Writings
Object Details
- Collection Creator
- Rush, Olive, 1873-1966
- See more items in
- Olive Rush papers
- Sponsor
- Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
- Extent
- 0.6 Linear feet (Box 2)
- Date
- 1886-1962
- undated
- Archival Repository
- Archives of American Art
- Identifier
- AAA.rusholiv, Series 3
- Type
- Archival materials
- Collection Citation
- Olive Rush papers, 1879-1967. Archives of American Art, Smithsonian Institution.
- Collection Rights
- The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
- Scope and Contents note
- This series contains diaries, notes, transcripts of lectures/talks, and other writings by Olive Rush, mostly about art, aesthetics, and art techniques. Also found are personal writings, creative writing, and writings of others. Rush's early diaries concern her childhood, education, and early career, including her experiences at the Corcoran School in Washington, D.C. and her arrival in New York City, where she studied with Henry Siddons Mowbray and Augustus St. Gaudens. A 1932 diary contains a daily account of her experience creating murals with young Native American artists at the Santa Fe Indian School. Rush's talks and lectures address mostly art-related topics, including art appreciation, modern art, her own art, and Indian art. Essays include a couple of brief, handwritten essays about Indian art. Notebooks include a book labeled "Analysis" which contains compositional analyses of modern paintings, detailed notes on other art subjects, and sketches. Two other notebooks contain records of her experiments and practices with art materials, particularly frescoes, for which she developed her own techniques suitable to the New Mexican climate. Detailed notes are found concerning Rush's mural project for the Biology Building at the New Mexico College of Agriculture and Mechanical Arts, a Federal Public Works of Art Project, as well as loose notes on a range of art subjects. Miscellaneous Notes contain contact information and other personal notes. Other writings are found in Series 1. More details on the Agricultural College mural are found in 1938 correspondence with R. Vernon Hunter, and many sketches for that project are found in Artwork (Series 4).
- Collection Restrictions
- The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
- Record ID
- ebl-1503511945594-1503511945616-2
- Metadata Usage
- CC0