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Violet Oakley papers

Archives of American Art

Object Details

Creator
Oakley, Violet, 1874-1961
Names
Pennsylvania State Capitol (Harrisburg, Pa.)
Occupation
Stained glass artists -- Pennsylvania -- Philadelphia
Muralists -- Pennsylvania -- Philadelphia
Topic
Artists' materials
Artists' studios -- Photographs
Mural painting and decoration -- United States
Painters -- Pennsylvania -- Philadelphia
Women artists
Women painters
Women muralists
Provenance
Violet Oakley first loaned the Archives of American Art materials for microfilming in 1959. Edith Emerson, Oakley's longtime friend and companion, donated and lent papers for microfilming in 1977 and 1984. The Pennsylvania Academy of Fine Arts, who had received the papers from Emerson's estate, donated two feet of materials in 1988.
Creator
Oakley, Violet, 1874-1961
See more items in
Violet Oakley papers
Sponsor
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Summary
The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.5 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.
Biographical / Historical
Painter, muralist, and stained glass designer Violet Oakley (1874-1961) lived and worked in Philadelphia, Pennsylvania and was known for her Renaissance-revival style of art and the series of murals she completed for the Pennsylvania State Capitol. Born in Bergen Heights, New Jersey, to a family of artists, both of Violet Oakley's grandfathers were painters and members of the National Academy. In 1892, she began her art studies at the Art Students' League and traveled abroad a year later to study in Paris at the Academie Montparnasse, and in England with Charles Lazar. Upon her return to the states in 1896, she continued her studies at the Pennsylvania Academy of the Fine Arts, and at Drexel Institute with Howard Pyle. For fourteen years, Oakley shared her early studios at Red Rose Inn and Cogslea Estate with fellow artists and illustrators Elizabeth Shippen Green and Jessie Willcox Smith. These two studio homes were managed by their friend Henrietta Cozens in a cooperative arrangement which allowed all three artists to focus on their work as commercial artists. Early in her career, Oakley designed covers for magazines such as Collier's Weekly and Century Magazine, and also found work as a stained glass designer for the Church Glass and Decorating Company of New York. In 1900, she received her first major commission to design and execute two large murals and six stained glass pieces for the All Angels' Church in New York City. In 1902 Oakley was approached by architect Joseph Huston to design 13 murals for the Governor's reception room in the new Pennsylvania State Capitol in Harrisburg. She eventually completed two additional mural commissions for the Capitol's Senate (1911-1920) and Supreme Court (1917-1927) chambers. Her studies of William Penn in connection with her murals for the State Capitol inspired Oakley to work for international peace and eventually led to the publication of a portrait folio depicting League of Nations delegates (1932). Other significant works include murals, panels, and stained glass commissions completed for the Vassar College Alumni house, Charlton Yarnall house (Philadelphia), and Cuyuhoga County courthouse. While working as an established artist, Oakley also taught courses at the Pennsylvania Academy of the Fine Arts, arranged a yearly lecture series, and published folios and other writings on topics ranging from art history to Christian Science under the Coslea Studios imprint. Her later studio, Lower Cogslea, was shared by artist and lifelong companion Edith Emerson, who after Oakley's death in 1961, established a memorial foundation in her name. Oakley was the first woman elected to the National Society of Mural Painters, was a recipient of the Gold Medal of Honor of the Pennsylvania Academy of the Fine Arts, and was the first woman to receive the Gold Medal of Honor from the Architectural League of New York. Her writings include The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933).
Extent
56.5 Linear feet
Date
1841-1981
Archival Repository
Archives of American Art
Identifier
AAA.oaklviol
Type
Collection descriptions
Archival materials
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Citation
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is arranged as 8 series. A comprehensive index of individidual correspondents for the chronological correspondence is found in the first folder of the chronological correspondence in box 5, folder 41. Glass plate negatives are housed separately and closed to researchers, but listed where they fall intellectually within the collection. Series 1: Biographical Material, 1841-1970 (2.9 linear feet; Boxes 1-3, OV 69, OVs 71, 72) Series 2: Correspondence, 1857-1979 (26.7 linear feet; Boxes 3-30) Series 3: Notes and Writings, 1899-1976 (10.6 linear feet; Boxes 30-38, 58-64, OV 66, OV 70) Series 4: Diaries and Journals, 1891-1958 (0.9 linear feet, Boxes 38-39) Series 5: Financial Material, 1874-1977 (3.1 linear feet; Boxes 39-42) Series 6: Artwork, 1883-1955 (0.7 linear feet; Boxes 43-43, 64, OV 67, OV 71) Series 7: Printed Material, 1866-1981 (7.3 linear feet, Boxes 43-50, 65, OV 67) Series 8: Photographs, 1890-1980 (5.3 linear feet; Boxes 50-57, 65, OV 68)
