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Harriet Blackstone papers

Archives of American Art

Object Details

Creator
Blackstone, Harriet, 1864-1939
Names
Anderson, Stell
Chase, Joseph Cummings, 1878-1965
Chase, William Merritt, 1849-1916
Dewing, M. O. (Maria Oakey), 1855-1927
Dewing, Thomas Wilmer, 1851-1938
Hobart, Alice Tisdale, 1882-1967
Holbrook, Florence
Landis, Mary
Laurens, Jean-Paul, 1838-1921
McCullough, Esther Morgan
Sargent, John Singer, 1856-1925
Washington, Booker T., 1856-1915
Wunder, Richard P.
Occupation
Painters -- New York (State) -- New York
Topic
Women artists
Women painters
Provenance
Microfilmed material transferred in 1978 from the National Collection of Fine Arts, who had acquired it in 1967 along with Harriet Blackstone's paintings from Stell Anderson, Blackstone's friend and a collector of her work. Anderson had received the papers from Blackstone's brother, Edward, in 1939. Upon Anderson's death, additional material was turned over to her niece Pat Rauchenstein, who donated them in 1989. Prior to the donation, the papers were in possession of Esther McCullough, who annotated some items and added research material in preparation for her unpublished manuscript "Harriet Blackstone, 1864-1939."
Creator
Blackstone, Harriet, 1864-1939
See more items in
Harriet Blackstone papers
Sponsor
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Biographical / Historical
Harriet Blackstone (1864-1939) was a painter in New York, New York. Blackstone was born on November 13th, 1864 in New Hartford, New York. In 1883, she moved to Illinois where she became a high school elocution teacher. She did not start her studies to be an artist until 1903 when she enrolled at the Pratt Institute of Art in Brooklyn, New York. While there her art teacher was William Merritt Chase. Later, Blackstone went to the Academie Julian in Paris, France to gain more experience with Jean Paul Laurens as her instructor. Blackstone started to gain attention as a renowned artist in 1907 when her painting, Soldat de Crimée, was exhibited in The Salon, Paris. She moved back to Glencoe, Illinois and focused more on her artwork by painting commissions and joining different art organizations, such as the Chicago Society of Artists and the Arts Club. Blackstone travelled to different locations, including Taos, New Mexico and Bruges, Belgium, to help inspire her creativity. In 1920, Blackstone moved back to New York City where she would spend the remainder of her life; she never married or had children. She died on March 16, 1939 and was survived by her brother and friends. During her art career, Blackstone often painted portraits of well-known people and over time she developed her own style of work. Her artwork was displayed in several prominent cities in the United States: Washington, D.C., Chicago, Philadelphia, Pittsburgh, and New York City. Some of Blackstone's artwork became part of permanent collections, such as Soldat de Crimée, which was acquired by the National Gallery of Art in 1921, now known as the Smithsonian American Art Museum.
Extent
5.4 Linear feet
Date
1870-1984
Archival Repository
Archives of American Art
Identifier
AAA.blacharr
Type
Collection descriptions
Archival materials
Photographs
Sketchbooks
Scrapbooks
Citation
Harriet Blackstone papers, 1870-1984. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is arranged as 9 series. Series 1: Biographical Material, circa 1930-1973 (Box 1, 6; 7 folders) Series 2: Correspondence, circa 1883-1984 (Box 1; 0.4 Linear Feet) Series 3: Writings, 1861-1979 (Boxes 1-2; 1.0 Linear Feet) Series 4: Personal Business Records, circa 1906-late 1930s (Box 2; 0.2 Linear Feet) Series 5: Printed Material, 1901-1984 (Boxes 2-3, 6; 0.8 Linear Feet) Series 6: Scrapbook, circa early 1900s (Boxes 3, 6; 0.2 Linear Feet) Series 7: Photographs, 1870-early 1900s (Boxes 3-4, 6, BV 7, 8-9; 1.7 Linear Feet) Series 8: Artwork, 1870-1929 (Boxes 4-5; 0.2 Linear Feet) Series 9: Artifacts, circa early 1900s-1939 (Box 5, Artifact; 0.4 Linear Feet)
Processing Information
Collection processed in 2015 by intern, Christen P. Brown.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Existence and Location of Copies
Portions of this collection are available on 35 mm microfilm reels 1617, 1621-1622 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the material described in the container inventory does not reflect the arrangement of the collection on microfilm.
Genre/Form
Photographs
Sketchbooks
Scrapbooks
Scope and Contents
The papers of painter Harriet Blackstone date from 1870-1984 and measure 5.4 linear feet. The collection provides documentation of Harriet Blackstone's career through scattered biographical material; personal and professional correspondence, including letters from Maria Oakey Dewing, Thomas Wilmer Dewing, Alice Tisdale Hobart, Joseph Cummings Chase, Stell Anderson, Mary Landis, Esther Morgan McCullough, and Booker T. Washington; writings by Blackstone, Esther Morgan McCullough, Richard P. Wunder, and Florence Holbrook; personal business records; clippings, exhbition material, and other printed material; one scrapbook; photographs of Blackstone, family, friends, and notable artists William Merrit Chase, Jean Paul Laurens, and John Singer Sargent; artwork; and four sketchbooks. Also found are a few artifacts found on Blackstone's easel.
Restrictions
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Related Materials
Also at the Archives of American Art is the Richard Wunder research material on Harriet Blackstone.
Related link
Record ID
ebl-1562710234339-1562710234349-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw9a1365f7a-75aa-42a7-bbf9-4864c3ff116d

In the Collection

Pages

  • « first
  • ‹ previous
  • 1
  • 2
  • E

  • The American Magazine of Art

  • Writings about Harriet Blackstone

  • Y

  • "Harriet Blackstone: American Artist" by Esther Morgan McCullough Draft 1

  • Heyman, Katherine Ruth

  • Fine Arts Journal

  • Bibliography

  • List of Paintings with Notes by Harriet Blackstone

  • Harriet Blackstone's Chronology by Esther Morgan McCullough

  • Vayana, Nunzio

  • Paper Dolls

  • Exhibition Catalogs

  • National Arts Club Studio

  • Others

  • Artifacts

  • Harriet Blackstone's Inventory

  • Places

  • Humiston, Grace

  • Passport

  • The Art News

  • Printed Material

  • Campbell, John A.

  • Partridge, Charlotte Russell

  • Miscellaneous

  • Pastel Self-Portrait of Harriet Blackstone

  • Visiting Cards

  • Silhouette of Harriet Blackstone by Webster

  • Sketchbook

  • Artwork, Mounted on Glass

  • The International Studio

  • L

  • Artwork

  • Scrapbook Pages

  • W

  • Thorne, Louie

  • A

  • "Harriet Blackstone: American Artist" by Esther Morgan McCullough Draft 3

  • Harriet Blackstone's Personal Record of Paintings

  • Biographical Material

  • U

  • Dewing, Maria Oakey

  • The Weekly Magazine of New York Life

  • Mechlin, Leila

  • Unidentified Correspondents

  • Negatives

  • Alphabetical List of Portraits by Harriet Blackstone

  • R

  • Biography Notes by Esther Morgan McCullough

  • Taos, New Mexico

Pages

  • « first
  • ‹ previous
  • 1
  • 2
Anderson, Stell
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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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