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Dore Ashton papers

Archives of American Art

Object Details

Creator
Ashton, Dore
Names
Cooper Union for the Advancement of Science and Art -- Faculty
New School for Social Research (New York, N.Y.) -- Faculty
Yale University -- Faculty
Adams, Pat, 1928-
Adley, James, 1931-
Albee, Edward, 1928-
Albers, Josef
Arnheim, Rudolf
Avedon, Richard
Berthot, Jake, 1939-2014
Borges, Jacopo Luis
Congdon, Dennis
Cornell, Joseph
Diebenkorn, Richard, 1922-1993
Driskell, David C. (1931-2020)
Giacometti, Alberto, 1901-1966
Guidieri, Remo
Guston, Philip, 1913-1980
Hellman, Lillian, 1905-1984
Herbert, George
Hiss, Alger
Howes, Barbara
Kaprow, Allan
Licht, Fred, 1928-
Lindner, Richard, 1901-1978
Malamud, Bernard
Miró, Joan, 1893-
Motherwell, Robert
Moy, Seong
Mumford, Lewis, 1895-1990
Oldenburg, Claes, 1929-
Reuterswärd, Carl Fredrik, 1934-
Sterne, Hedda, 1910-
Tinguely, Jean, 1925-
Tobey, Mark
Tworkov, Jack
Vasilikos, Vasilēs, 1934-
Yunkers, Adja, 1900-1983
Occupation
Art critics -- New York (State) -- New York
Art historians -- New York (State) -- New York
Authors -- New York (State) -- New York
Educators -- New York (State) -- New York
Topic
Women art critics
Women art historians
Women authors
Women educators
Art criticism
Art, Modern
Art -- Study and teaching
Artists -- United States
Provenance
The Dore Ashton papers were donated to the Archives of American Art by Dore Ashton May 27, 1982, May 8, 1997, June 2, 2011, and March, 25, 2016.
Creator
Ashton, Dore
See more items in
Dore Ashton papers
Sponsor
Funding for the processing of a portion of this collection was provided the Smithsonian Institution Collections Care and Preservation Fund
Summary
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.
Biographical / Historical
Dore Ashton (1928-2017) was an art critic, author, and educator in New York City. She wrote, contributed, and edited more than 30 books. Ashton was born in Newark New Jersey in 1928 and received an MA from Harvard University in 1950. Her many books and articles focus on late 19th and 20th century art and artists. Ashton was associate editor at Art Digest from 1952-1954, and critic for Arts and Architecture at the New York Times, 1955-1960. Starting in 1962 she held several lecturing posts at various institutions including the School of Visual Arts, Cooper Union, and the New School for Social Research. She was awarded a Guggenheim fellowship in 1964 and a National Endowment for the Humanities grant in 1980. Among Ashton's books are Abstract Art Before Columbus, 1956; Poets and the Past, 1959; A Joseph Cornell Album, 1974; Yes, But…A Critical Study of Philip Guston, 1976, About Rothko, 1983; The New York School: a Cultural Reckoning, 1973; Noguchi East and West, 1992; and David Rankin: The New York Years, 2013. Dore Ashton was the first critic to develop a comprehensive and eye-witness account of the history of the Abstract Expressions. Ashton married artist Adja Yunkers (1900-1983) in 1953, and they had two daughters Alexandra (known as Sasha) and Marina. In 1985 she married writer Matti Megged (1923-2003). She died in The Bronx, New York City, New York in 2017.
Extent
35.6 Linear feet
Date
1849
circa 1928-2014
Archival Repository
Archives of American Art
Identifier
AAA.ashtdore
Type
Collection descriptions
Archival materials
Diaries
Photographs
Sketchbooks
Transcripts
Citation
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is arranged as 8 series. Series 1: Biographical Materials, 1962-1978 Series 2: Correspondence, 1945-2010, undated Series 3: Writings, 1952-1976, undated Series 4: Research files, 1849, 1950-1984, 2009, undated Series 5: Printed Materials, 1931-1981, undated Series 6: Artwork, 1949, 1952, 1983, undated Series 7: Photographs of Artwork, circa 1950-2010 Series 8: Addition to the Dore Ashton Papers, circa 1928-2013
Processing Information
The collection was partially processed by Jean Fitzgerald in 1997. The collection was minimally processed and a finding aid created by Valerie Vanden Bossche in 2013 with funding provided by the Smithsonian Institution Collections Care and Preservation Fund. The 2016 addition was processed to a minimal level and the finding aid updated by Hilary Price in 2017.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Existence and Location of Copies
Portions of the collection are available on 35 mm microfilm reels 5143-5152 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the material described in the container inventory does not reflect the arrangement of the collection on microfilm.
Genre/Form
Diaries
Photographs
Sketchbooks
Transcripts
Scope and Contents
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material. The bulk of the collection consists of correspondence with many artists, writers and others, including Pat Adams, James Adley, Rudolf Arnheim, Jake Berthot, Dennis Congdon, George Herbert, Remo Guidieri, Barbara Howes, Fred Licht, Joan Punyet Miro, Carl Fredrik Reuterswärd, and Hedda Sterne, among others. Smaller amounts of letters are from Joseph Albers, Edward Albee, Richard Avedon, Richard Diebenkorn, David Driskell, Alberto Giacometti, Philip Guston, Lillian Hellman, Alger Hiss, Bernard Malamud, Joan Miro, Robert Motherwell, Lewis Mumford, Claes Oldenburg, and Vassilis Vassilikos. Writings consist of transcripts of miscellaneous articles or those written for various publications. Research files include reference or research materials for books, exhibitions, individuals and various topics. Individuals and topics include Jacopo Luis Borges, Allan Kaprow, Richard Lindner, Seong Moy, Jean Tinguely, Mark Tobey, Jack Tworkov, Adja Yunkers; and Dadaism, poetry and symbolism. The addition to the Dore Ashton papers (Series 8) includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material. Writings make up a significant part of the addition and contain hundreds of manuscripts, as well as lectures, notes, sixty notebooks, ten diaries, and writings by others. Writing project and subject files comprise over half of the addition and encompass a large collection of alphabetical files pertaining to artists, actors, writers, thinkers, and collaborators; work projects including writings, exhibitions, panels, symposia, and lecture series; as well as various other subjects and topics. The addition also contains teaching files related to Ashton's positions at the Cooper Union, the New School for Social Research, and Yale University. The photographic material in this series is also abundant and contains hundreds of original photographs of Ashton throughout all stages of her life, many with friends and family.
Restrictions
Use of original papers requires an appointment.
Related Materials
Among the holdings of the Archives is an oral history interview with Dore Ashton conducted November 21, 2010 by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project. Dore Ashton papers are also located at Emory University Manuscript, Archives, and Rare Book Library.
Related link
Record ID
ebl-1562709620805-1562709620848-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw96b23d022-d02d-4a06-ba62-e34c59ad25ae