Processing Information
Materials received a preliminary level of arrangement after donation and correspondence within the collection was microfilmed onto reels 3716-3745. In 1985, nitrate negatives were removed and duplicated onto safety based film. In 1988, 8 photos were professionally conserved. The collection was further processed to a minimal level and a finding aid prepared by Judy Ng in 2014, with funding provided by the Terra Foundation for American Art. The Archives of American Art has implemented minimal processing tactics when possible in order to increase information about and access to more of our collections. Minimal processing included arrangement to the series, subseries, and folder levels. Generally, items within folders were simply verified with folder titles, but not arranged further. The collection was rehoused in archival containers and folders.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Existence and Location of Copies
Portions of the collection and material lent for microfilming are available on 35mm microfilm reels 1204, P12, 1187-1188, 1272, 1194-1195, and 3716-3745 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of material described in the container inventory does not reflect the arrangement of the collection on microfilm.
Genre/Form
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Scope and Contents
The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.5 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work. Biographical materials include certificates, family records, curriculum vitae, and identification cards, and studio guest books. About one-half of the collection is comprised of correspondence with family, friends, and business associates. Writings include Oakley's notes, essays and lectures, and writings related to 16 of her major artworks and publications, including her work on the Pennsylvania Capitol murals in Harrisburg. Diaries and journals include Oakley's travel notes and research on planned artworks. Financial materials include a catalog of artworks and price lists, accounting records, and art supply receipts. Artwork includes early childhood juvenilia, a sketchbook, sketches of travel and friends, architectural renderings, and artwork by others. Printed materials include books, clippings, exhibition catalogs, programs, and reproductions of artwork by Oakley and others. Photographic materials include photographs, albums, and negatives depicting Oakley, her friends and family, her studio at Cogslea, and reproductions of artwork.
Restrictions
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Related Materials
Also found among the holdings of the Archives of American Art are the Violet Oakley Memorial Foundation records and the Violet Oakley autograph and photograph. The Pennsylvania Academy of the Fine Arts holds the Violet Oakley Foundation Art Collection, and the Philadelphia Museum of Art holds the Violet Oakley Collection.
Separated Materials
The Archives of American Art also holds material lent for microfilming (reels 1204, P12, 1187-1188, 1272, and 1194-1195). Reel 1204 consists of two scrapbooks (circa 1896-1952) containing clippings from magazines of illustrations by Violet Oakley and her sister, Hester, and of Violet's murals for the State Capitol at Harrisburg, Pennsylvania. Reel P12 is of a scrapbook (1898-1936) containing a photograph of Oakely at her easel, clippings, and letters. Reels 1187-1188 consist of five scrapbooks (1920-1962) containing letters, clippings, exhibition announcements, catalogs, and awards. One of the scrapbooks is devoted to "The Holy Experiment", a limited edition publication by Oakley which commemorating William Penn, and which includes reproductions of Oakley's capitol murals in Harrisburg. Reel 1272 contains two albums (circa 1900-1949) containing photos of Oakley working on murals in her studio, as well as her works of art, including stained glass windows at the Church of All Angels, New York; murals at the Harrisburg State Capitol; preliminary drawings and site photographs of "Dante's Window"; the lunettes and window for the Yarnall House; murals and preliminary drawings for the Cuyahoga Court House; the mural and dedication ceremonies for the Vassar Alumnae House; and photos and printed material on "Divine Presence--Christ at Geneva," "The Life of Moses," "Great Women of the Bible," and triptychs for the Army and Navy. Reels 1194-1195 cobsist of photograph albums (circa 1870-1960) containing photographs of the Oakley and Swain families, of Violet Oakley, Edith Emerson, Jessie Willcox Smith, Elizabeth Shippen Green, friends, her home, Oakley's "Red Rose" studio in Villanova, Pennsylvania, her "Cogslea" studio in Philadelphia, and of her works of art, mainly portraits of her friends and of delegates to the League of Nations. Lent materials were returned to the lender and are not described in the collection container inventory.
Related link
Record ID
ebl-1562712640057-1562712640074-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw9b49c7557-9383-438b-805d-d1f873587f95

