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Oral history interview with Patrick Hylton

Anacostia Community Museum

Object Details

General
Associated documentation for this interview is available in the Anacostia Community Museum Archives.
Title created by ACMA staff using text written on sound cassette, contents of audio recording, textual transcript, and/or associated archival documentation.
Names
Howard University
Hylton, Patrick C.
Collection Creator
Smithsonian Institution. Anacostia Community Museum
Place
Jamaica
West Indies
Washington (D.C.)
United States
Occupation
Lawyers
Topic
Africans
Caribbeans
Caribbean Americans
Playwrights
Emigration and immigration
Reggae music
Ska (Music)
Rocksteady (Music)
Dancehall (Music)
Music
Rastafari movement
Social history
Identity
Gangs
Discrimination
Interviews
Culture
Jamaicans
See more items in
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records / Series 3: Oral History Interviews
Sponsor
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Extent
2 Digital files
1 Sound cassette
Date
1993 July 01
Archival Repository
Anacostia Community Museum Archives
Type
Archival materials
Digital files
Sound cassettes
Citation
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. exhibition records, Anacostia Community Museum, Smithsonian Institution.
Collection Rights
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Note
The total playing time of interview recording is approximately 1 hour and 30 minutes.
Scope and Contents
Patrick Hylton spoke about how he became involved in the music scene in Washington, DC; a description and the evolution of reggae, including the instruments used, in the Washington, DC region and internationally; why he decided to come to Washington, DC; why he applied to Howard University; how he supported himself financially while attending Howard University; returning to Jamaica for about 5 years after he finished school in the United States; and why he returned to the United States again; plays he wrote; his law practice and political action work; and his wife and children. He identified himself as a Caribbean citizen, American citizen, and citizen of the world. Hylton explained the relationship between Rastafarianism and reggae music; the history and relationship of ska, rocksteady, dancehall, and reggae music; the relationship between culture, everyday life, and music with descriptive examples; how and why music changes over time, illustrating changing economic, political, and social conditions; music comes from the people; and the role and purpose of music in people's lives. He also discussed crime and the posse; and racial, ethnic, and national origin discrimination. Hylton stated he writes plays and uses music in the plays, including his current work on a reggae musical. He talked about the lewd and vulgar content, and lack of creativity in current music; and explained there is nothing for him to learn from current music. Interview is in English. Digital audio files include very loud white noise and static; loud background noise, including people talking and sirens; and a little sound distortion. Interviewee's voice is difficult to hear at times.
Collection Restrictions
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Related link
Record ID
ebl-1712088000981-1712088003372-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/qa772242573-2fac-45ae-9578-b7d792a0d438

Related Content

  • Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records

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