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Prentiss Taylor papers

Archives of American Art

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Prentiss Taylor papers
Identifier
AAA.taylpren
Sponsor
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Funding for the conservation of Prentiss Taylor's photograph album, 1929-1939, was provided by the Smithsonian Women's Committee.
Creator
Taylor, Prentiss, 1907-1991
Existence/Location of Originals
95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown.
Biographical Note
Prentiss Taylor was born in 1907 at the Washington, D. C. residence of his maternal grandmother, his birth assisted by his grandmother's cook, affectionately known as Cookie Belle. In the 1920s, Taylor studied painting with Charles W. Hawthorne in Provincetown, but turned to lithography in the late 1920s to early 1930s during his enrollment at the Art Students League in New York City. He received further training in that medium at the George C. Miller workshop in New York. During this period, he also designed costumes for the American-Oriental Revue. Taylor worked primarily in the printmaking medium for the rest of his life, experimenting with various techniques and compositions and ultimately achieving a status as one this country's great lithographers. Taylor depicted mostly realistic and narrative scenes of subjects and themes that reflected his personal interests in music, architecture, religion and social justice. During his time in New York, Taylor developed close friendships with poet Langston Hughes and writer Carl Van Vechten. He collaborated with Hughes in the formation of the Golden Stair Press to produce publications reflecting the ideas of the Harlem Renaissance. Taylor created a number of prints and illustration for the press and its publications. After returning to Washington, D.C., Taylor's work was included in exhibitions at the Corcoran Gallery, the Smithsonian Institution, the Baltimore Museum of Art and the Virginia Museum of Fine Arts in Richmond. He was represented by the Franz Bader Gallery in Washington, D.C., and by the Bethesda Art Gallery in Maryland. In 1942, Taylor was elected President of the Society of Washington Printmakers, a position he held for thirty-four years. He also worked as an art therapist for more than thirty years and taught oil painting at American University from 1955-1975. Prentiss Taylor died October 7, 1991 in Washington, D.C.
Processing Information
The papers were processed in May 2005 by Jean Fitzgerald, and microfilmed in 2005 with funding provided by the Judith Rothschild Foundation. The collection was digitized from the microfilm in 2008 with funding provided by the Terra Foundation of American Art.
Date
1885-1991
Related Material
Prentiss Taylor papers are also located at the Yale University Library.
Provenance
Prentiss Taylor lent the Archives of American Art material for microfilming in 1978. Papers were donated in 1978 and 1984 by Taylor, and in 1992 and 2004 by his companion, Roderick S. Quiroz, for the estate of Prentiss Taylor.
Extent
20.8 Linear feet
Summary
The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.
Restrictions
The collection has been digitized and is available online via AAA's website.
Alternative Forms Available
The papers of Prentiss Taylor in the Archives of American Art were digitized from 25 reels of microfilm in 2008, and total 33253 images. Researchers should note that the legibility of some materials is poor due to the microfilm quality; researchers may wish to request reels 5911-5935 through interlibrary loan. Portions of the collection and material lent for microfilming are availalbe on 35mm microfilm reels 1392 and 5911-5935 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the collection as described in this finding aid may not reflect the order of the collection on microfilm.
Type
Collection descriptions
Archival materials
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Arrangement
The collection is arranged into ten series. The largest series housing Subject Files is arranged alphabetically, primarily by name of correspondent, maintaining Taylor's original arrangement. The remaining series are arranged in chronological order. Oversized material from various series has been housed in Box 21 (Sol) and OV 22 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references. Missing Title Series 1: Biographical Material, 1918-1985, undated (Box 1; 6 folders) Series 2: Miscellaneous Receipts, 1929-1986, undated (Box 1; 11 folders) Series 3: Insurance Records, 1960-1976 (Box 1; 1 folder) Series 4: Notes, 1921-1984, undated (Box 1; 18 folders) Series 5: Writings, 1924-1971, undated (Box 1-2; 51 folders) Series 6: Art Work, 1916-1975, undated (Box 2; 14 folders) Series 7: Scrapbooks, 1885-1956 (Box 2, 21; 10 folders) Series 8: Printed Material, 1914-1990, undated (Box 2-3, 21; 29 folders) Series 9: Photographs, 1908-1984, undated (Box 3, 23-24; 1.1 linear feet) Series 10: Subject Files, 1885-1991, undated (Box 3-21, OV 22; 18.0 linear feet)
Scope and Content Note
The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956. The Langston Hughes files contain photocopies of letters from Hughes, greeting cards, ten original photographs of Hughes, and an autographed card printed with Hughes' poem, The Negro Speaks of Rivers. In addition, there is a contract between Hughes and Taylor, witnessed by Carl Van Vechten, forming the Golden Stair Press, through which many of Hughes' poems were printed with illustrations by Taylor. A rare edition of their first publication, The Negro Mother, is found here. Also found in this file is a 1932 final copy of Scottsboro Limited, another collaborative effort between Taylor and Hughes that focused on a case where nine black youths were falsely accused of raping two white women. The collection contains extensive correspondence about Taylor's lithograph of the same title and the printing of the publication. Other rare Harlem Renaissance publications found within Taylor's papers include Golden Stair Broadsides, Opportunity Journal of Negro Life, The Rebel Poet, and Eight Who Lie in the Death House, several of which were also illustrated by Taylor. Prentiss Taylor's long association with Langston Hughes and other figures of the Harlem Renaissance stemmed from his early friendship with Carl Van Vechten. Taylor's papers contain correspondence with Van Vechten, autographed copies of Van Vechten's booklets, and numerous photographs of notable Harlem Renaissance figures, many taken by Van Vechten, including Zora Neale Hurston, Bill "Bojangles" Robinson, Eugene O'Neill, Diego Rivera and Frida Kahlo, Paul Robeson, and many others. Also found are period photographs of Charleston, South Carolina and Harlem street scenes. 95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown. The Prentiss Taylor papers offer researchers insight into the rich cultural documentation of the Harlem Renaissance and the development of twentieth-century printmaking as an American fine art.
Genre/Form
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Creator
Taylor, Prentiss, 1907-1991
Names
American University (Washington, D.C.). Fine Arts Dept. -- Faculty
Golden Stair Press
Society of Washington Printmakers (Washington, D.C.)
Field, Rachel, 1894-1942
Hughes, Langston, 1902-1967
Hurston, Zora Neale
Kahlo, Frida
Landeck, Armin, 1905-
O'Neill, Eugene, 1888-1953
Pinckney, Josephine, 1895-1957
Rivera, Diego, 1886-1957
Robeson, Paul, 1898-1976
Robinson, Bill, 1878-1949
Stein, Gertrude, 1874-1946
Toklas, Alice B.
Van Doren, Mark, 1894-1972
Van Vechten, Carl, 1880-1964
Occupation
Art teachers -- Washington (D.C.)
Painters -- Washington (D.C.)
Topic
Lithography -- 20th century -- Washington (D.C.)
Lithographers -- Washington (D.C.)
Art therapy
Harlem Renaissance
Printmakers -- Washington (D.C.)
Citation
Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.
Separated Material
The Archives of American Art also holds material lent for microfilming (reel 1392) including three notebooks detailing Taylor's lithographs, a gift and sales notebook, a guestbook, exhibition announcements, and a brochure. Lent materials were returned to the lender and are not described in the collection container inventory.
Archival Repository
Archives of American Art
Related link
Record ID
ebl-1562716840883-1562716840970-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw9f818b565-3f0c-457b-8712-7eb5d7b4a257

