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Oral history interview with C. K. Mann

Anacostia Community Museum

Object Details

General
Associated documentation for this interview is available in the Anacostia Community Museum Archives.
Title created by ACMA staff using text written on sound cassette, contents of audio recording, textual transcript, and/or associated archival documentation.
Names
Mann, C. K.
Collection Creator
Smithsonian Institution. Anacostia Community Museum
Place
Ghana
Washington (D.C.)
United States
Topic
Musicians
Highlife (Music)
Identity
Folk music
Folklore
Exploitation
Cultural appropriation
Emigration and immigration
Interviews
Culture
Ghanaians
See more items in
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records / Series 3: Oral History Interviews
Sponsor
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Extent
2 Digital images
1 Sound cassette
Date
1993 January 05
Archival Repository
Anacostia Community Museum Archives
Type
Archival materials
Digital images
Sound cassettes
Citation
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. exhibition records, Anacostia Community Museum, Smithsonian Institution.
Collection Rights
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Note
The total playing time of interview recording is approximately 1 hour and 35 minutes.
Scope and Contents
C. K. Mann, also known as the King of High Life and Charles Kofi Mann, spoke about where he was born and grew up in Ghana; learning to play guitar; folk musicians in Ghana; places he performed in Ghana, West Africa, and London; forming musical groups, including Carousel 7, and the names of the members of his group; his love of music; recording first record and hearing himself on the radio for the first time; other albums recorded; being exploited multiple times; being crowned in Ghana as the King of High Life in 1988; and his house, nightclub, and children in Ghana. He also explained the meaning of his name. The recording also includes music performed by C. K. Mann followed by an explanation of folktale told in the song. Mann spoke about migrating to Canada and then the United States; where he performed in the United States; how indigenous culture, including music and dress, is disregarded; lack of promotion of Ghana folk music; lack of promotion of culture and arts in English speaking countries; plans to play for the church; American music played on radio in Ghana, but African music not played on radio in US; commonalities across music from various countries; wanting to mix highlife music with salsa music; and how he wants to be remembered. He also spoke about African American musicians having money but not going to West Africa to help West Africans musicians; how top American musicians go to Africa to popularize themselves, and exploit Africans and African culture; his love for Americans; American sympathy as he sees it; violence in the United States; and why Americans go to East Africa. Interview is in English; C. K. Mann's music is not in English. Digital audio files include minimal white noise and static. Interviewee's voice is intelligible for the most part.
Collection Restrictions
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Related link
Record ID
ebl-1712088000981-1712088003347-1
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/qa77a8d1f0c-09ec-49b6-bd26-56245b3c9888

Related Content

  • Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records

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