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Smithsonian Folklife Festival records: 1996 Festival of American Folklife

Center for Folklife and Cultural Heritage

Object Details

Introduction
In 1996, questions of national unity and purpose remained as salient as they had been twenty years before, for the Bicentennial Festival - yet there was also much to celebrate, and good cause to do so. On the state level, the year marked the 150th anniversary of Iowa statehood; on the international level, it marked the 100th anniversary of the modern Olympics; and for the nation and the world, the Smithsonian celebrated its 150th anniversary. Each of these anniversaries recalled what we value as Americans and helped set our course for the future. The 1996 Festival joined with the Atlanta Committee for the Olympic Games to present a program on the culture of the American South, both on the National Mall and, before a world audience, back home in Atlanta during the Olympic Games. The Olympics symbolize people from the world over coming together in common athletic and artistic purposes. Just as a watershed is fed by the confluence of numerous streams, so too does the culture of the South represent the confluence of Native American, African, and European traditions, joining together with a stream of visitors from around the globe. Iowa, which celebrated its sesquicentennial on the National Mall, is known as the land between the Mississippi and Missouri rivers, and symbolizes an important cultural watershed. For many, Iowa represents grassroots America, our heartland. The land and the rivers give Iowans a strong sense of purpose, and have nourished the value of community life as a centerpiece in our national consciousness - a value that was ever-present in the Iowa Festival program. The Smithsonian, which has grown into the world's foremost national scientific, historical, and artistic complex, represents yet another kind of cultural watershed. It collects aspects of America's heritage, documenting the ebb and flow of history over the years and across the nation, and encourages visitors to find themselves in its never-ending course. For its 150th anniversary, visitors had a chance to peer behind the scenes and to meet Smithsonian workers in every field. The Smithsonian saw the Festival as a wonderful way to help celebrate the anniversaries of these institutions, for like them, the Festival stands as a tribute to our own ability to speak with each other, to share our cultures and traditions, and to do so in a civil, tolerant, respectful, and enlightening way. The Festival itself is an enduring institution, and in 1996 it marked its own thirtieth event in typical fashion - by working hard to amplify the voices of others. The 1996 Festival took place during two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 9th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and a special event, the second Ralph Rinzler Memorial Concert. The 1996 Program Book included schedules and participant lists for each program; essays provided background on the Festival and on each of the programs. The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies. Center for Folklife Programs & Cultural Studies Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; James Early, Director, Cultural Studies & Communications; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Chair, Research & Education; Betty Belanus, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Curators, Folklorists, Educational and Cultural Specialists; Carla M. Borden, Program/Publications Manager; John W. Franklin, Program Manager; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Kate Rinzler, Research Associates & Collaborators Folklife Advisory Council and Folkways Advisory Council Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Johnson Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez National Park Service Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
Shared Stewardship of Collections
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Creator
Smithsonian Institution. Center for Folklife and Cultural Heritage
Names
Smithsonian Folklife Festival
Topic
Folklore
Folk art
Food habits
Folk music
arts and crafts
World music
Folk festivals
Creator
Smithsonian Institution. Center for Folklife and Cultural Heritage
See more items in
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Summary
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Historical note
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The 1996 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service. For more information, see Smithsonian Folklife Festival records.
Extent
1 Cubic foot (approximate)
Physical Characteristics and Technical Requirements note
The Rinzler Archives is continually engaged in digitization of archival materials to facilitate preservation and ready access by users. However, given the diversity of legacy formats of the originals, some older materials may not be available. Notably, certain older audio recordings cannot be played because of deterioration of the tape stock, and the Archives has no playback equipment for EIAJ-1 videoreels (1/2 inch) or multi-track audio recordings. Where listening or viewing copies are available, this is generally indicated for each item. Users are encouraged to contact Archives staff to verify that the materials of interest to them are already accessible, or to determine if they can be digitized as needed.
Date
June 26-July 7, 1996
Archival Repository
Ralph Rinzler Folklife Archives and Collections
Identifier
CFCH.SFF.1996
Type
Collection descriptions
Archival materials
Contracts
Plans (drawings)
Videotapes
Digital images
Slides (photographs)
Business records
Memorandums
Correspondence
Sound recordings
Audiocassettes
Photographic prints
Notes
Video recordings
Audiotapes
Negatives
Citation
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Arrangement note
Arranged in 5 series. Series 1: Program Books, Festival Publications, and Ephemera Series 2: The American South Series 3: Iowa - Community Style Series 4: Special Events Series 5: Working at the Smithsonian
Rights
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Genre/Form
Contracts
Plans (drawings)
Videotapes
Digital images
Slides (photographs)
Business records
Memorandums
Correspondence
Sound recordings
Audiocassettes
Photographic prints
Notes
Video recordings
Audiotapes
Negatives
Scope and Contents note
This collection documents the planning, production, and execution of the 1996 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Restrictions
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Forms Part Of
Smithsonian Folklife Festival records: 1996 Festival of American Folklife forms part of the Smithsonian Folklife Festival records . Smithsonian Folklife Festival records Smithsonian Folklife Festival records: Papers 1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Related link
Record ID
ebl-1503511513422-1503511513441-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/bk5f26e8d56-a110-478c-b70b-af8a0ca1dee5

