Personal Business Records
Object Details
- Collection Creator
- Cramer, Konrad, 1888-1963
- See more items in
- Konrad and Florence Ballin Cramer papers
- Sponsor
- Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
- Extent
- 0.3 Linear feet (Box 5, OV 10)
- Date
- 1918-1962
- Archival Repository
- Archives of American Art
- Identifier
- AAA.cramkonr, Series 6
- Type
- Archival materials
- Collection Citation
- Konrad and Florence Ballin Cramer papers, 1897-1964. Archives of American Art, Smithsonian Institution.
- Arrangement
- Materials are arranged by document type.
- Collection Rights
- The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
- Existence and Location of Copies
- The bulk of this series has been scanned. Routine financial records have not been scanned.
- Scope and Contents note
- This series contains records of Florence Ballin Cramer's and Konrad Cramer's respective artistic careers, other business and civic pursuits, and personal finances. Artwork and exhibition records of Konrad Cramer include correspondence with the Dudensing Gallery, the Whitney Museum, John Graham and Sons, the Woodstock Artists Association and other exhibitors and dealers. Also found are receipts and price lists, some of which are illustrated with rough sketches. Florence Ballin Cramer's artwork and exhibit records include price lists, receipts, a guest book, and mailing lists, most of which refer to her 1953 exhibition at the Woodstock Town House gallery. Documents from her exhibitions at the Marie Harriman Gallery and Long Island University are also found. Additional materials related to exhibitions can be found in Printed Materials. Records of Florence Ballin Cramer's 57th Street gallery, the Florence Gallery, include photographs of Florence in the gallery, her contract with H. Kevorkian for the use of the space, clippings, catalogs, price lists, and letters from artists and subscribers to the gallery, including Andrew Dasburg, Gene Speicher, Stefan Hirsch, Elie Nadelman, Christine Chaplin, Paul Rohland, Caroline Speare, John Everts Bates, and Forbes Watson. Also found are drafts of letters and other writings by Florence promoting the gallery and its mission, and a small card file recording sales, income and expenses, and contact information. Records of Florence Cramer's shop in Woodstock consist mostly of accounting and inventory records. Correspondence related to this venture can be found in the correspondence series, especially for the years 1925 to 1927. Records of Woodstock craft organizations include legal contracts, by-laws, letters, notes, press releases, and other records related to the Woodstock Guild of Craftsmen and the Crafts' Foundation of Woodstock. Included are drafts of letters and speeches related to the opening of the Kleinert Wing of the Woodstock Guild of Craftsmen's building in 1958. See Correspondence, Writings, and Printed Materials for additional materials related to these groups. Konrad Cramer's employment contracts with the Children's University School (now the Dalton School) and an advertising firm are also found. For materials related to his various teaching endeavors, see Writings and Printed Materials.
- Collection Restrictions
- Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
- Record ID
- ebl-1562710903750-1562710903791-6
- Metadata Usage
- CC0