Exhibition Files
Object Details
- Collection Creator
- Ramírez Jonas, Paul, 1965-
- See more items in
- Paul Ramírez Jonas papers
- Extent
- 3.05 Linear feet (Boxes 1-4, OV 7)
- 14.99 Gigabytes (ER01-ER05)
- Date
- 1990-2009
- Archival Repository
- Archives of American Art
- Identifier
- AAA.ramipaul, Series 2
- Type
- Archival materials
- Gigabytes
- Collection Citation
- Paul Ramírez Jonas papers, circa 1989-2014. Archives of American Art, Smithsonian Institution.
- Arrangement
- Records are arranged chronologically by year, and alphabetically by exhibition title or other file name if the exact title is not known, within each year.
- Collection Rights
- The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
- Scope and Contents
- Exhibition files provide a comprehensive survey of Ramírez Jonas's participation in group and solo exhibitions over more than two decades. Files may include correspondence, notes and sketches by Ramírez Jonas, printed matter, and photographic and digital material. Christopher Grimes Gallery correspondence documents Ramírez Jonas's professional relationship with Grimes as well as exhibitions at the gallery from the 1990s. Email correspondence with Jay Jopling documents Ramírez Jonas's relationship with Jopling and coverage of his first London exhibition, Heavier Than Air (1994), at White Cube. Material relating to the Africus Biennale (1995) and correspondence with Postmasters in 1995, includes letters from Ramírez Jonas recording his impressions of South Africa and his interactions with artists there, correspondence with Kendell Geers, and photos of himself and Geers. Also well documented are Ramírez Jonas's Heavier Than Air exhibitions at Cornerhouse and Ikon Gallery, including his notes, sketches, and installation photographs, and email exchanges regarding text for the catalog for the Ikon Gallery exhibition. Open, the Taylor Square Project exhibition relating to Ramírez Jonas's public art project for Cambridge's smallest public park, is also well documented. The project, which involved distributing thousands of artist-designed keys and an invitation to the public to duplicate them endlessly, is documented in notes, sketches, plans, product information, and photographs. Records document Ramírez Jonas's research methodology for, and execution of, the Taylor Square project.
- Collection Restrictions
- This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
- Record ID
- ebl-1594759053754-1594759053767-2
- Metadata Usage
- CC0