In the Collection

Pages

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  • Individuals: Miriam Schapiro

  • Art International Articles

  • "With but a Single Kelle One Can Make Tea"

  • L

  • Czechoslovak Art

  • Jeannet, Frédéric Yves

  • Wadley, Nick

  • "Tom Doyle"

  • Exter, Alexandra

  • Introduction, 37 Artists, UNESCO

  • "Inside the Studio"

  • Postmodernism

  • Joseph Cornell

  • Adams, Pat

  • "A Tuning Fork of the Times"

  • "Implications of Nationalism for Abstract Expressionism"

  • "American Mutations"

  • Titus-Carmel, Gérard

  • Katan, Roger

  • de Kooning, Willem

  • "The Presence of Myth in Contemporary Life," Conference

  • Passports

  • B

  • Book: A Joseph Cornell Album

  • "Our Contemporary, de Kooning"

  • Avanti Group

  • De Kooning, Willem

  • Mondrian, Piet

  • Notebooks (2)

  • L, General

  • Bloch, Pierrette

  • German Art

  • Sketches

  • "The Coincidence of the Arts"

  • Sketchbook

  • Art and Politics

  • "James Rosati;" "Portrait of the Artist as Litterateur: Varujan Boghosian"

  • Joseph Cornell

  • "Introduction to the Federation of Modern Painters and Sculptors, Inc."

  • France Observateur Article

  • Individuals: Jacopo Luis Borges

  • Saint Mark's Church

  • "Miro's Sculptures"

  • "The Phantom Landscape in 20th Century Art"

  • Japanese Art

  • Cézanne, Paul

  • "The Question of Crafts"

  • Banach, Joan

  • Berlin-New York Article

  • Dore Ashton, Professional Portraits

  • Travel

  • July-December 1976

  • "Remembering Nivola"

  • Dompé, Maria

  • "The Museum of Modern Art's Drawing Collection"

  • Mitchell, Joan

  • "Arnold Schoenberg's Ascent (Chapter V)"

  • Writing Assignments and Lectures

  • Mallarmé, Stéphane

  • "Earle Brown's Continuum"

  • Wiley, William

  • Lynton, Norbert

  • Notebook, "Japan"

  • "Millares"

  • Cooper Union, Administrative Files

  • Guiseppe Capogrossi

  • Caracas, Venezuela Assignment

  • Donation to the Museum of Modern Art

  • Sam Gilliam

  • Komar and Melamid

  • Megged, Matti

  • Delauney, Robert

  • Charles, Michelle

  • Carra, Carlo

  • Topics: Prints

  • "Lyracism in Abstract Art"

  • "Influence or Confluence?" Museo del Prado

  • O

  • "Dürer's Melancholia"

  • Fred Licht, "Sainty Sancho"

  • Stella, Frank

  • Marin, John

  • "Davis and Gorky"

  • "Art and Social Change"

  • S, General

  • "Hugh O'Donnell"

  • "The What and Why of Abstract Expressionism"

  • "Critical Attitudes toward Contemporary Art"

  • Liberman, Alexander

  • Notebook, "London and Yorkshire"

  • "Nothing is Preordained..." (Daniel Barrett Ben-Schmuel)

  • Machine Art Exhibition at Museum of Modern Art

  • "Kenneth Martin"

  • Forward, Criticism

  • Film

  • Gropius

  • Notebook, "Brazil"

  • Burckhardt, Rudy

  • Johnson, Ray

  • Germany

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1958
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