In the Collection

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  • Working at the Smithsonian Fieldwork: Interview with Howard Bass (NMAH) by Erin Roth

  • Iowa 96 FAF – unknown date - Beth Rotto – 7 of 11 – Jeanette Martinson (Norwegian style knitting and food ways)

  • Festival Recordings: Smithsonian Memories: Interviewee: Margaret Santiago

  • The American South Fieldwork: The Birmingham Sunlights "For Old Time's Sake" (commercial cassette)

  • Festival Recordings: Smithsonian Memories: Interviewee: Rose Lee

  • Working at the Smithsonian Fieldwork: Interview with Pete Mackessy (special assistant to the deputy director, SI Castle); Interview with Ron Colaprete (protection division, OPS, Arts and Industries) by James Deutsch

  • Working at the Smithsonian Fieldwork: Interview with Dr. Tom Killion (repatriation office, NMNH) by Robert Sayers

  • Iowa Fieldwork: Interview with Gordon Kilgore by Donald Jonjack

  • Parrish, Jane (Fieldworker) – 3 of 6 – Ali Awan & Burnt Sienna

  • Iowa Fieldwork: Interview with Albert Sorenson; Interview with Nyal and Beth Pierce

  • Festival Recordings: South Studio Stage: Freedom Singers; New Coon Creek Girls

  • Festival Recordings: Smithsonian Memories: Interviewee: Lou Fleming

  • Festival Recordings: Dance/Evening Concert: Zydeco; Mexican Songs & Ballads

  • Festival Recordings: Smithsonian Memories: Interviewee: Jane Glaser

  • Festival Recordings: Smithsonian Memories: Interviewee: Cordelia Rose

  • Festival Recordings: Smithsonian Memories: Interviewee: John Stine

  • Iowa Fieldwork: Foot Notes, First Steps - 'Highlandville Dance'

  • Festival Recordings: Smithsonian Memories: Interviewee: David Bosserman

  • Working at the Smithsonian Fieldwork: Interview with Lisa Fortune Farrar (education specialist, SAAM) by DND

  • Festival Recordings: Carmichael Auditorium/American History: Dixie Hummingbirds

  • Festival Recordings: Smithsonian Narrative Stage: Ask Smithsonian, VIARC; Caring for Collections, Museum Registrars

  • Festival Recordings: Capitol Stage: Johnny Gimble; Freedom Singers; Ruth Brown; Little Anthony and the Imperials

  • Festival Recordings: Iowa Cafe: Meskwaki Music & Culture; Blues Music; Cowgirl Poetry

  • Iowa Fieldwork: "Flanking" recorded by Mark Knudsen

  • Festival Recordings: Georgia Sea Islands Songs & Games; Mississippi Cultural Crossroads; River Tales & Lines

  • Festival Recordings: its Public Knowledge: Loud Mouths: Tune In? or Turn Off?

  • Olaf Offedal

  • Video

  • Festival Recordings: Smithsonian Memories: Interviewee: Larry Randall

  • Working at the Smithsonian Fieldwork: Interview with Portia James and Sharon Reinckins (Anacostia Museum) Diane N.

