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Matt Mullican papers

Archives of American Art

Object Details

Creator
Mullican, Matt, 1951-
Names
König, Kasper
Mullican, Lee, 1919-1998
Weiner, Lawrence
Occupation
Conceptual artists -- Germany -- Berlin -- Interviews
Conceptual artists -- New York (State) -- New York -- Interviews
Topic
Artists -- New York (State) -- New York -- Interviews
Multimedia (Art)
Provenance
Donated to the Archives of American Art in 2014-2017 by Matt Mullican.
Creator
Mullican, Matt, 1951-
See more items in
Matt Mullican papers
Summary
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.
Biographical / Historical
Matt Mullican (1951- ) is a multi-media and conceptual artist working in New York City and Berlin, Germany. Born in Santa Monica, he is the son of abstract surrealist painters Lee Mullican and Luchita Hurtado Mullican. Educated at the California Institute of the Arts (CalArts) in the early 1970s, and mentored by John Baldessari, Mullican moved to New York City after earning his BFA and became associated with the "Pictures Generation" artists, including friends Troy Brauntuch, Jack Goldstein, James Welling, and Robert Longo. His multi-disciplinary practice encompasses drawing, painting, collage, video, installation, and performance under hypnosis as his alter ego, 'That Person.' Through these media, Mullican explores systems of knowledge, the construction of reality, as well as meaning, language, and signs. Throughout his career, Mullican has participated in international solo and group exhibitions, and has undertaken dozens of public and corporate commissions.
Extent
27.8 Linear feet
Date
circa 1968-2017
Archival Repository
Archives of American Art
Identifier
AAA.mullmatt
Type
Collection descriptions
Archival materials
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Citation
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is arranged as eight series. Series 1: Biographical Material, 1968-2002 (0.6 linear feet; Box 1) Series 2: Correspondence, 1986-2000s (0.2 linear feet; Box 1) Series 3: Notebooks, circa 1968-2017 (7.2 linear feet; Box 1-8) Series 4: Gallery and Exhibition Files, 1985-2000s (6.1 linear feet; Box 9-13, OV and RD 23-25) Series 5: Project and Commission Files, 1980-2000s (10.3 linear feet; Box 14-19, OV and RD 26-43) Series 6: Personal Business Records, 1978-2000s (1.7 linear feet; Box 19-21) Series 7: Printed Material, 1971-2000s (1.5 linear foot; Box 21-22, RD 44) Series 8: Photographs, 1980s-1990s (1 folder; Box 22)
Processing Information
The collection was processed and a finding aid prepared by Hilary Price in 2017.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Existence and Location of Copies
The notebooks series was digitized in 2017-2018 and is available on the Archives of American Art website.
Genre/Form
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Scope and Contents
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s. Biographical material includes address books, high school and college ephemera, papers and photographs relating to Mullican's family, identification cards, interview transcripts, a resume, and a few writings. The small amount of correspondence arranged in Series 2 is with friends, artists, colleagues, fans, and museum professionals. Notable correspondents include artist Lawrence Weiner and museum director Kasper König. Additional professional correspondence is located in the Gallery and Exhibition Files, as well as the Project and Commission Files. Over 100 notebooks document nearly five decades of Mullican's work process and artistic explorations from the time he was a student up to the present. A large sequence of gallery and exhibition files encompass a variety of material documenting Mullican's extensive solo and group exhibition history throughout the United States, Europe, and Japan. Extensive project and commission files contain documentation of international public and corporate commissions, academic engagements, performances, publishing projects, print editions, illustrations, grants, residencies, and other project based artwork. Public and corporate commissions include artworks and installations for banks, airports, office complexes, university buildings, public transit stations, and other spaces. Personal business records relate to bookkeeping and sales, donations, inventories, publication, copyright, supplies, invoicing, recommendations, residences, storage of works, and studio administration. Printed material includes announcements, posters, articles, reviews, exhibition catalogs, and periodicals related to Mullican's career. One folder of photographs documents Mullican, his family, and installations of his work at various venues and exhibitions.
Restrictions
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Related link
Record ID
ebl-1562712661500-1562712661521-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw9b03f0ef5-d634-41f3-a571-cf1f9ac4ff5c

In the Collection

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  • International Court of the Sea, Hamburg

