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Emma Amos papers

Archives of American Art

Object Details

Creator
Amos, Emma, 1937-2020
Names
Antioch College
Mason Gross School of the Arts (Rutgers University)
Spiral (Group of artists)
Browne, Vivian E., 1929-1993
Roth, Moira
hooks, bell, 1952-2021
Occupation
Painters -- New York (State) -- New York
Printmakers -- New York (State) -- New York
Topic
African American painters
African American printmakers
Women painters
Women printmakers
African American artists
Women artists
Provenance
The collection was donated in 2020 by Emma Amos as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Creator
Amos, Emma, 1937-2020
See more items in
Emma Amos papers
Summary
The papers of African American painter and printmaker Emma Amos measure 37.1 linear feet and date from circa 1900 to 2019. The collection documents Amos's family history, her professional life, and the intersection of her heritage and artwork. Found in the collection are biographical materials, family and inherited papers, correspondence, writings, project and exhibition files, teaching files, other professional records, personal business records, printed and photographic materials, and artwork.
Biographical / Historical
Emma Amos (1937-2020) was an African American painter and printmaker in New York, N.Y. Amos was born in Atlanta, Georgia to a prominent family that had connections to Hale Woodruff, Zora Neale Hurston, and W.E.B. DuBois. Her mother, India DeLaine Amos, received a degree in anthropology from Fisk University in Tennessee and her father, Miles Green Amos, was a pharmacist and graduate of Wilberforce University in Ohio. In 1923, Miles Amos, with his uncle Moses Amos, established the Amos Drug Store which became a social and intellectual center of the neighborhood. Amos graduated from Booker T. Washington High School at 16. She enrolled at Antioch College where she received a Bachelor of Fine Arts in 1958. During her time at Antioch, Amos would spend part of the year attending classes and the rest of the year working in cities like Washington, D.C., New York, and Chicago where she frequented the local galleries and museums. During her fourth year, she traveled to study at the London Central School of Art with Anthony Harrison. After graduating from Antioch, she returned to London to get a degree in etching in 1960. She later received a Master of Art from New York University in 1966. At the beginning of Amos's career, she went to New York because of the lack of opportunities in Atlanta. In New York, Amos began teaching art at the Dalton School. She started working with printmakers like Robert Blackburn eventually taking a job with designer Dorothy Liebes in 1961 who she worked for until 1969. Later, Amos taught textile design at Newark School of Art. In 1980, she began teaching at the Mason Gross School of Art at Rutgers University eventually becoming Chair of the Visual Arts department. Amos retired in 2008. Amos was a member of the influential artist collectives Spiral, Heresies, and Guerrilla Girls. She was the creator and host of the WGBH television program about crafts, Show of Hands (1977-1978). She has exhibited her work in numerous exhibitions including Emma Amos, Paintings and Prints, 1982–1992 and Soul of a Nation: Art in the Age of Black Power. Amos died in Bedford, N.H. in 2020.
Extent
37.1 Linear feet
Date
circa 1900-2019
Archival Repository
Archives of American Art
Identifier
AAA.amosemma
Type
Collection descriptions
Archival materials
Citation
Emma Amos papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.
Arrangement
The collection is arranged as 11 series. Series 1: Biographical Material, 1937-2012 (1.2 linear feet; Boxes 1-2, 37) Series 2: Family and Inherited Papers, circa 1900-2017 (3.5 linear feet; Boxes 2-4, 38, OV 43) Series 3: Correspondence, 1952-2019 (3.2 linear feet; Boxes 4-7) Series 4: Writings, 1948-2010s (1.5 linear feet; Boxes 7-8, 42) Series 5: Project and Exhibition Files, 1950s-2019 (8.2 linear feet; Boxes 8-16, 37, OV 45) Series 6: Teaching Files, 1948-2013 (3.5 linear feet; Boxes 16-20, 37, OV 44) Series 7: Other Professional Activities, circa 1960s-2018 (4.0 linear feet; Boxes 20-24, 46) Series 8: Personal Business Records, 1960-2019 (2.0 linear feet; Boxes 24-26, OV 43) Series 9: Printed Materials, 1908-2019 (4.5linear feet; Boxes 26-30, 39, OV 43, OV 45) Series 10: Photographic Materials, circa 1900-2010s (3.5 linear feet; Boxes 30-33, 40) Series 11: Artwork, circa 1940s-2010s (2.0 linear feet; Boxes 33-36, 41)
Processing Information
The collection was processed by Rayna Andrews and Sarah Mundy, and a finding aid prepared by Sarah Mundy in 2022.
Rights
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Scope and Contents
The papers of African American painter and printmaker Emma Amos measure 37.1 linear feet and date from circa 1900 to 2019. The collection documents Amos's family history, her professional life, and the intersection of her heritage and artwork. Found in the collection are biographical materials, family and inherited papers, correspondence, writings, project and exhibition files, teaching files, other professional records, personal business records, printed and photographic materials, and artwork. Biographical materials include Amos's student records from Antioch and New York Universities, her personal Bible, resumes, and video recordings of interviews with bell hooks and Moira Roth. The Amos family and inherited papers of close family friends contain photographs, scrapbooks, correspondence, and memorabilia from Fisk University. Correspondence is with colleagues at galleries, museums, and arts organizations regarding exhibitions, the Spiral artist group, and Amos's other professional activities, as well as her personal letters with friends and family. Also found in the collection are writings that include drafts, published copies of essays, autobiographical writings, lecture video recordings, mock-ups of book projects, and a few writings by others. Project and exhibition files are for the television show Show of Hands (1977), The Sky's the Limit installation at IS90, Emma Amos: Paintings and Prints 1982-1992 retrospective exhibition, and the Ralph David Abernathy Memorial Project. Teaching files are from Rutgers University where she served as Chair of Visual Arts at the Mason Gross School of the Arts. Amos's files for her other professional activities document fellowships and residencies, memberships, presentations at conferences and workshops, travel, and exhibitions she curated such as Progressions: A Cultural Legacy (1986), also co-curated by Julia Hotton and Vivian Browne, and Resisting Categories: Finding Common Ground. Personal business records include gallery files, datebooks, donation and loan records, ledgers and sales books, invoices and receipts, and studio supply records. Printed materials contain clippings, exhibition announcements and catalogs, magazines and journals, and video recordings of the documentary Emma Amos: Action Lines featuring Amos and her artwork. Photographic materials consist of photographic prints, negatives, transparencies, photographic digital prints, slides, photographs albums, and 1 electronic disc of Amos, family and friends, parties and events, art models, snapshots, and works of art. Artwork contains mainly preparatory and source materials created and collected by Amos for use in her work.
Restrictions
Material regarding the Guerrilla Girls is access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Related Materials
Also in the Archives of American Art are: Oral history interview with Emma Amos, 1968 October 3 and Oral history interview of Emma Amos, 2011 November 19-26.
Related link
Record ID
ebl-1596137428793-1596137428795-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw961ea519e-31d8-4638-9487-54641641d72a