  • Festival Recordings: Smithsonian Memories: Interviewee: Nancy Pope

  • Festival Recordings: Smithsonian Memories: Interviewee: Jody Fritter

  • Festival Recordings: Iowa Talk Radio: Growing Up in Iowa; Cloth Stories; Sports & Community Spirit

  • Festival Recordings: Smithsonian Memories: Interviewee: Mick Weltman

  • Working at the Smithsonian Fieldwork: Interview with Patrick Sears (associate director, Freer/Sackler Galleries); Interview with Thomas Lenz (deputy director; Freer/Sackler Galleries) by Kennedy

  • Moore, David (Fieldworker) – Slayton Thompson (Grant Wood All City Drum Corps)

  • Festival Recordings: Celebrations Stage: Crafting Community, Catawba Dancing, Native American Flute Tape 1 of 2

  • Smithsonian Workers Program: Field Interview with Jim Volkert by Richard Kurin and Pablita Abeyta: "Making of NMAI" For Working at the SI program of the 1996 F.A.F.

  • Festival Recordings: Celebrations Stage: Freedom Singers, Littleturtles, Willie Lowery

  • Festival Recordings: Iowa Talk Radio: Farm Talk; Cloth Stories; Taking Part in Local Politics

  • Festival Recordings: Smithsonian Memories: Interviewee: Bill Cox

  • Festival Footage: Iowa Program: Iowa Crafts: Danish Paper Crafts; Woodcarving; Clockmaking; Woodcarving

  • Iowa Fieldwork: Cagley, Black, Schaefer, and Njoes

  • Festival Recordings: Musical Instruments: Beverly Cosham; Ollantay

  • The American South Fieldwork: Dorothy Dukepoo Goode (Hopi storyteller) NOTE: tape label PII

  • Festival Recordings: Iowa-Home Canning; South-Basket makers; South-Cooking for Family & Faith with Julietta Garcel

  • Working at the Smithsonian Fieldwork: Interview with Louise Cort (curator of ceramics, Freer/Sackler Galleries) by Kennedy

  • Festival Recordings: South Music Stage: Ife Ile; Beausoleil

  • Moore, David (Fieldworker) – Sharilyn Bell & Sandy Reed of PSALMS (black gospel group)

  • Iowa Fieldwork: Interview with Nicholas Abouassaly and Mary Nassif

  • Festival Recordings: Iowa Civic Center: Auctioneering; Karl L. King Municipal Band

  • Festival Recordings: Smithsonian Memories: Interviewee: Skull Crew: Jones, Goffrey, Phillips, Jordan, Jones

  • Festival Footage: Working at the Smithsonian: Narrative Stage: Applied Research; Folkways Archives

  • Working at the Smithsonian Fieldwork: Interview with Pete Daniel (NMAH) by Erin Roth

  • Festival Recordings: Smithsonian Memories: Interviewee: Geoffrey Parker

  • Festival Recordings: Iowa Talk Radio: Growing Up in Iowa; Cloth Stories

  • Festival Recordings: Smithsonian Memories: Interviewee: David Howery

  • Iowa Fieldwork: Interview with Kitho Philavah; Interview with the Graziano Brothers

  • Working at the Smithsonian: Interview with Victor Urantz (photographer, NMNH) by Robert Sayers

  • Festival Recordings: Iowa Cafe: Cowgirl Poetry; Mexican Songs & Ballads; Teaching Amana Hymns; Traditions of Speaking &

  • Festival Recordings: Iowa Talk Radio: Farm to Market; Caring for the Community

  • Festival Recordings: Smithsonian Memories: Interviewee: Lucille Rowe

  • Festival Recordings: South Studio Stage: Warwick with Louisiana Hayride Band

  • Iowa Fieldwork: Labor Institute: Interview with Frank Peterson (Dial Corporation) by Tom Cale and Ginger Cunningham

  • Iowa Fieldwork: Becky & the Ivanhoe Dutchmen - 'Czech It Out!!!'