In the Collection

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  • Georgianna E. Wohlfert

  • Harold Wortham

  • Susan Williams

  • Charles Weidman

  • Washington Print Club, Washington Print Club Newsletter

  • Writings

  • Department of the Navy

  • Christine Sadler Coe (Mrs. Richard Livingston Coe)

  • Lydia Cohen

  • Inga Wall Heck

  • Ruth Rhetts

  • Society of Washington Printmakers (Society of Washington Etchers) Photograph Album

  • Society of Washington Printmakers (Society of Washington Etchers)

  • Beatrice H. Taylor (mother of Prentiss Taylor)

  • Ben Long Summerford

  • Carl Van Vechten Photographs of Provincetown and Cape Cod

  • Carl Van Vechten Photographs of James Weldon Johnson and Grace Nail Johnson

  • Eleanore Van Swearingen

  • Jac Gorodetzky

  • Edgar Breitenbach

  • Geneva Williams

  • The Print Club (Philadelphia)

  • Dupont Theatre Art Gallery

  • Miss Dreier

  • Ernest Shepard

  • Carl Van Vechten Photographs of Paul Meeves

  • Carl Van Vechten Photographs of Edna St. Vincent Millay

  • Paul Cadmus

  • Elinor Ulman

  • T. Tilney

  • Gwendolyn Wagner

  • August Mosca

  • Gertrude Wyckoff

  • James Patric Murphy

  • Thomas Wragg

  • The Winter Wheat Press, Washington, D.C.

  • Washington Project for the Arts

  • Jefferson County Historical Society

  • Dick Chapline

  • Nelson-Whitehead Paper Corporation

  • Polly Aird

  • Elizabeth Alexander (Mrs. John White Alexander)

  • Mrs. F. W. Curd

  • M. Robert Deo

  • Helen Riegle

  • Rockville Art Gallery

  • Richard Bales

  • Kaare J. Berg

  • Helen Shaffer

  • Marion Severn

  • Herbert and Ruth Feis

  • Sergio Fabris

  • Dorothy Fall

  • Clare Ferriter

  • Carl Van Vechten Photographs of Eugene O'Neill and Carlotta Montereg

  • Album 3, Part 1

  • Carl Van Vechten Photographs of Colin McPhee

  • California Society of Etchers/California Society of Printmakers

  • Donald Gramm

  • Carl Van Vechten Exhibition Catalogs

  • John Gernand

  • Elizabeth Ginnis?

  • C. Leslie Glenn

  • Donn B. Murphy

  • Manuscript, Typescript, and Notes for "Degas,"

  • Leon Yochelson

  • Langston Hughes

  • Edith and Charles Petty

  • Photographs of Still Life Compositions

  • Grace Albee

  • Ernest Schein

  • Fritz Reiner

  • Betty Dow

  • Lee King

  • Mrs. Slavko N. Bjelajac

  • William H. Calfee

  • Mortimer Graves

  • James D. Havens

  • May Massee

  • Una Martin

  • Marjorie Morawetz

  • Ruth Morgan

  • Elizabeth Sprague Coolidge

  • National Rehabilitation Association

  • Photographs of Miscellaneous Friends

  • Delores Del Rio

  • Anne Dougherty

  • Sophie Kepner

  • Fairfax County Cultural Association, Inc.

  • Philip B. Sullivan

  • Robert Evett

  • Carl Van Vechten Photographs of Prentiss Taylor

  • Keiko Hiratsuka Moore

  • Elizabeth Mongan

  • Wade White

  • Dorothea Creager

  • Elizabeth Wade White

  • Washington Print Club Drafts of Newsletter Articles

  • Miscellaneous Receipts

  • Miscellaneous Receipts

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Scholarship Certificate, Report Card, and Graduation Announcement
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