  • Matt Mullican Interview by Michael Tarantino

  • DAS Project, Munich

  • Exhibition with Jonathan Borofsky

  • Galerie Daniel Blau

  • Los Angeles Convention Center

  • Centre pour l'Image Contemporaine, Geneva, Anticipation, Version 4 (1999)

  • Research, Hanne Darboven

  • Community College of Rhode Island, Public Art Project

  • Sarhpatistraat, Het Oosten

  • Richard Kuhlenschmidt Gallery

  • Louisiana Museum of Modern Art, Denmark

  • Center for Contemporary Art, Warsaw

  • Museum in Progress, Info Screen Project

  • Fondation pour l'Architecture

  • Source Material

  • Ponton 90 Temse

  • Galerie Michael Cosar

  • Museu de Arte Contemporânea de Serralves, More Details from an Imaginary Universe (2000), Traveling Exhibition

  • Museum of Modern Art, Oxford

  • Van Abbemuseum, Eindhoven

  • Oversized Print Edition, Carl Solway Gallery from Box 17, Folder 4

  • Triple X Amsterdam

  • United Postal Service

  • Galerie Maerz

  • Espai d'Art Contemporani de Castello

  • Schellmann Edition

  • Musée des Beaux-Arts, Tourcoing

  • Royal Netherlands Academy, Traces of Science in Art (1998)

  • Swiss Bank

  • Domaine de Kerguehennec

  • Travel Agenda

  • Renaissance Society Edition

  • Interview Transcripts

  • Rijksakademie van Beeldende Kunsten

  • Personal Business Records

  • Centre d'Art Contemporain, Geneve

  • Floriade 1992, Zoetermeer

  • Galerie Ghislaine Hussenot

  • Deutsche Leasing

  • Stadtsparkasse, Wetzlar

  • Publishing Projects

  • Storage

  • Art for the World, The Edge of Awareness (1998)

  • European Cultural Month, The Eye of Poseidon (1998)

  • Akron University, Arts and Sciences Building

  • The Museum of Contemporary Art, The Temporary Contemporary

  • Werkstatt Kollerschlag

  • Galleria Bonomo

  • Oversized Los Angeles Convention Center from Box 15, Folders 24-25

  • Ars Electronica Centre Project

  • Public Art Fund, Union Square

  • Grants

  • Galerie Johann Widauer

  • Guild Hall, Souvenirs (1999)

  • Kunstverein, Hamburg

  • Bronx School for Law, Government, and Justice

  • Stroom, The Hague

  • Shibuya BEAM Hall, Media Passage, Intercommunications 93 (1993)

  • Studio Records

  • NUR Frankfurt

  • The New Museum

  • Documenta X

  • Garching, Munich Proposal

  • Opera National, Bruxelles

  • Musées du Havre

  • 182 Grand Street, New York City

  • Fondation de France, "Nouveaux Commanditaires," Lille

  • Progressive Corporation, Annual Report Illustration

  • Oversized Newport Harbor Museum from Box 16, Folder 20

  • Bay-Adelaide Centre Public Art Program

  • Centraal Museum, Utrecht, Panorama (2000)

  • ProjectSD, Barcelona, Breaking Up Is Hard to Do (2006)

  • Orlando Museum of Art

  • Oversized Paris Opera House from Box 17, Folder 1

  • Flushing Meadows Corona Park

  • Oversized Stadtsparkasse, Wetzlar from Box 17, Folder 19

  • 360° Köln (Cologne)

  • MIT, List Visual Arts Center, The MIT Project (1990)

  • Third Culture Copenhagen

  • Orbis Terrarum

  • Carthag Festival

  • Newport Harbor Museum

  • Hirshhorn Museum

  • Kunstverein, Arnsberg

  • Family Papers

  • Kunstmuseum, Wolfsburg, Tuning Up (1994)

  • Phone Message Books

  • Recommendations

  • Southeastern Center for Contemporary Art, Parallel Worlds (1998)

  • CalArts (California Institute of the Arts)

  • Palais des Nations, Geneva, Dialogues de Paix (1995)

  • Carl Solway Gallery

  • Deutscher Akademischer Austauschdienst (DAAD)

  • Percent for Art, New York Department of Cultural Affairs

  • Caldic Collection, Rotterdam

  • Matt Mullican Interview by Richard Hertz

  • Galeria Cómicos, Belém Clube Museu

  • Photographs

  • Vienna Secession

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Notebook, "High School/CalArts"
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There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer
View Finding aid

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