Printed Materials
Object Details
- Collection Creator
- Cramer, Konrad, 1888-1963
- See more items in
- Konrad and Florence Ballin Cramer papers
- Sponsor
- Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
- Extent
- 1.5 Linear feet (Boxes 6-7, 9, OV 11)
- Date
- 1906-1968
- Archival Repository
- Archives of American Art
- Identifier
- AAA.cramkonr, Series 7
- Type
- Archival materials
- Collection Citation
- Konrad and Florence Ballin Cramer papers, 1897-1964. Archives of American Art, Smithsonian Institution.
- Arrangement
- Materials are arranged by document type. Additional scattered printed materials are filed with Biographical Materials, Correspondence, Writings (Items found in diaries), and Personal Business Records. See series descriptions for more details.
- Collection Rights
- The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
- Existence and Location of Copies
- The bulk of this series has been scanned. With the exception of rare publications, only the cover, title page, and individual relevant pages have been scanned from published materials.
- Scope and Contents note
- This series includes clippings, exhibition catalogs, press releases, printed ephemera related to Woodstock organizations and events, and over a dozen periodicals and books by and about Woodstock artists and writers. Other materials include letterhead, business cards, brochures, posters, maps, postcards, and other publicity pieces. Exhibition announcements, catalogs, and invitations are for Florence Ballin Cramer's and Konrad Cramer's group and solo shows as well as shows of other artists. Clippings are mostly from New York City and Woodstock-area papers and include notices and reviews of exhibitions, art news and features, articles about friends and neighbors, and other miscellany. Some clippings have been pasted to other types of documents, such as contracts or correspondence related to one of the Cramers' exhibitions, and appear to have been cut from a scrapbook. A number of newspapers saved in their entirety feature coverage of significant local events in Woodstock. Brochures and letterhead are found for Konrad and Florence Ballin Cramer's various professional endeavors, including the Konrad Cramer's School for Miniature Photography as well as his auto mechanic service, Florence Ballin Cramer's antique shop, and other entities, many of which appear to be made with a manual letter-press and decorated with relief prints. Prints by other artists are filed separately and include a large engraved map of Woodstock created by Marg and Rudolph Wetterau. Additional prints are found in the Artwork series. Woodstock organizations and events are documented here with brochures, posters, announcements, catalogs, programs, directories, and newsletters, many of which refer to Konrad or Florence Ballin Cramer's involvement in the organization. Woodstock publications include thirteen titles of books, little magazines, and journals featuring prints, drawings, stencils, and writings of the Cramers and other Woodstock-area artists and writers such as Hervey White, Paul Rohland, Peggy Bacon, Alexander Brook, John Carroll, Andrew Dasburg, John Evert Bates, Jean Paul Slusser, Grace Mott Johnson, Judson Smith, Rudolph and Marg Wetterau, Arnold Blanch, and many others. The largest run in the series is for the satirical arts paper Hue and Cry, which includes several complete volumes for its early years as well as two annuals with original relief prints on rice paper and many art reproductions. Issues of both The Wasp and The Overlook contain lengthy essays about Konrad Cramer. Woodstock Gargoyles features articles by many mainstays of the Woodstock community including Konrad Cramer, and is the first and only issue of that publication.
- Collection Restrictions
- Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
- Record ID
- ebl-1562710903750-1562710903795-3
- Metadata Usage
- CC0