In the Collection

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  • Assorted Projects and Exhibitions

  • Heresies: A Feminist Publication on Art and Politics, Published Copies

  • Assorted Projects and Exhibitions

  • Stella Jones Gallery

  • Photograph Album, Camp

  • Exhibition of Works by Amos and Muneer Bahauddeen (1988) at Isobel Neal Gallery

  • "Email Photographs, Friends"

  • New Jersey Arts Annual: Fine Arts (1999) at New Jersey State Museum

  • A Coloring Lesson (1999) at James F. Byrnes Institut/Walter Bischoff Galerie

  • Assorted Projects and Exhibitions

  • Exhibition, The Future Must Be Sweet: Lower East Side Printshop Celebrates 40 Years (2008), Advisor

  • Emma Amos: Paper and Linen Drawings, Etchings and Weavings (1981) at Gallery 62 National Urban League

  • Celebration: Eight Afro-American Artists Selected by Romare Bearden (1984) at Henry Street Settlement

  • Mattie Mae Neely, Alpha Kappa Alpha Sorority

  • Chair of Visual Arts, Rutgers University

  • Student Paper

  • The Afro-American Artist in the Age of Cultural Pluralism (1987) at Montclair Art Museum

  • Division of Labor: "Women's Work" in Contemporary Art (1995-1996) at Bronx Museum of Art and Museum of Contemporary Art, Los Angeles

  • Tribute: Robert Blackburn (1984-1985) at Association of Community Based Artists of Westchester