  • Festival Recordings: Monument Stage: Soh Daiko; Six Nations Women

  • FP-1996-CT-0754: Iiowa 96 FAF – 11/4/95 – Erin Roth (Fieldworker) – 27 of 27 – Cedar Rapids, IA – Don Janda (Sykora's Bakery)

  • Festival Recordings: South Studio Stage: Beausoleil; Ulali; Eddie Pennington

  • Festival Recordings: Smithsonian Memories: Interviewee: Nancy Sweezy

  • Working at the Smithsonian Fieldwork: Interview with Deura Kleinman (director of research, National Zoo) by Emily Botein

  • Festival Recordings: Smithsonian Narrative Stage: Festival of American Folklife; Health Stories

  • Festival Recordings: Smithsonian Narrative Stage: The Work of Smithsonian Model Makers; Care and Feeding of Collections

  • Iowa Fieldwork: Interview and Examples of Freestyling

  • Festival Recordings: Smithsonian Narrative Stage: Crime Stories; America's Smithsonian

  • Festival Recordings: Iowa Community Hall: Bruce Brock, Auctioneer; Harmony Singing Workshop: Deer Creek Quartet, Matney

  • Working at the Smithsonian Fieldwork: Interview with Lee Aks (Hirshhorn) by Malisel

  • Festival Recordings: Dance/Evening Concert: String Music

  • Festival Footage: Working at the Smithsonian: Narrative Stage: Pandamonium

  • Festival Recordings: South Music Stage: Ulali; Ife Ile; Eddie Pennington

  • FP-1996-CT-0733: Iiowa 96 FAF Erin Roth (Fieldworker) – 5 of 27 – Kalona, IA – Leola Horshberger (Quilter)

  • Iowa Fieldwork: Interview with Bill Ohringer; Interview with Linda Bisignano

  • Festival Recordings: Smithsonian Memories: Interviewee: Jeffrey LaRiche

  • The American South Fieldwork: Eddie Pennington (Kentucky thumbpicker, guitar) "Fat and Sassy" (commercial cassette)

  • Working at the Smithsonian Fieldwork: Interview with Harold Hancock (assistant security manager, MSC); Interview with James Kelly (security manager, MSC) by James Deutsch

  • Festival Recordings: Iowa Cafe: Calling Square Dances & Auctions

  • Festival Recordings: Smithsonian Memories: Interviewee: Marvin Nakashima

  • Working at the Smithsonian: Interview with Tim Rose (anthropology, NMNH) by Robert Sayers

  • Festival Recordings: Smithsonian Narrative Stage: Interview in Action: Zora Felton; Preserving Collections

  • Iowa 96 FAF – Schmidt (Fieldworker) – 8 of 8 – Braddyville, IA – Sarah Davison

  • Festival Recordings: Smithsonian Memories: Interviewee: Myron Johnson

  • Festival Recordings: Iowa Talk Radio: Keeping the Farm in the Family; Marketing Cultural Heritage; Metalwork

  • Festival Recordings: Smithsonian Memories: Interviewee: Joa Paull

  • Working at the Smithsonian: Interview with JW Mahoney (registrar, Hirshhorn) by Malisel

  • Working at the Smithsonian: Interview with Sally Love (exhibit developer, NMNH) by Robert Sayers

  • Moore, David (Fieldworker) – 12/6/95 – West Liberty, IA – Miguel Rivas & Conrado Fraustro of the Tremendos; 12/6/95 – Tama, IA – Tremendos (live performance); 12/7/95 – West Liberty, IA – Eugenio Solis (singer, guitarist of Mexican music)

  • Rosenberg, Janice (Fieldworker) – 6 of 6 – Marilyn Nussbaum (Jewish community)

  • Iowa 96 FAF - Beth Rotto – 3 of 11 – Barbara Root (Knitting & Family History); Jana Klosterboer (Christmas Traditions & Foods of Norwegian origin, Family History)

  • Working at the Smithsonian: Interview with Paul Taylor (anthropology, NMNH) by Robert Sayers tape 2

  • Iowa Fieldwork: Interview with Pak Nurack; Interview with Theresa Tran

  • Iowa Fieldwork: Interview with Timothy Momany

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