In the Collection

Pages

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  • Domestic Help

  • "John Singer Sargent"

  • Geneva and Rome

  • Drawings of Europe

  • Opening of the Book of Law

  • Law Triumphant

  • Oversize Miscellaneous Drawings from Box 43, Folder 1

  • Photographs of Events, Philadelphia Award

  • Photographs of Friends

  • "Thoughts in a Cathedral"

  • Calendars

  • Chronological

  • On Christian Science

  • "Essays I Have Never Written"

  • Chronological

  • Oversize Drafts of Opening of the Book of Law from Box 35, Folder 34

  • "From William Penn to Caux"

  • Chronological

  • Chronological

  • Photographs of Violet Oakley in Studio

  • Programs

  • Clippings

  • Chronological

  • Oversize Proofs of Holy Experiment from Box 36, Folder 10

  • Research Notebook

  • Projects, Pilgrimage of a Painter

  • Holy Experiment / Law Triumphant

  • Holy Experiment

  • The World in Washington

  • Book of Triptychs

  • Chronological

  • Certificate of Award

  • Chronological

  • Journals/Notebooks

  • Brochures and Pamphlets (businesses, garden suppliers)

  • "Miracle of Geneva"

  • "Place of Art in an Embattled World"

  • "Problems of a Mural Painter"

  • Chronological

  • Miracle of Geneva

  • "Inspiration: Art and the Bible"

  • Projects, Dante

  • Brochures and Pamphlets

  • Publications

  • Photographs of Works of Art, By Others

  • Artworks and Price List

  • Exhibition Labels

  • The Constitutional Convention

  • Projects, George Washington

  • Lecture on Holy Experiment

  • Notes From a Geneva Journal

  • Chronological

  • "Opening of the Book of Law"

  • Invoices/Receipts

  • Holy Experiment (book proofs)

  • Photographs of Travel, Miscellaneous

  • Invoices/Receipts

  • Lethaby, W.R., Artistic Crafts Series of Technical Handbooks

  • Miller, Lewis Rex, "Looking Forward"

  • Merrill, Margaret Bell, Poem

  • Chronological

  • Book Dummies 4-6

  • Photographs of Works of Art, Sculpture

  • Checkbook for Violet Oakley

  • Photographs of Cogslea Estate, Exterior

  • "Architectonic Painting"

  • Photographs of Works of Art, Pennsylvania Capitol Murals (Governor's reception room)

  • Chronological

  • Architectural Drawings, Gardens

  • Miracle of Geneva/The Geneva Drawings

  • Photographs of Friends, Thayer (baby)

  • Photographs of Family, Hester Oakley Ward and Baby Margaret

  • Chronological

  • Works Cataloged in Card File Stored Under "Financial Material"

  • Oversize Photographs of E. Emerson and E.S. Green from Box 50, Folder 30 and 32

  • Wyllie, Philip, "Generation of Vipers"

  • Notes on Dante and Divine Science

  • B

  • Dante Lecture

  • C

  • Catalog of Drawings of the Delegates to League of Nations

  • H

  • Samuel F.B. Morse

  • Chronological

  • Chronological

  • Chronological

  • Jane Addams and Hull House

  • Financial Material

  • Invoices/Receipts

  • "In Memorium, Jessie Willcox Smith"

  • Object, Leather Diary Cover

  • Notes and Subscriber List for the Little Theater

  • Pennsylvania Speaking!

  • Card, Identity

  • Poetry and Prose

  • Photographs of Works of Art, Great Women of the Bible

  • Swain, Paul M., Passport

  • Programs

  • Chronological

  • P

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Swain, William, Passports (Oakley's maternal grandfather)
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