  • Professional Correspondence, Letters from Students in Class 311

  • Pricing

  • Heresies Benefit at Bernice Steinbaum Gallery

  • Certificates

  • Show of Hands (1977), TV Bills

  • Presentations, David C. Driskell Center Distinguished Lectures in the Visual Arts Series

  • Weaving, Style Descriptions

  • Weaving, Binders

  • Exhibition Announcements and Catalogs, Others

  • Black History Month Exhibit (1991) at Jane Voorhees Zimmerli Art Museum

  • Ralph David Abernathy Memorial Project, Londino Stone Company

  • Presentations, Phelps Stokes Fund Africa Roundtable

  • Other Amos Interview Transcripts

  • Presentations, Various

  • Presentations, Southwestern University Visiting Artist

  • Teaching Notes

  • Mattie Mae Neely, College Scrapbook

  • Photographs Related to Artworks

  • Travel, Italy

  • Ralph David Abernathy Memorial Project, LAM Design

  • Family Correspondence, Emma L. Amos

  • India D. Amos, Printed Materials

  • Presentations, Printmaking Workshops

  • Ralph David Abernathy Memorial Project, Fabrication Correspondence

  • Drawing from Beginning to End (1992) at William Paterson College

  • India D. Amos, Photograph Album

  • Learning Through an Expanded Arts Program (LEAP)

  • Exhibition, Philadelphia Selections 4: Brace/Smart (2001) Curated by Amos

  • Exhibition Announcements and Catalogs, Amos

  • Student Work, Binder for Figure Drawing for Painting Course

  • Assorted Projects and Exhibitions

  • Autobiography: In Her Won Image (1988-1989), Traveling Exhibition

  • Other Professional Activities

  • Clippings

  • Family and Inherited Papers

  • Impressions/Expressions: Black American Graphics (1979-1980) at Studio Museum in Harlem and Traveling Exhibitions

  • Memberships, College Art Association

  • Skowhegan School of Painting and Sculpture

  • Interview Recording, Amos Interviewed by Moira Roth

  • Artist Files, Kerry James Marshall

  • New to New York: A Midcareer Survey (2002) at Art Resources Transfer

  • George Shivery, Slides of Artwork

  • Source Material, Found in Studio References

  • Assorted Projects and Exhibitions

  • Assorted Projects and Exhibitions

  • Poster, Guerrilla Girls

  • Receipts

  • Threadbare Unlimited Craft School

  • Tenure Package

  • Source Material, Athletics

  • Emma Amos: Paintings and Prints 1982-1992 Retrospective and Traveling Exhibition, Studio Museum in Harlem Copy of Guest Book

  • Assorted Projects and Exhibitions

  • Source Material, General

  • Exhibition Announcements and Catalogs, Others

  • 40 Years of women Artists at Douglass Library (2012)

  • Educational Records, New York University Diploma

  • Assorted Projects and Exhibitions

  • Women Call for Peace: Global Vistas (2010-2013), Traveling Exhibition

  • Mock-Up, "Art/Work Work Happy"

  • The Bearden Project (2012) at Studio Museum in Harlem

  • Veoria Shivery, Letter to Thurgood Marshall

  • Art Party at Bond St.

  • Calendars

  • "A Conversation: Emma Amos and Robert Gober," Interview Transcript

  • George Shivery, Artwork

  • Early Shows and London Shows, Exhibition Catalogs

  • New Jersey Project

  • Exhibition, You Must Remember This (1996) Curated by Amos

  • Studio Supply Records

  • Changing to Subject (1993) at Art in General

  • Interview Recording, "Meet the Artist" for Jersey City Museum

  • Locks in Translation (2010) at Gallery West and A.I.R. Gallery

  • Works of Art, "Mini Photos Catalog Reference"

  • Art Opening with Artist Friends

  • Collage/Construction/Installation (1981), The First Women's Bank

  • The Afro-American Artist in the Age of Cultural Pluralism (1987), Recording

  • Real (1996) at Bass Museum of Art

  • Photograph Album, Baby Photos

  • Associated American Artists

  • Artist Files, Christopher Cozier

  • Ralph David Abernathy Memorial Project, Bright Bimpong

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Certificates and Awards
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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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View Finding aid

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