of Billy Strayhorn=s Take The >A= Train. Bill McKay, the co-owner of a Los Angeles night club Donte's, encouraged Holman to re-form his band in 1975 leading to his legendary rehearsal band which still meets most weeks at the Hollywood Musician=s Union. However, the Bill Holman Band did not record until the release of World Class: The Bill Holman Big Band in 1987, followed by A View From the Side. (for which Holman earned a Best Instrumental Composition Grammy for the title track) in 1995. Although Holman's arranging style matured, his characteristic use of line writing, unison sections, uneven bar lengths, and reference for rhythm were distilled and refined rather than complicated in the interim. Beginning in 1980, Holman received regular commissions from the WDR band in Cologne Germany including ones for extended works and special programs featuring noted jazz instrumentalists such as Lee Konitz, Al Cohn and Phil Woods. Since 1990, he has been conducting that renowned Orchestra. In 1997, Holman embarked on what has become an annual European trip B as a composer/conductor for the Netherlands Metropole Orchestra B and in that same year recorded Further Adventures with them. Holman continues to work extensively in Europe and in 2001 will conduct orchestras in Sweden, Austria and the Netherlands. Continually sought after by contemporary vocalists, Holman supplied the arrangements (with the exception of the title tune) for Natalie Cole=s 1991 Unforgettable B a tribute to her father Nat King Cole. He continues to provide settings for elite jazz vocalists including Tony Bennett and Carmen McRae. Holman remains active. In 1998, he received a composer=s grant from the International Association of Jazz Educators. The Bill Holman Band still rehearses weekly and appears periodically in the Los Angeles area. Brilliant Corners: The Music of Thelonius Monk is a big band and arrangers tour-de-force and garnered Holman his third Grammy award in 1997.
Extent
12 Cubic feet (68 boxes)
Date
1951-2000
Archival Repository
Archives Center, National Museum of American History
Identifier
NMAH.AC.0733
Type
Collection descriptions
Archival materials
Music
Posters
Business records
Scores
Citation
Bill Holman Collection, 1951-2000, Archives Center, National Museum of American History
Arrangement
The collection is organized into two series. Series 1: Music Manuscripts, 1952-1999 Series 2: Photographs and Business Records, 1975-1997
Processing Information
Collection processed by Scott Schwartz, 2001.
Rights
The Archives Center does not own the reproduction rights to the music of the Bill Holman Collection. All requests for performance or publication of Mr. Holman's compositions and/or arrangements should be directed to Bill Holman at 323-466-8809.
Genre/Form
Music -- Manuscripts
Posters -- 20th century
Business records -- 1950-2000
Scores
Scope and Contents
The Bill Holman Collection consists of original music compositions and arrangements, posters, performance contracts and a photograph dating from 1952 to 1999. The collection is organized into two series: Series 1: Music Manuscripts; and Series 2: Photographs and Business Records.
Restrictions
Collection is open for research.
NMAH.AC.0733
https://n2t.net/ark:/65665/ep8ecf71aef-19e8-455b-bfb2-c604e11f2591
NMAH.AC.0733
ACAH
Record ID
ebl-1503510466883-1503510466886-0

  • Images 2 Filter by term plus Exclude term minus
  • Archival materials 566 Filter by term plus Exclude term minus
  • 1950s 1 Filter by term plus Exclude term minus
  • 1960s 1 Filter by term plus Exclude term minus
  • 1970s 1 Filter by term plus Exclude term minus
  • 1980s 1 Filter by term plus Exclude term minus
  • 1990s 1 Filter by term plus Exclude term minus
  • Bill Holman Collection 566 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / HOLMAN, BILL, BAND 80 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts 78 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / WDR 49 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / KENTON, STAN 30 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / SEVERINSEN, DOC (Tonight Show Band) 30 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / SHOEMAKE, CHARLIE 14 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / MISCELLANEOUS COMMISSIONS 12 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / WDR WITH PHIL WOODS 12 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / HERMAN, WOODY 11 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / METROPOLE ORCHESTRA (HOLLAND) 11 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / WDR WITH JOHN GRIFFIN 11 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / RICHARDSON, TED (Small Group) 10 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / GOULD, RACHEL 9 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / MISCELLANEOUS COMMISSIONS / MISCELLANEOUS: SMALLER BOXES 9 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / SIMS, ZOOT 8 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / BASIE, COUNT, BAND 7 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / BRITISH BROADCASTING CORPORATION/BBC 7 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / MISCELLANEOUS COMMISSIONS / MISCELLANEOUS 7 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / DEFRANCO, BUDDY sa WDR 6 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / MISCELLANEOUS COMMISSIONS / OLYMPICS PROJECT 6 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / WDR WITH BIRD 6 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / WEISS, KLAUS, ORCHESTRA 6 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / ALLEN, DAVE 5 Filter by term plus Exclude term minus
  • Bill Holman Collection / Series 1: Music Manuscripts / COLE, NATALIE 5 Filter by term plus Exclude term minus
  • CC0 566 Filter by term plus Exclude term minus
  • No 563 Filter by term plus Exclude term minus
  • Yes 3 Filter by term plus Exclude term minus
  • ead_component 566 Filter by term plus Exclude term minus
  • 1985 October Fool

  • BROOKMEYER, BOB

  • 1976 Coqueteo

  • 1983 All Or Nothing At All

  • 1989 Vital Signs

  • DEFRANCO, BUDDY sa WDR

  • undated Why Don't You Do Right (Not in Box 30 as of 4/3/01)

  • 1986 Do You Feel What I Feel

  • undated Evil Eyes

  • Entr'acte (Koln)

  • 1991 I Do/ You're Through

  • BROOKMEYER, BOB WITH CLIFF HARDIE

  • 1977 Sometimes A Samba

  • undated I Got It Bad

  • undated Third Stone, Part III Prevail and Prosper

  • undated Chameleon

  • 1979 You Don't Know

  • Nestico, Sal see WDR

  • 1979 Concerto Duo, Part I

  • 1994 Little Tramp, Then

  • undated Fanny

  • 1981 Sow's Ear

  • SKYMASTERS/HOLLAND

  • undated Three Little Words


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